SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of English"/1) | (@(roleclean,performerclean) "Company of English")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2077 matches on Event Comments, 512 matches on Performance Title, 347 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Devil to Pay

Dance: I: Scot's Dance by Mr and Mrs Davenport. II: English Maggot by Villeneuve and Mrs Walter. III: By Denoyer's Apprentice. IV: Minuet by Villeneuve and Mrs Anderson

Performance Comment: II: English Maggot by Villeneuve and Mrs Walter. III: By Denoyer's Apprentice. IV: Minuet by Villeneuve and Mrs Anderson .

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Virgin Unmask'd

Music: Select Pieces, particularly the March in Zara

Dance: I: Scot's Dance by Mr and Mrs Davenport. II: English Maggot by Villeneuve and Mrs Walter. III: By Denoyer's Prentice. IV: Minuet by Villeneuve and Mrs Anderson

Performance Comment: II: English Maggot by Villeneuve and Mrs Walter. III: By Denoyer's Prentice. IV: Minuet by Villeneuve and Mrs Anderson .

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Music: End Afterpiece: Handel's Water Musick, with Preamble on Kettle Drum by Benj. Baker

Dance: II: Peasant Dance by Tench and Miss Rogers. IV: Harlequin, Punch, and Colombine by Nivelon, Lalauze, and Mlle De L'Isle. End Afterpiece: Glover's Sailors Dance

Song: I: Mock Italian Song by Roberts. III: Dialogue by Leveridge and Mrs Wright. V: Praise of old English Beer by Leveridge, &c

Performance Comment: III: Dialogue by Leveridge and Mrs Wright. V: Praise of old English Beer by Leveridge, &c .

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Cheats of Scapin

Performance Comment: Scapin-Hippisley; Shift-Lalauze (, being the first time of his acting in English).

Song: A new Song-Beard

Dance: SSerious Dance, concluding with a Minuet-Misses Scott; Highlander and his Mistress-Lalauze, Mrs Laguerre; Punch in Love with Dame Ragonde, as17370319 Grecian Sailor-Glover

Event Comment: The hay advertised for 30 May and later two plays which never got staged: Macheath turn'd Pyrate; or, Polly in India. An Opera. Very much taken, if not improv'd from the famous Sequel of the late celebrated Mr Gay. With a New Prologue, proper to the Occasion. And after the Run of that, the Town will be entertain'd with a new Farce of two Acts, call'd The King and Titi; or, The Medlars. Taken from the History of Prince Titi, Originally written in French, and lately translated into English

Performances

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates, King Of Pontus

Afterpiece Title: The Royal Chace

Event Comment: In Chelsea. The First play in French, the second in English

Performances

Mainpiece Title: L'enfant Prodigue

Afterpiece Title: Squire Lubberly

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Mad Englishman Actor: Winstone

Afterpiece Title: Rosamond

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

Event Comment: A New English Opera. [By Lewis Theobald.] Set to Musick by Mr Galliard. Boxes 8s. Pit 5s. Gallery 3s. We are oblig'd to being exactly at Six, some of the Performers being afterwards wanted at the other Theatres

Performances

Mainpiece Title: The Happy Captive; With An Interlude In Two Comic Scenes, Between signor Capoccio, A Director From The canary Islands, And signora Dorinna, A Virtuosa

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Bridgwater; Constant-Hale; Heartfree-Ryan; Lady Fanciful-Mrs Bellamy; Lady Brute-Mrs Horton; Belinda-Mrs Vincent; Mademoiselle-Mlle Roland, the first time of her speaking on the English stage.

Afterpiece Title: The Whim; or, The Merry Cheat

Song: Leveridge, Salway

Dance: Glover, Mlle Roland, Mechel

Performances

Mainpiece Title: Thamas Kouli Kan, The Persian Hero; Or, The Distress'd Princess: With The Descent Of Harlequin From The Sun, And His Adventures On Earth

Performance Comment: Kouli Kan-Crofts; Albufazar-Marten; Firebrass-Harrington; Fribble-Julian; Vizier Mirza-Marr; Solyman-Taylor; Sydrophal-Master Nanfan; Zaida-Miss Bennet; Karanza-Mrs Dunstall; Harlequin-Yates; Jocula-Turbutt; Corporal Bounce-Dunstall; Mons Gasconnade-Blakes; Forge-Vaughan; Bog-Adams; Taffy-Lowder; Chant-Mackenzie; Snip-Arthur; Mrs Snip-Mrs Yates; A Drunken Epilogue in the Character of an English Sailor-Yates.

Entertainment: Singing, Dancing-Chettle, Mrs Dunstall; And the surprizing Performances of the famous little Prussian Posture Boy, lately arrived from Berlin

Event Comment: TThe London Magazine (Feb. 1742) reprinted an article from the Universal Spectator of this date on an Indian's observations on the manners of the English, which included a general account of a night at the theatre, in which the scene shifting and the music seemed most impressive to the writer

Performances

Event Comment: By Particular Desire. Rylands MS.: Young Gentleman-Hill. Being the last time of the Fausan's performing in England. [The Fausans had created twelve new Dances for the English during this tour.] Receipts: #120

Performances

Mainpiece Title: The Provoked Wife

Song: I: a Ballad-Lowe; III: Song-Mrs Arne; IV: Bright Author of my Present Flame-Lowe

Dance: II: Les Egyptiens, as17420224

Ballet: V: a Grand Comic Ballet The Peasant. Peasants-The Fausans; Shepherds-LaCroix, Desse, Constantini; Shepherdesses-Mrs Walter, Mrs Thompson, Miss Story

Performances

Mainpiece Title: The Fair Penitent

Dance: Mr Cook; being the 1st time of his performance since his arrival from the Opera at Paris. Also Les Demoiselles Anne and Janneton Auretti; Two French Girls, being the 1st time of their appearing on the English Stage

Performance Comment: Also Les Demoiselles Anne and Janneton Auretti; Two French Girls, being the 1st time of their appearing on the English Stage.

Performances

Mainpiece Title: Venice Preserved

Dance: Signor Grimaldi, detto Gamba di Ferro, Mlle Auguste. (Being the 1st time of his appearing on the English stage.

Performance Comment: (Being the 1st time of his appearing on the English stage.)
Event Comment: An English Opera. Benefit Mrs Lampe. 6 p.m. Prices 5s., 4s., 3s. Note. By Desire of several Ladies of Quality going to the Assembly, the Opera will be over by Nine o'Clock. Tickets at Mr Lampe's at the Golden Unicorn in Hanover St., Long-Acre

Performances

Mainpiece Title: Amelia

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: A new English Pastoral Serenata. Set to Musick by William DeFesch. 6 p.m. 5s. At the particular Desire of several Ladies of Quality. Tickets at the Author's Lodgings, at Mrs Misaubain's, on the Pav'd Stones, in St. Martin's Lane

Performances

Mainpiece Title: Love And Friendship

Performances

Mainpiece Title: Hamlet

Performance Comment: As17431214, but Hamlet-Sheridan (1st appearance on English Stage); Queen-Mrs Pritchard.

Afterpiece Title: The Necromancer

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: [P$Peter Promptwell writes a letter (Daily Gazetteer) commenting on William Hint's two letters. (See 13, 20, 23 Oct. He discourses on the history of the English stage, emphasizing that theatres were better directed heretofore than they are at present.

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Columbine Courtezan

Event Comment: The First Night. By Subscription. An Oratorio [Sung in English (Dean p. 238)]...with a Concerto on the Organ. Pit and Boxes to be put together and no Persons admitted without Tickets, which will be delivered this Day, at the Opera House in the Haymarket, at Half a Guinea each. Gallery 5s. The Gallery will be open'd at Four o'Clock, Pit and Boxes at Five. To begin at 6 p.m. Tickets are delivered to Subscribers at Mr Handel's House in Brooke St., near Hanover Square; at Mr Walsh's in Catherine St., in the Strand; and at White's Chocolate House in St. James St. [Repeated substantially in each ensuing bill.

Performances

Mainpiece Title: Deborah

Event Comment: [This Pastoral Serenata first appeared 21 March 1744 at the Crown and Anchor in the Strand, qv. At that time Beard, Savage, Mrs Clive and Miss Edwards sang in it.] By Subscription for three nights will be performed an English Pastoral Serenata, set to Music by Mr DeFesch. Pit and Boxes laid together at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. On the 20th of March and 3rd of April will be performed a New Oratorio call'd Joseph, also set to Music by Mr DeFesch. For the encouragement of such persons as shall please to favour Mr Defesch by subscribing one Guinea, they shall be entitled to six tickets, each of which will admit one into the boxes, or Two into the Gallery. Nobody to be admitted into the boxes without printed tickets, which will be deliver'd at the theatre. Subscriptions to be taken till the 5th of March, at Mr DeFesch's at the sign of the Angel and Trumpet, in St. Martin's Lane, at the Bedford Coffee House, Covent Garden; and at Mr Page's Stage Door-keeper. To begin at half an hour after six. This day is publish'd Papal Tyranny in the Reign of King John. [No price given, but the 1st edition lists it as 1s. 6d. Watts would have had to sell about two thousand copies to cover his investment in copyright and printing costs.

Performances

Mainpiece Title: Love And Friendship

Event Comment: HHorace Walpole to Sir Horace Mann, 29 March: The Town flocks to a new play of Thomson's call'd Tancred and Sigismunda: it is very dull: I have read it. I cannot bear modern poetry; these refiners of the purity of the stage, and of the incorrectness of English verse, are most woefully insipid. -Toynbee, Letters of Horace Walpole, II, 82

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Mainpiece: By Particular Desire. Afterpiece a new Pastoral English Opera set to Music by Mr DeFesch. Tickets to be had at DeFesch's Lodgings, the Ironmonger's in St Martin's Court, Leicester-Fields; and of Hobson at the stage door. Tickets deliver'd out for As You Like It by Mr DeFesch will be taken

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: Love and Friendship