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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Children"/1) | (@(roleclean,performerclean) "Company of Children")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2595 results for: Keyword - Company of Children
We found 1972 matches on Event Comments, 440 matches on Performance Title, 253 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1851
January 1686 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but the fact that the play was licensed on 1 March 1685@6, suggests a performance in January, possibly as late as February 1686. Langbaine (English Dramatick Poets, 1691, p. 179): This Play was affronted in the Acting, by some who thought themselves Criticks, and others with Cat--calls, endeavour'd at once to stifle the Author's Profit, and Fame. Three songs, From drinking of sack by the bottle, Look down fair nymph and see, and There is one black and solemn hour, all with music composed by Samuel? Ackroyde, are in The Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: The Banditti; Or, A Ladies Distress

1852
13 January 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: The Duchess Of Malfi

1853
18 January 1686 @ no theater listed

Event Comment: The Memoirs of Sir John Reresby, 18 Jan. 1685@6: After dinner the Lord? Chancellor, having drunke smartly at table (which was his custome) called for one Monfort, a gentleman of his that had been a comedian, an excellent mimick, and to divert the company, as he called it, made him give us a caus, that is, plead before him in a feigned action, wher he acted all the principal lawyers of the age, in their tone of voice, and action or gesture of body; and thus ridiculed not only the lawyers, but the law itselfe. This, I confess, was very diverting, but not soe prudent as I thought for soe eminent a man in soe great a station of the lawe; since nothing could get a man more enemies than to deride thos whom they ought most to sopport (ed. Browning, pp. 408-9)

Performances

1854
20 January 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

1855
23 January 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 23 Jan. 1685@6: Today will be acted King and noe King, by the King's command; everybody is sending to keep places; next week begins the French opera (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 102)

Performances

Mainpiece Title: King And No King

1856
27 January 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 28 Jan. 1685@6: Last night was acted, the Chances at Whitehall, and to-night should have been a musicke meeting at Yorke Buildings, which I am jest now told is to bee put of till next weeke. The French Opera will begin the weeke after the next (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 102)

Performances

Mainpiece Title: The Chances

1857
02 February 1686 @ Inner Temple

Event Comment: The United Company. The players received the customary fee of #20. See A Calendar of Inner Temple Records, III, 238

Performances

Mainpiece Title: The Committee

1858
03 February 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. On this date the Stationers' Register has a reference to a play called Love's Martyr; or, Witt Above Crownes, apparently by Mrs Anne Wharton, forbidding anyone from entering this play in the Stationers' Register

Performances

Mainpiece Title: The Scornful Lady

1859
04 February 1686 @ Drury Lane Theatre

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland. 6 Feb. 1685@6: Thursday was acted Mithridates? for the Queen and Goodman played (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [In L. C. 5@147, is a warrant to pay Mrs Barry for two plays-Valentinian and Mithridates-acted before the King and Queen, #40. The date of the warrant is 8 May 1686. If this warrant represents payment for this performance of Mithridates, probably Valentinian was acted in 1686.

Performances

Mainpiece Title: Mithridates

1860
06 February 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 Feb. 1685@6: Today is Othello (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II., p. 104)

Performances

Mainpiece Title: Othello, Moor Of Venice

1861
08 February 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 350. A reprint of this play in 1687 has the cast of the 1674 edition

Performances

Mainpiece Title: Macbeth

1862
10 February 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: The Humorous Lieutenant

1863
16 February 1686 @ Whitehall or St. James's

Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

1864
04 March 1686 @ Dorset Garden Theatre

Event Comment: The United Company. Newdigate newsletters, 4 March 1685@6: This day a new play called The Devil of a Wife was Acted with great Applause at that formerly called the Ds Playhouse (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also 6 March 1685@6

Performances

Mainpiece Title: The Devil Of A Wife; Or, A Comical Transformation

1865
06 March 1686 @ Dorset Garden Theatre

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 March 1685@6: To day is acted Jevarns' new farse; Thursday was the first day. I must confess it is the strangest thinge I ever saw; 'twas mighty full the last time, and to day there is noe getting in (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 106). [Since Friday 5 March was a Friday in Lent, it is possible that the farce was not given on that day.

Performances

Mainpiece Title: The Devil Of A Wife

1866
April 1686 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known. The edition of 1687 states on the title page: This may be printed, April 23. 1686. It was entered in the Stationers' Register, 8 May 1686, under the title: The Disappointed Marriage; or, Ye Generous Mistris. It was probably first given before mid-April 1686, with the publication delayed, a delay accounting for the fact that Mrs Percival, who did not marry Mountfort until 2 July 1686, appears in the cast as Mrs Mountford. A song, O love that stronger art than wine, the music by John Blow, the verse by Ousley, and sung by John Bowman, is in The Theater of Music, The Fourth Book, 1687

Performances

Mainpiece Title: The Luckey Chance; Or, An Alderman's Bargain

1867
08 April 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: The Committee

1868
30 April 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

1869
06 May 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351. General Patrick Gordon, 6 May 1686: I saw the Scots Batallion exercized in the Hide Park before the King and Queen, and saw the comedy, Rehearsal, acted (Passages from the Diary of General Patrick Gordon of Auckleuchbies [Aberdeen, 1859], p. 133)

Performances

Mainpiece Title: The Rehearsal

1870
10 May 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The K: & Q: & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: Sir Courtly Nice

1871
06 October 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on L. C. list, 5@147, p. 260: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351. Langhans, New Restoration Theatre Accounts, pp. 127-28, thinks that acting resumed on 27 Sept. 1686 and continued to 25 June 1687, with 30 Performances from 25 June to 12 Oct

Performances

Mainpiece Title: Mustapha

1872
13 October 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 260: The King & Queene & a box for ye Maydes of Honor. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

1873
20 October 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 260. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

1874
27 October 1686 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 260. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

1875
29 October 1686 @ The City, London

Performances

Mainpiece Title: London's Yearly Jubilee : Performed On Friday October Xxix

Performance Comment: 1686. For the Entertainment of the Right Honourable Sir John Peale, Knight, Lord Mayor of the City of London. With a Description of the several Pageants, Speeches and Songs, made proper for the Occasion. All set forth at the proper Costs and Charges of the Right Worshipful the Company of Mercers. Composed by M. Taubman.