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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Colonell Howard my Lord Berkshire"/1) | (@(roleclean,performerclean) "Colonell Howard my Lord Berkshire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2725 results for: Keyword - Colonell Howard, my Lord Berkshire
We found 1736 matches on Performance Comments, 614 matches on Event Comments, 468 matches on Author, 113 matches on Performance Title, and 0 matches on Roles/Actors.

1201
06 December 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Force Of Ridicule

Performance Comment: Characters-Palmer, Barrymore, Suett, R. Palmer, C. Kemble; Bannister Jun., Evans, Miss Farren, Miss DeCamp, Miss Mellon; [Larpent MS lists the parts: Lord Dorville, Lord Melford, Lord Annandale, Marquis, Sir Frederick, Humphrey, Lady Dorville, Lady Annhe, Tiffany.] Prologue-Palmer; Epilogue-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

1202
14 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Thou shalt bring them in-Miss Celson (1st appearance); He smote all the first@born of Egypt-Chorus (Israel in Egypt); Here amid these shady woods-Master Elliot (Alexander Balus); The trumpet's loud clangour-Incledon; The double double beat-Chorus (Dryden's Ode); He was eyes unto the blind-Miss Poole (Siroe); He layeth the beams-Reinhold (Ezio); He rebuked the Red Sea-Chorus (Israel in Egypt); Lord remember David-Mme Mara; From the censer-Chorus (Solomon).
Cast
Role: Lord remember David Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).
Cast
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Incledon

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

1203
30 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and March- (Scipio); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); He layeth the beams-Reinhold (Ezio); Grateful hearts-Miss Dufour (Nabal); Fall'n is the foe-Chorus (Judas Maccabaeus); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Bravura Agitata-Mme Mara; The Lord shall reign-Chorus; For the Horse of Pharaoh, And Miriam-Incledon; Sing ye to the Lord-Mme Mara; The Horse and his Rider-Chorus (Israel in Egypt); Mad Bess-Mme Mara (Purcell).
Cast
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

1204
09 November 1798 @ Covent Garden

Performances

Mainpiece Title: Lovers Vows

Cast
Role: Landlord Actor: Thompson

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Drunken Colonel-Knight; Goodall-Davenport; Oldcastle-Emery; Valentine-Mansel; Slap-Thompson; Security-Rees; Lord Pride-Claremont; Lord Puff-Abbot; Constable-Platt; Mrs Highman-Mrs Gilbert; Charlotte-Miss Mansel; Lettice-Mrs Mattocks.
Cast
Role: Lord Pride Actor: Claremont
Role: Lord Puff Actor: Abbot

Afterpiece Title: The Mouth of the Nile

1205
15 May 1799 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Lord Sands Actor: Fawcett
Role: Lord Chamberlain Actor: Clarke

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

1206
07 October 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.
Cast
Role: Lord Stanley Actor: Packer
Role: Lord Mayor Actor: Hollingsworth

Afterpiece Title: The Embarkation

1207
February 1665 @ The (first) Drury Lane Theatre

Event Comment: The Vestal-Virgin; or, The Roman Ladies (by Sir Robert Howard) was probably acted by February 1664@5. It was entered in the Stationers' Register on 7 March 1664@5 and published in 1665 in Four New plays. Downes (Roscius Anglicanus p. 15) lists it by title only. The King's Company

Performances

1208
22 April 1667 @ The (first) Drury Lane Theatre

Event Comment: Newsletter: Lacy, the famous comedian, is at length, by great intercession, released from his durance under the groom porter, where he stood committed by His Majesty's order for having 'on his own head' added several indecent expressions in the part he acted in a late play called The Change of Crowns, written by Mr Edward Howard (HMC, Fleming MSS, 12th Report, Part VII [1890], p. 47)

Performances

1209
05 May 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: [Creed] and I to the Duke of York's playhouse; and there coming late, he and I up to the balcony-box, where we find my Lady Castlemayne and several great ladies; and there we sat with them, and I saw The Impertinents once more, now three times, and the three only days it hath been acted. And to see the folly how the house do this day cry up the play more than yesterday! and I for that reason like it, I find, the better, too: by Sir Positive At-all, I understand, is meant Sir Robert Howard. My Lady [Castlemayne] pretty well pleased with it

Performances

Mainpiece Title: The Sullen Lovers

1210
19 December 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

1211
04 March 1671 @ no theater listed

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

1212
10 October 1685 @ Whitehall or St. James's

Event Comment: Samuel Pepys to Robert Southwell, 10 Oct. 1685: To night wee have had a mighty Musique--Entertainment at court for the welcoming home the King and Queen. Wherein the fraequent Returnes of the Words, Arms, Beauty, Triumph, Love, Progeny Peace, Dominion, Glory, &c. had apparently cost our Poet-Prophet more paine to finde Rhimes then Reasons (R. G. Howard, Letters and the Second Diary of Samuel Pepys [London, 1932], p. 171. [The entertainment for this occasion seems not to have survived.

Performances

Mainpiece Title: Concert

1213
03 September 1697 @ no theater listed

Event Comment: John Dryden to his sons, 3 Sept. 1697: After my return to Town, I intend to alter a play of Sir Robert Howards, written long since, & lately put by him into my hands: tis calld The Conquest of China by the Tartars. It will cost me six weeks study, with the probable benefit of an hunderd pounds. In the meane time I am writeing a Song for St Cecilia's feast, who you know is the Patroness of Musique. This is troublesome, & no way beneficiall: but I coud not deny the Stewards of the feast, who came in a body to me, to desire that kindness (Letters of John Dryden, p. 93)

Performances

1214
02 May 1733 @ Covent Garden

Event Comment: Benefit the Prompter (Stead). Afterpiece: Written by Mr Farquhar. [Tickets for Howard and Miss Horsington taken.] Receipts: money #16 19s.; tickets #83 14s

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Stage Coach

Music: V: Water Musick, as17330501; Kettle Drums, as17330501

Song: II: Dialogue-Leveridge, Mrs Wright in the Scottish Stile

Dance: I: Swedish Dal Karle-Jones, Mrs Ogden; III: Footing Dance with Hornpipe, as17330501; End Afterpiece: Scottish Dance, as17330501. IV: Masque of Vocal and Instrumental Musick. As17330501

1215
31 May 1736 @ Covent Garden

Event Comment: Benefit Howard, Bewly, Jones. Receipts: money #7 6s. 6d.; tickets #164 7s

Performances

Mainpiece Title: The Funeral

Dance: Tambourine by Miss Rogers. Polonese by Mlle De L'Isle. Peasant by Tench and Miss Rogers

1216
02 December 1745 @ Goodman's Fields

Event Comment: 1 Written by Shakespear. Benefit Powell, Howard, and others; by particular Desire. Afterpiece: Never acted there before. [The Debauchees; or, The Jesuit Caught, originally issued as The Old Debauchees by Henry Fielding, 1 June 1732, dl. Concluding the program with the National Anthem now omitted from the advertisements.

Performances

Mainpiece Title: 1 Henry Iv

Afterpiece Title: 1 The Debauchees

Song: 1 Brett

Dance: 1 As17451028

1217
06 February 1747 @ Goodman's Fields

Event Comment: Benefit Mrs Howard. Prices 3s., 2s., 1s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

1218
12 September 1748 @ Southwark Fair

Event Comment: At Lee, Yeates Sen & Jun and Warner's Booth, Southwark. Mrs Bracegridle died, at her House in Howard St. (Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: The Unnatural Parents Or The Fair Maid Of The West

Cast
Role: Lord Worthy Actor: Cuthbert

1219
08 December 1762 @ Covent Garden

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

1220
22 October 1763 @ Covent Garden

Event Comment: The Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos &c. The Overture composed by Abel. Books of the Opera to be sold at the theatre

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17631005

1221
23 August 1773 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17730712 but Howard.

Afterpiece Title: The Tobacconist

Entertainment: I: A Variety of Imitations Rhetorical and Vocal-Hutton; II: O What a Charming Thing's a Battle-Bannister; End: A New Song-Miss Wilde

Dance: End Interlude: A Tambourine Dance-Giorgi's Scholars

Monologue: Between Play and Entertainment: A Comic Interlude (taken from the Primitive Puppet Show) call'd A Sentimental Comedy; or, Piety in Pattens. Butler-Weston; Squire-Fearon; Mrs Candy-Mrs Palmer; Polly Pattens-Mrs Jewell

1222
18 May 1790 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Quick; Sultan-Farren; Elvirus-Holman; Lord Flint-Davies; Meanwight-Macready; Zadan-Powel; Keeper-Thompson; Haswell-Hull; Lady Tremor-Mrs Mattocks; Aurelia-Mrs Mountain; Female Captive-Mrs Pope; Original Epilogue-Mrs Mattocks.
Cast
Role: Lord Flint Actor: Davies

Afterpiece Title: The Englishman in Paris

Song: End II: The Memorable 13th of September; or, The Defeat of the Spaniards before Gibraltar-Bannister

Entertainment: Monologue. End: A Monody to the Memory of [that distinguished Philanthropist, John Howard Esquire [on whom the character of Haswell was founded]-Mrs Pope[, in the character of a Female Captive

Performance Comment: End: A Monody to the Memory of [that distinguished Philanthropist, John Howard Esquire [on whom the character of Haswell was founded]-Mrs Pope[, in the character of a Female Captive., in the character of a Female Captive.

1223
10 April 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by William Pearce. Text (T. N. Longman, 1794) has cast for season of 1794-95]: With new Music [by Shield), Scenes [by Richards (Theatre Notebook, Summer, 1965, XIX, 143)] and Dresses. The Music composed by [i.e. compiled from] Baumgarten, Paisiello, Dr Arne, W. Parke, Howard, and Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 26 Nov. 1794: This Day is published NETLEY ABBEY (1s.). Receipts: #399 5s. 6d. (378/1 1/6; 20/14/0)

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: NETLEY ABBEY

1224
17 September 1794 @ Covent Garden

Event Comment: Afterpiece: 11th time [i.e. in continuation of the reckoning for the previous season]. The Music composed by Baumgarten, Paisiello, Dr Arne, W. Parke. Howard and Shield. Books of the Songs to be had at the Theatre. Receipts: #230 12s. 6d. (226.1.6; 4.11.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: Netley Abbey

1225
26 December 1794 @ Covent Garden

Event Comment: [Mainpiece in place of The Earl of Essex, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1]: Composed, prepared and directed by Mark? Lonsdale. With new Music, Scenery, Machinery, Dresses and Decorations. The Dances by Byrn. The Music partly composed new by Shield [the printed score (Preston and Son [1794]) contains rest of new music, by Aylward , Atterbury, Spofforth, Howard, with overture by Gretry (from Evenements Imprevus)]; the rest selected by Goodwin from the works of Haydn, Aylward, Baumgarten, Boccherini, Pleyel, Gluck, Reeve, Dr Arne, Ware, Leffler Jun. & Spofforth. The Scenery (with very few exceptions) expressly designed and executed by Richards, Walmsley, Phillips, Lupino Jun. and Hodgins; assisted by Byrne, Holland, Thorne, Hollogan and others. The Dresses under the direction of Dick. Books of the Songs to be had at the Theatre. Receipts: #286 1s. (270.8; 15.13)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago or Harlequin the Hero