SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Notices of performances on this date had appeared since 8 Sept., as at common prices and written by the late Sir Richard Steele, yet under the unsettled circumstances Fleetwood may not have assembled the players necessary for the production. Macklin, Garrick, Mills, Pritchard, Havard, Berry, Leigh, Blakes, Woodburn, Mrs Clive, Mrs Pritchard, and Mrs Mills had withdrawn and were attempting to form a company for acting at the New Haymarket. See Drury Lane Management in the Introduction

Performances

Mainpiece Title: The Conscious Lovers

Performances

Mainpiece Title: The Miser

Performance Comment: Lappet-Mrs Clive , in which character will be introduc'd a Song call'd The Life of a Beau; Mariana-Mrs Horton; Clermont-Hale; Frederick-Bridgwater; Ramilie-Chapman; Cook-Woodward; Harriet-Mrs Vincent; Wheedle-Mrs Hale; Miser-Hippisley; With a New Prologue by Lockman on the Occasion-Hale ; Prologue by Lockman. Theatrical Clippings, Folger Library. Prologue by Lockman. Theatrical Clippings, Folger Library.

Afterpiece Title: n% Old Man Taught Wisdom; or, The Virgin Unmask'd

Performances

Mainpiece Title: The Miser

Performance Comment: As17431117, but a New Prologue by Lockman-_.

Afterpiece Title: The Lottery

Dance: LLes Paisans Moisonneurs, as17431026

Event Comment: In a short time will be perform'd at the Theatre in the Hay-Market, a Concert of Music; and the Tragedy of Othello, Moor of Venice. The character of Othello will be new dress'd agreeable to the Manner and Custom of his own Country. As both these entertainments will be perform'd by a set of Gentlemen for their own Diversion, no Money will be taken, nor any person admitted but by printed Tickets; which (by order of the Gentlemen) will be deliver'd gratis by Mr Machlin, at his House in Bow-Street, Covent Garden; where Ladies, by sending their Servants, may take Places for the Boxes.--Daily Advertiser

Performances

Mainpiece Title: None

Event Comment: A New Opera. [Adapted from As You Like It, by Rolli; music by Veracini (Nicoll, Early Eighteenth Century Drama, p. 398).

Performances

Mainpiece Title: Rosalinda

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Clive; Eurydice-Miss Young; Nymphs follower of Eurydice-1, Mlle Domitilla; 2, Mrs Fabres; 3, Mrs LaFont; 4, Mrs LeBrun; 5, Mrs Villeneuve; Pluto-Leveridge; Ascalax-Reinhold; Demons-Picq, Villeneuve, Delagarde; Harlequin-Woodward; Colombine-Mrs Kilby; Pantaloon-Rosco; Squire Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge-Hippisley; Woman dwarf-Young Ferg; Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Mrs Fabres, Mrs Villeneuve, Mrs LeBrun, Mrs LaFont; A Rural Swain, Nymph-Cooke, Mlle Bonneval; Villagers-Villeneuve, Delagarde, Dupre, Destrade, Mrs Fabres, Mrs Villeneuve, Mrs LeBrun, Mrs LaFont; Intermix'd with a new Pantomime in Grotesque Characters, call'd the Metamorphoses of Harlequin-.
Event Comment: Last Night was acted (for the third time) at the New Theatre in the Hay-Market, the Tragedy of Othello, Moor of Venice. The Gentleman who perform'd the character of Othello, receiv'd Universal Applause.--Daily Advertiser, 21 Feb

Performances

Mainpiece Title: Othello

Cast
Role: Montano Actor: York

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

Event Comment: Will be acted, by a set of Gentlemen for their own diversion, the tragedy of Othello, being the last time of their performing that play; the character of Othello will be new dress'd, agreeable to the custom of his own Country.-Daily Advertiser, 28 Feb

Performances

Mainpiece Title: Othello

Event Comment: Never acted there before. With all new Habits. Adapted to the stage, as alter'd from Milton's Masque at Ludlow Castle

Performances

Mainpiece Title: Comus

Event Comment: A new Oratorio, set to music by Signor Veracini

Performances

Mainpiece Title: L'errore Di Solomone

Event Comment: A new English Pastoral Serenata. Set to Musick by William DeFesch. 6 p.m. 5s. At the particular Desire of several Ladies of Quality. Tickets at the Author's Lodgings, at Mrs Misaubain's, on the Pav'd Stones, in St. Martin's Lane

Performances

Mainpiece Title: Love And Friendship

Performances

Mainpiece Title: Othello

Afterpiece Title: Old Man Taught Wisdom; or The Virgin Unmask'd

Performance Comment: As17440104, but Quaver-Beard (in which character will be introduced a new cantata).

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: (BBy Desire) To Arms, Britons Strike Home-Leveridge, Beard, Reinhold, Bencraft; Favourite Duette My Faith and Truth, from oratorio Sampson,-Mrs Clive, Miss Edwards

Event Comment: A New Opera [Descriptions as before. Really a pasticcio; libretto by Rolli (Nicoll, Early Eighteenth Century Drama, p. 389)]

Performances

Mainpiece Title: Aristodemo

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Performance Comment: As17440419 but a New Prologue for the Occasion-_.

Afterpiece Title: Damon and Phillida

Dance: As17440404

Event Comment: Benefit Winstone, Taswell, Miss Budgell, Miss Cole. Tickets deliver'd for Sir Courtly Nice will be taken. Yeaterday Morning died, after a short illness, Mr Norton, Author of the new Tragedy call'd Mahomet, Perform'd at the Theatre Royal in Drury Lane.-General Advertiser. On Friday died the Rev. Mr Miller of Roehampton, author of the Tragedy of Mahomet (which was acted last Friday, for the third time at Drury Lane Theatre), the Humours of Oxford, and other Dramatic performances.-Daily Advertiser, 30 April

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Devil to Pay

Event Comment: Benefit A Gentleman who has wrote for the stage, Mr Searle, Mr Walker (Numberer), and several others. Tickets deliver'd for the Gamester will be taken this night. The Daily Advertiser listed The Gamester: Benefit of the Author of a New Comedy intended for the stage, and wrote to expose some of the greatest Grievances the Nation Labours under in Time of Peace. [Includes a note begging encouragement.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lying Valet

Event Comment: We hear, that on Saturday last an entirely new Scene of the Temple of Gloryv was shown for the first time in the Opera of Alceste, which as it excell'd everything of that kind for its Magnificance and Elegancy hitherto exhibited in any theatre, so it met with an universal Approbation from a numerous and polite Audience.-General Advertiser, 4 June

Performances

Mainpiece Title: Alceste

Event Comment: The New Theatre in the Haymarket will be open'd next Week, for the Summer Season, with the Tragedy of Hamlet, Prince of Denmark....The Company have several old Plays in Rehearsal which they intend to revive, and entertain the Town with twice a Week. Particular Care will be taken to have the House made cool and commodious

Performances

Event Comment: A Concert, etc. 7 p.m. 4s., 2s. 6d., 1s. 6d. [New item in Daily Advertiser, 30 June, indicates the play was performed. Daily Advertiser, 3 July, has a letter appraising Goodfellow's rendition of To be or not to be.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: According to the news column of the Daily Advertiser more than five hundred persons attended the Wells this night, including one hundred sailors; on 25 Aug., the same paper estimates upwards of six hundred people in attendance. *

Performances

Event Comment: fterpiece by Carey; new here; original title: Nancy; or, The Parting Lovers.] The Seventh Day. At the Particular Desire of several Persons of Quality

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Love in Low Life; or, A Press Gang at Billingsgate

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Performances

Mainpiece Title: The Prodigal; Or, Recruits For The Queen Of Hungary

Event Comment: MMr Handel proposes to perform by Subscription 24 times during the Winter Season and engages to exhibit two new Performances and several of his former Oratorios. 8 Guineas. At his House in Brooke St.

Performances

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: A new Musical Drama, compos'd by Mr Handel. Libretto by Thomas Broughton. [Mrs Cibber was scheduled to sing the part of Lichas, but was indisposed.

Performances

Mainpiece Title: Hercules