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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6823 results for: Keyword - College of New York
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4901
06 May 1731 @ Lincoln's Inn Fields

Event Comment: By Command of His Royal Highness. Benefit Miss Holliday. Afterpiece: A New Pastoral Ballad Opera of one Act [Author unknown]. Receipts: money #47 16s.; tickets #123 13s. [Prince and two of three eldest Princesses present.] Gentleman's Magazine, I (1731), 216: Miss Holliday...received from the Royal Family, over and above the usual Present, a large Gold Medal, weighing about 50 Guineas, with the Bust of her Majesty as Electress of Hanover on each Side

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Judgment of Paris; or, The Triumph of Beauty

Dance: SShepherds and Shepherdesses by Nivelon-Nivelon, Newhouse, Pelling, Dupre Jr, Mrs Laguerre, Mrs Bullock, Mrs Ogden, Miss LaTour; Chacone-Dupre, Mrs Pelling

4902
21 May 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Fall Of Mortimer

Performance Comment: As17310517, but New Prologue, Epilogue-.

4903
24 May 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Fall Of Mortimer

Performance Comment: As17310517. new Prologue, Epilogue.

4904
04 June 1731 @ Goodman's Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

Performance Comment: A New Prologue address'd to the Town, by Mr Odell-Barden.

4905
08 June 1731 @ Lincoln's Inn Fields

Event Comment: DDaily Journal, 8 June: We hear that Part of the Company of Comedians from [lif] will open their Theatre at Richmond the latter End of this Week; and tho' they were well approved of last Season, yet have laid out considerable Sums in new Scenes and Cloaths; and...have strengthened their Company...particularly [with] the pleasant and facetious Mr Hippisley

Performances

4906
11 June 1731 @ Southwark

Event Comment: At Lee's Great Booth: a new Entertainment of the Opera kind

Performances

Mainpiece Title: The Unhappy Libertine

4907
21 June 1731 @ Windmill Hill

Event Comment: Benefit Mrs Wilson. At the particular Desire of several Gentlemen and Ladies. At the New Theatre on Wind-mill Hill. Pit and Boxes laid together by Desire at 2s. each

Performances

Mainpiece Title: The Fair Penitent

4908
04 August 1731 @ Tottenham Court

Event Comment: By a Company of Comedians from Goodman's Fields, and both the Theatres Royal, at the New Theatre in Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

4909
18 August 1731 @ Drury Lane Theatre

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Triumphs Of Love And Honour

Afterpiece Title: The What D'ye Call It

Music: Select Pieces-

Dance:

4910
24 August 1731 @ Bartholomew Fair

Event Comment: At Lee-Harper Booth. An excellent new Droll

Performances

Mainpiece Title: Guy, Earl Of Warwick: With The Comical Distresses Of Rogero, Guy's Servant

Song: The best Masters

Dance: The best Masters

4911
16 October 1731 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: With new Scenes, Habits, Machines, and other Decorations

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Cephalus and Procris; With Harlequin Grand-Volgi

Song: Miss Raftor

4912
26 October 1731 @ Goodman's Fields

Performances

Mainpiece Title: Cato

Afterpiece Title: Flora

Dance: Eaton, Miss Sandham. With New Habits

Performance Comment: With New Habits.

4913
01 November 1731 @ Drury Lane Theatre

Event Comment: All the Characters new dress'd

Performances

Mainpiece Title: The Provok'd Husband

Song: Singing in English-Miss Raftor

Dance:

4914
15 November 1731 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. With a new set of Scenes being a prospect of the Ponte Rialto at Venice, painted by Mr Devoto

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil to Pay

4915
10 December 1731 @ Drury Lane Theatre

Event Comment: Never Acted before. [By Aaron Hill.] With new Habits, Scenes, and other Decorations, proper to the Play. Admission: 5s., 3s., 2s., 1s. [See Pope, Correspondence, III, 253-54.

Performances

Mainpiece Title: Athelwold

4916
18 December 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17311117, but Parly-Mrs Haughton; With a new Prologue, Epilogue on the Occasion-.

Afterpiece Title: The Lovers Opera

Song: With the usual Songs-

Dance: Burney, Miss Wherrit

4917
13 January 1732 @ Drury Lane Theatre

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

4918
15 January 1732 @ King's Theatre

Event Comment: [Music by Handel. Translation by Samuel Humphreys.] Wherein the Cloaths and Scenes are all entirely New. Colman's Opera Register: But did not draw much Company

Performances

Mainpiece Title: Aetius

4919
28 January 1732 @ Lincoln's Inn Fields

Event Comment: Not Acted [there] these Seven Years. With all New Habits. Receipts: #49 7s. 6d

Performances

Mainpiece Title: The Committee

Dance: TThe Grand Aga and his Sultana-Salle, Mrs Laguerre; The Baulk-Salle, Mrs Laguerre

4920
15 February 1732 @ King's Theatre

Event Comment: A New Opera. [Music by Handel. Done into English by Humphreys. Their Majesties, Prince, eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

4921
19 February 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Modern Husband

Performance Comment: As17320218 With a new Epilogue.

4922
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

4923
07 March 1732 @ Goodman's Fields

Event Comment: A New Opera of three Acts. [Author unknown.

Performances

Mainpiece Title: The Footman

4924
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

4925
17 March 1732 @ Haymarket Theatre

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wanton Jesuit; or, Innocence Seduced

Dance: HHornpipe-Jones' Scholar