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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6823 results for: Keyword - College of New York
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3176
09 July 1712 @ St Martin's Lane

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: With a new Prologue-the Lion from the Opera in the Hay-Market; and a new Epilogue-a young Child who play'd the part of the Child in Caius Marius.
Cast
Role: With a new Prologue Actor: the Lion from the Opera in the Hay-Market
Role: and a new Epilogue Actor: a young Child who play'd the part of the Child in Caius Marius.

3177
10 January 1713 @ Queen's Theatre

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

3178
30 May 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Afterpiece Title: The Country Wake

Performance Comment: And a New Prologue-Turner; And a New Epilogue-Penkethman riding on an Ass.
Cast
Role: And a New Prologue Actor: Turner
Role: And a New Epilogue Actor: Penkethman riding on an Ass.

Song: Mad Song, Mad Dialogue (composed by $Purcell)-Turner, Mrs Willis in their proper Habits

Dance: As17151122; Harlequin-Mrs Santlow; Mimic Song and Dance-Mrs Willis

3179
17 December 1722 @ Haymarket Theatre

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Performance Comment: Volatil-Orfeur; Riot-Bowman; Horatio-Miller; Sir Tristram-Paul; Young Cash-Phipps; Spitfire-Drew; Cynthia-Mrs Orfeur; Arabella-Mrs Ratcliffe; Aurelia-Mrs Cooper; With a new Prologue-Mr Orfeur; a new Epilogue-Mrs Orfeur.
Cast
Role: With a new Prologue Actor: Mr Orfeur
Role: a new Epilogue Actor: Mrs Orfeur.

Song: Particularly Singing-Mrs Bowman

Dance:

3180
24 February 1726 @ Haymarket Theatre

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-Royer; Acasto-Huddy; Monimia-Mrs Haughton; Page-Mrs Tollet; Serina-a Gentlewoman [who never appear'd on any Stage before possible Lavinia Fenton]; [With a new Prologue-Mr Royer; [and a new Epilogue-Mrs Haughton.
Cast
Role: With a new Prologue Actor: Mr Royer
Role: and a new Epilogue Actor: Mrs Haughton.

Song: Singing in Italian and English-Mrs Fitzgerald

Music: The Original Trumpet Song of Sound Fame-by Mr Henry Purcel Mr Armstrong

3181
11 April 1728 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17280316 but Basset-Cibber Jr; With the Romp's Song as usual-; new Ballad, called, The Fine Lady's Life-in the Character of Miss Jenny; And a New Epilogue adress'd to the Men of Pleasure-Miss Brett, being her first Performance in that Capacity.
Cast
Role: And a New Epilogue adress'd to the Men of Pleasure Actor: Miss Brett, being her first Performance in that Capacity.

Dance: End I: Harlequins-Young Master Lally, Miss Brett; In Masquerade Scene: Polonese-Rainton, Miss Robinson Sr; V: Coquette Shepherdess-Lally, Mrs Booth

3182
27 May 1728 @ Haymarket Theatre

Event Comment: Benefit the English Harlequin. By a New Company of English Comedians, who never yet appear'd upon that Stage. [Second Piece: "a New Farce (of one Act)." Apparently not published. Third Piece: "a New Entertainment in Grotesque Characters."

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Chimney Sweeper's Opera

Afterpiece Title: Harlequin Conqueror

3183
30 May 1729 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Wedding

Performance Comment: See17290529, but With a New Prologue-; New Epilogue-.
Cast
Role: With a New Prologue Actor:
Role: New Epilogue Actor: .

3184
12 March 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Flora

Performance Comment: Hob-Jones; With a New Prologue-Miss Jones; a New Epilogue-Wells.
Cast
Role: With a New Prologue Actor: Miss Jones
Role: a New Epilogue Actor: Wells.

3185
14 April 1730 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Beggar's Wedding

Dance: End I: Dutch Dance-Miss Robinson; a Scholar of Mr Essex. II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams

Performance Comment: II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams.
Cast
Role: A New Dance Actor: Miss Robinson
Role: A New Grand Dance Actor: Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams.

3186
01 March 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17301207, but Duretete-Morgan; Dugard-Havard; Bravos-W. Giffard, Bullock, Pearce; New Prologue-Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons; new Epilogue-Mrs Haughton.
Cast
Role: New Prologue Actor: Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons
Role: new Epilogue Actor: Mrs Haughton.

Afterpiece Title: Flora

Dance:

3187
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

3188
23 February 1733 @ Haymarket Theatre

Event Comment: Mahnpiece: A New Opera. Set to Musick by Mr Lampe. [Author of text unknown.] Afterpiece: a new Pantomime Entertainment. [Author unknown.] All the Dresses are intirely new. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: Dione

Afterpiece Title: The Usurer; or, Harlequin's Last Shift

3189
17 March 1733 @ King's Theatre

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

3190
22 May 1733 @ Goodman's Fields

Performances

Mainpiece Title: Macbeth

Performance Comment: See17330409 A new Prologue addresses to the Merchants and Citizens of London,-the Author; A new Epilogue to be spoken-Morgan, Penkethman by way of Dialogue, riding on two Asses.
Cast
Role: See17330409 A new Prologue addresses to the Merch Actor: the Author
Role: A new Epilogue to be spoken Actor: Morgan, Penkethman by way of Dialogue, riding on two Asses.

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

3191
26 January 1734 @ King's Theatre

Event Comment: A New Opera. [Text by F. Colman. Music by Handel.] Colman Opera Register: Ariadne in Crete a new Opera & very good & perform'd very often Sigr Carestino sung surprisingly well: a new Eunuch many times perform'd

Performances

Mainpiece Title: Ariadne [in Creta]

3192
07 September 1734 @ Drury Lane Theatre

Event Comment: The Scenes new. And the Theatre new painted, new decorated, &c. 6 P.M

Performances

Mainpiece Title: 7 Love For Love

Dance: By Nivelon, Essex, Pelling, Davenport, Mrs Pelling, Mrs Walter, Miss Mann, particularly The Black and White Joke and Revellers

3193
02 February 1736 @ Haymarket Theatre

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Rival Milliners

Performance Comment: As17360119, but Molly Wheedle-Miss Burgess. With a New Prologue .
Cast
Role: Molly Wheedle Actor: Miss Burgess. With a New Prologue
Role: and gives Molly Wheedle Actor: Miss Burgess. A New Prologue to the Farce, on the Taste of the Town in their Entertainments, and a new Epilogue

Dance: Irish Trot. Scot's Dance. Two Pierrots. Sailor's Dance

3194
08 January 1737 @ King's Theatre

Event Comment: A New Opera. [Text by Xeno. Music by Broschi.] Lucy Wentworth, 8 Jan.: My mama has been so good to give me leave to goe to the Opera to night with Lady Anne. 'Tis to be a new one call'd Merophe, but the foolish Buffo's are to be left out which I am very glad of, but am sorry they are to have five hundred pound a piece for acting that silly stuf two nights if one may believe Mr Hamilton.The Opera is to be heard but once for he says 'tis the worst that ever was composed.-Wentworth Papers, p. 528. phay The Defeat of Apollo. Rehearsed. DDaily Advertiser, 11 Jan.: The Prologue to The Defeat of Apollo, which, in Compliment to some Gentlemen, was spoke last Saturday at the Rehearsal, encourages the Town to hope for what is new and entertaining. [For additional puffs, see Daily Advertiser, 11 and 12 Jan.

Performances

Mainpiece Title: Merope

3195
10 January 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: All Alive And Merry; Or, Men In Pursuit Of Money

Performance Comment: All@Alive@and@Merry-Lord Flame [Samuel Johnson of Chesire]; others-W. Giffard, Hewitt, Norris, Lyon, Rosco, Penkethman, Mrs Roberts, Mrs Charke, Mrs Chambers, Miss Tollett, Miss Burgess, Mrs M. Giffard; And a new Prologue-Giffard; [With a New Hierogliphical Dancing Epilogue-.
Cast
Role: And a new Prologue Actor: Giffard
Role: With a New Hierogliphical Dancing Epilogue Actor: .

Afterpiece Title: The Beggar's Pantomime

3196
28 April 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17380208, but Caska-Winstone; Portia-Mrs Porter; Citizens-Johnson, Miller, Harper, Griffin, Macklin; With a new Prologue-Quin; a new Epilogue-Mrs Porter.
Cast
Role: With a new Prologue Actor: Quin
Role: a new Epilogue Actor: Mrs Porter.

3197
13 December 1739 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.
Cast
Role: With two new Concertos for several Instruments Actor: never perform'd before
Role: The last New Ode of Mr Dryden's Actor:

3198
20 December 1739 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but two new Concertos for several Instruments-(never perform'd but once)-; Also The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.
Cast
Role: two new Concertos for several Instruments Actor:
Role: Also The last New Ode of Mr Dryden's Actor:

3199
21 February 1740 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but With two new Concertos for several Instruments-; Also The last New Ode of Mr Dryden's- .
Cast
Role: With two new Concertos for several Instruments Actor:
Role: Also The last New Ode of Mr Dryden's Actor: .

Music: nd% a Concerto on the Organ-

3200
22 February 1743 @ King's Theatre

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle