SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cibber Jun"/1) | (@(roleclean,performerclean) "Cibber Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3615 matches on Author, 3462 matches on Performance Comments, 625 matches on Event Comments, 100 matches on Performance Title, and 55 matches on Roles/Actors.

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Performance Comment: Lear-Quin; Edgar-Ryan; Gloster-Bridgwater; Bastard-Hale; Kent-Rosco; Albany-Gibson; Cornwall-Cashell; Burgundy-Bencraft; Gentleman Usher-Woodward; Goneril-Mrs Woodward; Regan-Mrs Mullart; Cordelia-Mrs Cibber.
Cast
Role: Cordelia Actor: Mrs Cibber.

Dance: DDutch Skipper, as17421025; Comic Dance between Pantaloon and his Enamorata-Picq, Mlle Auguste; Grand Ballet, as17421108

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Cibber; Archer-Giffard; Mrs Sullen-Mrs Giffard; Aimwell-W. Giffard; Sullen-Peterson; Freeman-Mozeen; Foigard-Julian; Gibbet-Clough; Boniface-Dunstall; Lady Bountiful-Mrs Bambridge; Dorinda-Mrs E. Giffard; Gipsey-Mrs Dunstall; Cherry-Mrs Chetwood, from the Theatre Royal in Dublin.
Cast
Role: Scrub Actor: Cibber

Afterpiece Title: Imprisonment of Harlequin

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Cibber; Old Batchelor-Giffard; Belmour-W. Giffard; Vainlove-Dighton; Sharper-Mozeen; Wittol-Peterson; Setter-Julian; Bluff-Dunstall; Sylvia-Mrs E. Giffard; Araminta-Mrs Dunstall; Lucy-Mrs Chetwood; Belinda-Mrs Butler; Laetitia-Mrs Giffard.
Cast
Role: Fondlewife Actor: Cibber

Afterpiece Title: Imprisonment of Harlequin

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: Caled-Quin; Abudah-Hale; Daran-Cashell; Phocyas-Ryan; Eumenes-Rosco; Herbis-Gibson; Artamon-Ridout; Sergius-Carr; Eudocia-Mrs Cibber.
Cast
Role: Eudocia Actor: Mrs Cibber.

Dance: CCharacters of Dancing, as17421025; Le Rendezvous Gallant, as17421217

Performances

Mainpiece Title: Alls Well That Ends Well

Performance Comment: Parolles-Cibber; King-W. Giffard; Bertran-Giffard; La Feu-Peterson; Clown-Dunstall; Florence-Blakey; Dumain Sr-Mozeen; Dumain Jr-Freeman; Steward-Julian; Widow-Mrs Bambridge; Mariana-Mrs Dunstall; Countess-Mrs Butler; Diana-Mrs Chetwood; Helena-Mrs Giffard.
Cast
Role: Parolles Actor: Cibber

Afterpiece Title: Bickerstaffs Unburied Dead

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).
Cast
Role: Micah Actor: Mrs Cibber

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performance Comment: Wildair-Giffard; Clincher-Cibber; Standard-W. Giffard; Lady Lurewell-Mrs Giffard; Angelica-Mrs Chetwood.
Cast
Role: Clincher Actor: Cibber

Afterpiece Title: The Lying Valet

Dance: I: a Serious Dance-Mlle Roland; III: Sailor's Dance-Delamayne, Mlle Roland; V: (by Desire) a Minuet, Louvre-Delamayne, Mlle Roland. [Dances not in Daily Advertiser.

Performances

Mainpiece Title: Messiah

Performance Comment: . Sopranos-Signora Avogli (or Miss Edwards), Mrs Clive; Contralto-Mrs Cibber; Tenor-Beard; Bass-Reinhold. (Deutsch, p. 564.)
Cast
Role: Contralto Actor: Mrs Cibber

Music: Concerto on Organ-; Violin Solo-DuBourg

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Crack-Cibber; Surly-Dunstall; Violante-Mrs Dunstall; Sir Courtly Nice-Peterson.
Cast
Role: Crack Actor: Cibber

Afterpiece Title: Bickerstaffs Unburied Dead

Song: Mrs Dunstall

Performances

Mainpiece Title: Love For Love

Performance Comment: As17430217, but Prue-Miss Hippisley, from the Theatre Royal in Covent Garden; Snap-Freeman; Mrs Foresight-Mrs Bambridge; Nurse-Mrs Haughton; Jeremy-Miss Royer; Epilogue [kindly sent to his [Milward's] Widow the Night before by the Gentleman who wrote The Man of Taste [James Miller]-Cibber. (Theatrical Clippings, Folger Library.)
Cast
Role: ] Actor: Cibber.
Role: Tattle Actor: Cibber

Afterpiece Title: The Virgin Unmasked

Event Comment: Benefit Raftor, Mrs Clive's brother (Winston MS.). Bayes attempted by Mrs Clive, instigated to it by Cibber (as an) act of envy to Garrick, but he missed his aim, for she did it most wretchedly. It was believed she would not have gone through the part. A great house. If she had succeeded she meant to repeat it for her own Benefit. (Winston MS. from Dyer MS.) Mrs Clive did Bayes at the Desire of Several Ladies of Quality. Three rows of the Pit rail'd into the Boxes, where servants may keep places as well as on the stage. To prevent Mistakes in places already taken, it is desir'd that those Gentleman and Ladies, in whose names they are set down, would please to send for Tickets to Hobson at the stage door

Performances

Mainpiece Title: The Rehearsal

Song: I: Beard; III: Lowe; IV: Miss Edwards

Dance: II: Serious Dance, as17430504; V: Tyrolean Dance, as17421129

Performances

Mainpiece Title: The Alchemist

Performance Comment: Subtle-Mills; Face-Cross; Sir Epicure-Berry; Lovewit-Turbutt; Ananias-Morgan; Tribulation-Taswell; Surly-Havard; Dapper-Green; Kastril-Neale; Dame Pliant-Miss Bennet; Doll Common-Mrs Cross; Abel Drugger-Cibber.
Cast
Role: Abel Drugger Actor: Cibber.

Afterpiece Title: The Lawyers Feast

Dance: III: Italian Masquerade, as17431126

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: As17431201, but Fondlewife-Colley Cibber.
Cast
Role: Fondlewife Actor: Colley Cibber.

Afterpiece Title: Columbine Courtezan

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Cibber Sen.; Razor-Neale; Lady Brute-Mrs Woffington; Lady Fanciful-Mrs Giffard; Mademoiselle-Mrs Chetwood; Constant-Havard; Heartfree-Mills; Col Bully-Blakes; Lord Rake-Winstone; Justice-Woodburn; Constable-Ray; Belinda-Mrs Mills.
Cast
Role: Sir John Brute Actor: Cibber Sen.

Afterpiece Title: Columbine Courtezan

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth With The Humours Of Sir John Falstaff Justice Shallow Ancient Pistol

Performance Comment: Falstaff-Berry; King-Delane; Justice Shallow-Cibber Sen.; Prince of Wales-Mills; Duke of Lancaster-Havard; Bishop of York-Turbutt; Canterbury-Woodburn; Chief@Justice-Bridges; Hastings-Blakes; Gower-Usher; Silence-Neale; Pistol-Yates; Poins-W. Giffard; Bardolph-Ray; Scroop-Arthur; Westmorland-Winstone; Cambridge-Taswell; Gray-Dunstall; Hostess-Mrs Cross; Doll Tearsheet-Mrs Bennet.
Cast
Role: Justice Shallow Actor: Cibber Sen.

Afterpiece Title: Columbine Courtezan

Event Comment: The New Theatre in the Haymarket will speedily be open'd with Shakespeare's Romeo and Juliet, by Permission, according to Act of Parliament. This Piece, it's said, has not been played these hundred years. The character of Juliet is to be acted by Miss Jenny Cibber, a young daughter of Mr Cibber, by his first wife....A new Comedy, call'd the Prodigal; or, Recruits for the Queen of Hungary, will soon after be brought on that Stage.-Daily Advertiser

Performances

Performances

Mainpiece Title: The Distressed Mother

Performance Comment: Orestes-Delane; Pyrrhus-Giffard; Pylades-Havard; Hermione-Mrs Giffard; Andromache-Mrs Cibber, 1st appearance at dl in 9 years; Phenix-Winstone; Cephisa-Mrs Cross; Cleone-Mrs Bennet.

Afterpiece Title: The Amorous Goddess or Harlequin Marryd

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: See17441004, but Tom-Cibber; Indiana-Miss Jenny Cibberrest omitted.
Cast
Role: Tom Actor: Cibber
Role: Indiana Actor: Miss Jenny Cibberrest omitted.

Afterpiece Title: The Gardeners Wedding

Music: II: German Flute-Thumoth

Song: WWas ever Nymph Like Rosamund?-Mrs Hill

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Sheridan, 1st appearance here; Calista-Mrs Cibber; Lothario-Delane; Sciolto-Bridges; Alamont-Havard; Rossano-Blakes; Lavinia-Miss Budgell; Lucilla-Mrs Bennet.
Cast
Role: Calista Actor: Mrs Cibber

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: Venice Preserved Or A Plot Discovered

Performance Comment: Jaffier-Delane; Pierre-Sheridan; Belvidera-Mrs Cibber; Renault-Berry; Duke-Winstone; Bedamour-Blakes.
Cast
Role: Belvidera Actor: Mrs Cibber

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17440927, but Indiana-Mrs Cibber; Humphry-Turbutt.
Cast
Role: Indiana Actor: Mrs Cibber

Afterpiece Title: Columbine Courtezan

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Havard; Chamont-Garrick; Polydore-Delane; Monimia-Mrs Cibber; Acasto-Bridges; Chaplain-Turbutt; Page-Miss Wright; Serina-Mrs Ridout; Florella-Mrs Bennet.
Cast
Role: Monimia Actor: Mrs Cibber
Related Works
Related Work: The Fair Orphan Author(s): Colley Cibber

Afterpiece Title: Columbine Courtezan

Performances

Mainpiece Title: Deborah

Performance Comment: Deborah-Signora Francesina; Barak-Miss Robinson; Jael-Mrs Cibber; Sisera-Beard; Abinoam-Reinhold; Priest-Corfe (Dean, Handel's Dramatic Oratorios, p. 238).
Cast
Role: Jael Actor: Mrs Cibber

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sheridan; Bajazet-Delane; Moneses-Giffard; Arpasia-Mrs Cibber; Axalla-Havard; Prince of Tanais-Blakes; Dervise-Winstone; Omar-Turbutt; Stratocles-Woodburn; Haly-Green; Azama-Ray; Selima-Mrs Giffard; With the Usual Prologue-.
Cast
Role: Arpasia Actor: Mrs Cibber

Afterpiece Title: The Fortune Tellers

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment