SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5223 matches on Event Comments, 1656 matches on Author, 1411 matches on Performance Comments, 998 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. It seems likely that this play was revived in the late winter of 1693-94, for several songs for it are in Thesaurus Musicus, 1695 (licensed 16 March 1693@4; Stationers' Register, 29 Sept. 1694): A song in the fourth act, Tormenting passion leave my breast, set by John Eccles, and sung by Mrs Hudson. A song in the fifth act, set by John Eccles and sung by Mrs Burr. Mr Doggett's Serenade in the fifth act, Then beautious nymph look from above, set by John Eccles

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 22-24 Dec. 1696, suggests that it was probably first given not later than November 1696. A song, If Celia you had youth and all, the music possibly composed by Leveridge, was published in A New Book of Songs by Mr Leveridge (advertised in the London Gazette, No. 3293, 3 June 1697). Gildon, English Dramatick Poets, p. 176: This Play was our Author's first; and as it was writ in a Month,...so it had the Fate of those untimely Births, as hasty a Death....If the Voice of the Town had not been influenc'd by the Ill Representation, it must have met with a less rigorous Censure. A Comparison Between the Two Stages (1702): Damn'd

Performances

Mainpiece Title: The Roman Brides Revenge

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 17-20 April 1697, suggests a premiere preceding Easter; in addition, the large number of minor actors suggests a Lenten performance, possibly in February, certainly no later than early March. One song, So fair young Caelia's Charms, the music by Daniel Purcell and sung by Mr Magnus's Boy, was printed separately in 1697. A Comparison Between the Two Stages (1702), p. 18: Triumphs of Vertue, tho' I think this no ill Play, yet 'twas Damn'd

Performances

Mainpiece Title: The Triumphs Of Virtue

Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

Event Comment: Not Acted these Twenty-eight Years. Written by the Ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents With The Humours Of Sir Positive At all

Performance Comment: Sir Positive-Powell; With a new Prologue by way of Elegy on the Death of the Royal Oak Lottery-Powell; And an Epilogue on the Life and Character of Maister Observator-Powell.
Event Comment: Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Music: As17031109

Dance: As17031102

Event Comment: Benefit Will Pinkeman. Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Music: As17031109

Dance: duRuell, Mrs Mayers, others

Event Comment: At the Desire of several Persons of Quality. Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Song: As17031102

Dance: Grotesque Dances-

Event Comment: Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Event Comment: Benefit Mills. At the Desire of Several Persons of Quality. Written by the late Famous Mr Dryden

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards With The Loves Of Almanzor And Almahide

Song: As17031102

Dance: duRuel, duRuel's Wife

Music: As17040404

Event Comment: Benefit Mrs Allison and Mrs Cox. At the Desire of several Persons of Quality. Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Song: The Enthustiastick Song composed and-Leveridge

Dance: Chacone-Mrs duRuel; Punchanello-Cherrier

Event Comment: Benefit Mrs Mills and Mrs Shaw. Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Performance Comment: Celadon-Wilks; a new Prologue-Pinkeman representing a French Officer (in the Service of the Elector of Bavaria) just before the Engagement at Donawert; and an Epilogue-Pinkeman personating the same Officer after the Battle.

Song:

Dance:

Event Comment: Benefit Phillips. Writ by the Ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Miser

Performance Comment: Bellamour-Phillips; who play'd Chamont amongst the Oxford Gentlemen see17040707 and who speaks a new Prologue to the Town-Phillips.

Song: A gentleman, his first on the stage

Dance: Harlequin Man and Woman-Laforest, Devonshire Girl; Quaker's Dance, Country Farmer's Daughter-Devonshire Girl

Event Comment: Not Acted there these Five Years. Written by the late Great Poet, Mr Dryden

Performances

Mainpiece Title: Sir Martin Marall

Dance: As17031007

Event Comment: Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Song:

Dance:

Event Comment: Afterpiece [by Richard Estcourt]: Mr Bayes's Practice of an Interlude, call'd, Prunella, done from the Italian. Benefit Estcourt. And at the Request of many of the Nobility (who have taken Tickets) 2 Benches of the Pit will be Rail'd in, for more Conveniency. And to prevent any Disappointment, by coming late, 'tis desire'd that their Servants may be sent by 2 a Clock with the Tickets to keep Places

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Prunella

Event Comment: Benefit Knapp and Miller. Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Woman Captain Or The Usurer Turned Soldier

Event Comment: Benefit Mrs Powell and Cross. At the Desire of several Persons of Quality. Written by the late Ingenious Mr Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Dance: Mrs Bicknell

Event Comment: Benefit the Widow of the late famous Tragedian Mr Betterton. At the particular Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality. Not acted these four Years [but see 17 Jan. 1709]. Written by the late Ingenious Mr Otway

Performances

Mainpiece Title: The Soldiers Fortune

Event Comment: Written by the Ingenious Mr Shadwell, late Poet Laureat. Carefully Revis'd. With all the Original Decorations of Scenes, Witches' Songs and Dances, proper to the Occasion

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: At the Desire of several Persons of Quality. Written by the Ingenious Mr Shadwell, late Poet-Laureat

Performances

Mainpiece Title: The Volunteers

Event Comment: Written by the ingenious Mr Shadwell, late Poet Laureat. Carefully revis'd. With all the original Decorations of Scenes, Witches, Songs, and Dances proper to the Drama

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: Written by the ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Volunteers Or The Stock Jobbers