SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Adams"/1) | (@(roleclean,performerclean) "Charles Adams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 1256 matches on Performance Comments, 327 matches on Event Comments, 108 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess Or Love At First Sight

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment

Event Comment: The Diary of Robert Hooke: at Bartholomew fair with Grace. Shows 2 1!2 sh. (ed. H. W. Robinson and W. Adams [London, 1935])

Performances

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Performances

Mainpiece Title: The Wisdom Of Solomon Or The Two Harlots

Afterpiece Title: The Comical Humours of Toby Stag the Huntsman and a Merry Poet

Event Comment: At the Great Tiled Booth in the Borough. Benefit for Mrs Adams. To begin at 7 p.m

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The King and Miller of Mansfield

Song:

Dance:

Event Comment: Benefit for James Sturgis Adams (a Person in Distress) (Cross). Gave Xmas Box to Duke's Servts #1 1s. (Treasurer's Book). Tickets for Boxes to be had at the following Coffee Houses, St. James, St. James's St; Somerset in the Strand; Grigsby's behind the Royal Exchange; and the Union, Cornhill. Receipts: #205 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Chaplet

Song: I: Master Mattocks

Dance: IV: Hornpipe-Mathews

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay or the Wives Metamorphosed

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Smith. By Particular Desire. Afterpiece: Taken from The Jovial Crew. Part of pit laid into boxes. Send servants by 4 o'clock. Paid Mr Grimaldi's draft on Mrs Adams #100 (Treasurer's Book). Receipts: #291 9s. 6d. Charges: #68 18s. Profits to Smith: #212 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Ladies Frolick

Entertainment: End: the Favourite Interlude, Linco's Travels-, with Particular remarks on London; Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Comus

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Charles Actor: Smith

Afterpiece Title: Daphne and Amintor

Dance: End of Singing The Sailors' Revels by Mills, &c; In afterpiece Dana incident to the piece by Hamoir, Menage, Mrs Sutton, Miss Stageldoir

Song: In Act III of mainpiece song, as17860920; End of Act II of mainpiece Still the Lark finds repose (composed by Linley [Sen.]); End of mainpiece The Soldier tir'd of War's Alarms, both by Mrs Crouch

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Messiah Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes Or The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Charles; Sir Charles-Mills, first on this stage in twelve years; Lady Betty-Mrs Mills, never here before; Lady Easy-Mrs Bailey, from Dublin; Lady Graveairs-Mrs George; Edging-Mrs Chetwood; prologue-Mrs Mills.

Music:

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .

Performances

Mainpiece Title: Ill Tell You What

Performance Comment: Principal Characters by Palmer, Bensley, Aickin, Bannister Jun. Williamson, R. Palmer, Lyons, Ledger, Gaudry, Parsons; Mrs Bulkley, Mrs Bates, Mrs Riley, Miss Farrcn. [Cast from text (G. G. J. and J. Robinson, 1786): Major Cyprus-Palmer; Mr Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-Bannister Jun.; Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Servants-Lyons, Ledger, Gaudry; Mr Euston-Parsons; Lady Euston-Mrs Bulkley; Lady Harriet Cyprus-Mrs Bates; Bloom-Mrs Riley; A Young Lady [in review of the play in Public Advertiser, 5 Aug., called Mrs Charles Euston]-Miss Farren.] Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] . Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] .

Afterpiece Title: The Author

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17930927, but Boniface-Powel; Sullen-Davies; omitted: Sir Charles Freeman . omitted: Sir Charles Freeman .
Cast
Role: Sir Charles Freeman Actor: Evatt

Afterpiece Title: HARLEQUIN AND FAUSTUS

Event Comment: Edition of 1660: A Tragy-Comedy. Relating to our latter Times. Beginning at the Death of King Charles the First. And ending with the happy Restaurant of King Charles the Second. Written by a Person of Quality. [This work was probably not acted. The British Museum copy (E 1038) has a MS date 8 Aug. 1660.

Performances

Mainpiece Title: Cromwells Conspiracy

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maids Tragedy

Event Comment: The King's Company. Pepys, Diary: Thence called Knepp from the King's house, where going in for her, the play being done, I did see Beck Marshall come dressed, off of the stage, and looks mighty fine, and pretty, and noble: and also Nell Gwyn?, in her boy's clothes, mighty pretty. But, Lord! their confidence! and how many men do hover about them as soon as they come off the stage, and how confident they are in their talk! Here I did kiss the pretty woman newly come, called Pegg Hughes?, that was Sir Charles Sidly's mistress, a mighty pretty woman, and seems, but is not, modest. Here took up Knepp into our coach, and all of us with her to her lodgings, and thither comes Bannister with a song of her's, that he hath set in Sir Charles Sidly's play [The Mulberry Garden] for her, which is, I think, but very meanly set; but this he did, before us, teach her, and it being but a slight, silly, short ayre, she learnt it presently. But I did get him to prick me down the notes of the Echo in The Tempest, which pleases me mightily. Here was also Haynes, the incomparable dancer of the King's house, and a seeming civil man, and sings pretty well

Performances

Mainpiece Title: The Virgin Martyr

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Charles II to Madame, Whitehall, 14 Dec.: I can say no more to you now for I am called to goe to the Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 227)

Performances

Mainpiece Title: Women Pleased