SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 10697 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [M+Midwife, No II (at about this date) includes a Letter from Mary Midnight to David Garrick, Esq praising him as actor and even as manager, but asking why he neglects Fletcher's plays: "What is the reason that the public patience is so largely try'd, and the human understanding so shamefully insulted as it is, by a perpetual repetition of the Duke and No Duke, the Anatomist, and twenty things of like nature?" Concludes by remarking that the London Cuckolds is a scandal to virtue.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Anatomist

Dance: I: Hornpipe-Mathews, the Little Swiss; III: Running Footman's Dance, as17501020 Play to conclude with a dance call'd The City Revels-the characters of the play

Event Comment: Mainpiece: Not acted these 16 Years. [See 27 Dec. 1746.] Benefit for Shuter. Receipts: #173 16s. 6d. Tickets #150 13s. (boxes 272; pit 551). Charges: #63 (Account Book), [#325 9s. 6d. marks the largest house in money value this season. Shuter advertised his benefit early, then on 28 March inserted this puff in the Public Advertiser: [Mrs Centlivre's Comedies have a vein of pleasantry in them that will always be relish'd. She knew the Genius of this nation, and she wrote up to the spirit of it; her Bold Stroke for a Wife, was a masterpiece that much increased her reputation: it establish'd that of Kit Bullock, a smart sprightly actor. His performance of Col. Feignwell was greatly applauded. Shuter has judiciously chosen to play to at his own benefit, and everyone that knows his powers, knows he will play it at least with drollery and justice equal to him."

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Country House

Dance: SSicilian Peasants, as17571217; Fingalian Dance, as17571013

Entertainment: (BBy Desire,) End of Play: Hippisley's Drunken Man-Shuter; (By Desire,) End of Farce: Cries of London-Shuter

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Benefit Mrs Campion. At the Desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; several Italian Sonatas- the Famous Gasperini, Signior Petto; several English and Italian Songs-Mrs Campion

Performances

Mainpiece Title: The Prodigal Son; Judas Maccabaeus

Performance Comment: As17770214, but Principal Vocal Parts-Mrs Farrell (1st appearance in the Oratorios).

Song: With additional airs-

Music: End Part I: solo on the German flute-DeCamp; End Part II: concerto on the violin, as17770214

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Performance Comment: The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name .

Song: New set of Airs, as17830306athi

Event Comment: Pepys, Diary: I hearing what play it was that is to be acted before the King tonight, I would not stay

Performances

Mainpiece Title: An Unidentified Play

Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Performances

Mainpiece Title: An Unidentified Play

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Performances

Mainpiece Title: Puppet Plays

Event Comment: The Duke's Company. Pepys, Diary: After dinner I put the women into a coach, and they to the Duke's house, to a play which was acted, "The [....]." It was indifferently done, but was not pleased with the song, Gosnell not singing, but a new wench, that sings naughtily

Performances

Mainpiece Title: An Unnamed Play

Event Comment: Pepys, Diary: I to Bartholomew fayre, to walk up and down; and there, among other things, find my Lady Castlemayne at a puppet-play, Patient Grizill, and the street full of people expecting her coming out. I confess I did wonder at her courage to come abroad, thinking the people would abuse her; but they, silly people! do not know her work she makes, and therefore suffered her with great respect to take coach, and she away, without any trouble at all, which I wondered at, I confess. I only walked up and down

Performances

Mainpiece Title: Patient Grisell [puppet-play]

Event Comment: Benefit of a Gentleman who has been reduced by the Fall of Stocks [apparently the actor who plays Castalio]. At the Great Green Gates in Cross-street, Hatton-Garden. At 6 p.m

Performances

Mainpiece Title: The Orphan

Song: A Gentleman who plays on the Harpsichord to his own Singing

Event Comment: Never Acted before. [By John Hoadley. Apparently not published. For a discussion of this play, see Daily Journal, 30 April,] Receipts: #82 11s. 6d

Performances

Mainpiece Title: The Contrast; A Tragi-comical Rehearsal Of Two Modern Plays: Match Upon Match; Or, No Match At All, And The Tragedy Of Epaminodas

Event Comment: With new Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Dance: In the Play: A Pyrrhic Dance, after the Manner of the Antients: Mars-Thurmond; Followers-Vallois, Sandham, Delagarde, Evans

Event Comment: With new Scenes, Habits, and other Decorations, proper to the Play

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Dance: Tambourine Dance, after the Indian manner, proper to the Play, by Thurmond, Delagarde, Evans, Mrs Bullock, Miss Wherrit, Miss Sandham, Mrs Vallois

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

Event Comment: MMr Garrick being hoarse went not so well as expected (Cross). Mainpiece: Not acted these ten years. An Historical Play written by Shakespeare. The Characters New Dress'd. Receipts: #180 (Cross)

Performances

Mainpiece Title: King John

Music: Between the Acts: The Pieces of Music , are adapted to the play, and taken from the Works of Handel and Martini-

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Event Comment: Benefit for Lee. With the Original Act Tunes as adapted to the play by David Rizzio. No Building on Stage. Tickets deliver'd by Mathews and Miss Capitani will be taken. Tickets sold at the doors will not be admitted

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Minor

Dance: TTwo Comic Dances-Mas. Roger, Miss Capitani; End I Farce: Hornpipe-Miss Capitani

Song: I: The Lark's Shrill Note-Mrs Vincent

Entertainment: fter the play, By Particular Desire, the Scene of Lady Pentweazle from Foote's Taste. Lady Pentweazle-King, first time

Event Comment: Benefit for Moody and Griffith, acted only once these three years. Tickets deliver'd for the Committee, Romeo and Juliet, and A Play will be admitted

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Guardian

Dance: End: Tambourine, as17650427

Song: End: By Particular Desire the Favorite song in the Play Love a-la-Mode,-Moody

Event Comment: [Prologue to the Perplexities and Epilogue publish'd in the Public Advertiser.] Saw the Comedy of the Perplexities. Beard spoke the Prologue....Mrs Mattocks spoke the Epilogue. We had a Dance and the new Masque of the Fairy Favour, which is perform'd by children only. The boy who does Puck played on the violin and danced a hornpipe, with great spirit. The scene which represents Kensington Gardens, the canal, &c. by moonlight is very pretty, the moon and stars are very natural (Neville MS Diary). Receipts: #192 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Perplexities

Performance Comment: As17670131, but New Epilogue- (playbill); Epilogue-_.
Cast
Role: Parts Actor: Gardner, R. Smith, Holtom, Weller, Buck, Murden

Afterpiece Title: The Fairy Favour

Dance: End of Play: The Gallant Peasants, as17670113

Event Comment: House (Hopkins Diary). Mainpiece: By Particular desire. House Doors open by 5 o'clock. Play to begin promptly at 6. Receipts: #212 8s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Cast
Role: Duke Actor: Packer

Afterpiece Title: The Wedding Ring

Dance: End of Play: A Comic Dance call'd The Nosegay-Daigville, Sga Vidini

Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Apprentice

Dance: I: Masquerade Scene incident to the Play-; I: Minuet-Dumay, Mrs Jackson

Song: End IV: the Funeral Procession of Juliet, with the Solemn Dirge. Vocal Parts-Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green

Performance Comment: Vocal Parts-Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green.

Performances

Mainpiece Title: Concert

Music: The Vocal consisting of several Favourite Italian Songs-; Four English Ballads-a Gentlewoman who never appear'd on any Stage before; accompanied-; with Instruments Concerto-wise, after an entire New Manner. The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-

Performance Comment: The Instrumental consisting of great Variety for all, particularly several new Pieces for French Horns-.