SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Capt Edward Thompson"/1) | (@(roleclean,performerclean) "Capt Edward Thompson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2563 matches on Performance Comments, 988 matches on Author, 341 matches on Event Comments, 158 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Desire. Afterpiece: A new Farce. [By Edward Phillips.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Britons Strike Home or The Sailors Rehearsal

Performance Comment: Captain Briton-Berry; Lieutenant Meanwell (Bayes)-Macklin; Sir John Freehold-Winstone; Export-Turbutt; Dapperwit (Critick)-Woodward; Foremost (alias Don Guarda Costs)-Ridout; Bowsprit (alias Don Superbo Pistole)-Yates; Father Dominique-Taswell; Capstern-Marten; Starboard-Reed; Helmaloe-Woodburn; Don Jack-Leigh; Don Uric-Gray; Kitty (alias Donna Americana)-Mrs Clive; Edition of 1739 adds: Prologue-; Epilogue-Mrs Clive, Macklin.
Cast
Role: Captain Briton Actor: Berry
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips
Event Comment: Benefit Peacopp (Housekeeper), Mayle, Walker, Edwards, Pritchard (Officer-Keeper). Tickets deliver'd for Saturday last will be taken

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Anatomist

Related Works
Related Work: The Anatomist; or, The Sham Doctor Author(s): Edward Ravenscroft

Dance: III: Mlle Auguste

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales. We hear that His Royal Highness the Prince of Wales, with Prince Edward will be this night at Covent Garden, to see the tragedy of Romeo and Juliet, and Harlequin Skeleton. On Tuesday 3 March, will be reviv'd a Tragedy call'd Macbeth (as written by Shakespear) the part of Macbeth by Barry, and Lady Macbeth by Mrs Cibber, being the first time of her appearing in that character. To which will be added the Oracle, a new Dramatic piece (of one act) taken from the French, the Principal Part to be perform'd by Mrs Cibber. Pit and boxes laid together

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace or Merlins Cave

Related Works
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Event Comment: [Letter to Woodward from Samson Edwards, The Merry Cobler of Haymarket. Answer to Henry Woodward's reply on Hill's Letter, 6d. Ironical defense of Hill casting further opprobrium upon him.] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Anatomist

Related Works
Related Work: The Anatomist; or, The Sham Doctor Author(s): Edward Ravenscroft
Event Comment: Benefit for Miss Younge. Interlude [1st time; M. INT I, by Edward Jerningham]: Interspersed with Music [by James Hook. Text 1st published in Jerningham's Poems, vol. I (J. Robson, 1786)]. Public Advertiser, 20 Feb.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #222 9s. (80.14; 18.10; 1.19; tickets: 121.6) (charge: #65 17s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Margaret of Anjou

Related Works
Related Work: Margaret of Anjou Author(s): Edward Jerningham

Afterpiece Title: The Deserter

Dance: End V: The Irish Fair, as17761031

Event Comment: Mainpiece: Not acted these 4 years [not acted since 30 Oct. 1771]. Afterpiece [1st time; F 2, by Edward Topham. Prologue by Miles Peter Andrews (Public Advertiser, 7 Dec.). Larpent MS 539; not published]. Receipts: #207 11s. 6d. (158.18.0; 48.12.6; 0.1.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Deaf Indeed

Related Works
Related Work: Deaf Indeed! Author(s): Edward Topham
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood Or Sherwood Forest

Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): Edward Lysaught

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Cast
Role: Orpiano Actor: Thompson

Afterpiece Title: Small Talk or The Westminster Boy

Related Works
Related Work: Small Talk; or, The Westminster Boy Author(s): Edward Topham

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement or The Loves of Bengal

Performance Comment: Principal Characters-Ryder, Wewitzer, Fearon, Macready, Quick, Mrs Pitt, Miss Wilkinson, Mrs Wells. Cast from European Magazine, May 1787, p. 300: Japan-Ryder; Congo-Wewitzer; Nankeen-Fearon; Captain Manly-Macready; Colonel Fury-Quick; Governess-Mrs Pitt; Charlotte-Miss Wilkinson; Sophia-Mrs Wells; Prologue-Holman.
Cast
Role: Captain Manly Actor: Macready
Related Works
Related Work: Bonds without Judgement; or, The Loves of Bengal Author(s): Edward Topham

Dance: As17870217

Event Comment: Paid Duke of Bedford 1 Yrs. Rent #343 5s. 1d. Afterpiece [1st time; F 2, by Edward Morris. Author of Prologue unknown]: With new Dresses and Decorations. Public Advertiser, 8 Apr. 1790: This Morning is published The Adventurers (1s.). Receipts: #260 8s. (226.5.0; 31.16.0; 2.4.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Haunted Tower

Cast
Role: Edward Actor: Bannister Jun.

Afterpiece Title: The Adventurers

Related Works
Related Work: The Adventurers Author(s): Edward Morris

Dance: As17891204

Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Related Works
Related Work: Margaret of Anjou Author(s): Edward Jerningham

Afterpiece Title: The Irishman in London

Cast
Role: Sheriff's Officer Actor: Thompson
Role: Edward Actor: Fawcett
Role: Captain Seymour Actor: Harley

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Event Comment: 2nd piece: With Alterations. "On the first night Ethelberta died; at the succeeding representations her life was spared" (Edward Jerningham and his Friends, ed. Lewis Bettany, 1919, p. 97). 3rd piece: In 3 acts. Receipts: #219 13s. 6d. (202/11/6; 17/2/0)

Performances

Mainpiece Title: Nina

Afterpiece Title: THE SIEGE OF BERWICK

Related Works
Related Work: The Siege of Berwick Author(s): Edward Jerningham

Afterpiece Title: THE MISER

Event Comment: Benefit for Pope. At the particular Desire of his Excellency the Ambassador [see 7 May] from the Sublime Porte:. 3rd piece: At End of Act I of the DIVERTISEMENT. Written by Edward Jerningham, Esq., with Alterations and Additions, interspersed with Music, after the manner of Rousseau's PYGMALION. Morning Chronicle, 19 Apr.: Tickets to be had of Pope, Half-Moon-street, Piccadilly. Receipts: #231 17s. (138/14; 3/3; tickets: 90/0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Player King Actor: Thompson

Afterpiece Title: A DIVERTISEMENT

Afterpiece Title: MARGARET OF ANJOU

Related Works
Related Work: Margaret of Anjou Author(s): Edward Jerningham

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Mainpiece [1st time; C 5, by Edward Jerningham. Prologue by John Taylor. Epilogue by Henry Seymour Conway (see text)]. Morning Chronicle, 22 May 1795: This Day is published The Welch Heiress (2s.). Receipts: #309 12s. 6d. (246.1.6; 51.15.6; 11.15.6)

Performances

Mainpiece Title: The Welch Heiress

Related Works
Related Work: The Welch Heiress Author(s): Edward Jerningham

Afterpiece Title: My Grandmother

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Related Works
Related Work: The Ugly Club Author(s): Edward Iliff

Afterpiece Title: The Castle Spectre

Afterpiece Title: A Nosegay of Weeds or Old Servants in New Places

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Formal Actor: Thompson

Afterpiece Title: A Peep behind the Curtain or An Opera Rehearsal

Afterpiece Title: The Hermione or Valours Triumph

Performance Comment: Principal Characters by Incledon (with The Battle of La Hogue), Townsend, Emery, Farley, Mansel, Rees, Abbot, Linton, Denman, Klanert, Munden, Miss Cox, Miss Sims. Cast from Larpent MS: Lieutenant-Incledon; The Battle of La Hogue-Incledon; Captain-Townsend; Corporal Flip-Emery; Boatswain-Farley; Officer-Mansel; Midshipman-Rees; Spanish Officer-Abbot; French Officer-Klanert; Sam Swig-Munden; English Lady-Miss Cox; Ozora-Miss Sims; unassigned-Linton, Denman.
Cast
Role: Captain Actor: Townsend
Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Edward And Eleonora

Performance Comment: Selim-Barry; Edward-Lewis; Gloster-Hull; Theald-Clarke; Assassin-L'Estrange; Officer-Thompson; Daraxa-Mrs Mattocks; Eleonora-Mrs Barry.
Cast
Role: Edward Actor: Lewis
Role: Officer Actor: Thompson

Afterpiece Title: Midas

Dance: End Tragedy: The Pilgrim, as17750927

Performances

Mainpiece Title: Edward The Black Prince Or The Battle Of Poictiers

Performance Comment: English: Edward-Kemble; Lord Audley-Farren; Earl of Warwick-Barrymore; Earl of Chandos-Williames; Salisbury-Fawcett; Arnold-Brereton. French: King John-Staunton; Dauphin-Phillimore; Duke of Athens-R. Palmer; Charney-Packer; Archbishop of Sens-Chaplin; Cardinal Perigort-Aickin; Ribemont-Palmer; Mariana-Miss E. Kemble .
Cast
Role: : Edward Actor: Kemble

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Event Comment: [In mainpiece the playbill assigns Peachum to Wilson, and Lockit to Booth, but on the Kemble playbill MS annotations substitute Booth and Thompson.] Receipts: #140 6s. (139/2; 1/4)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Capt. Macheath-Johnstone; Peachum-Booth; Lockit-Thompson; Mat o' the Mint-Mahon; Ben Budge-Ledger; Jemmy Twitcher-Painter; Crook finger'd Jack-Bates; Wat Dreary-Jones; Harry Paddington-Darley; Jailor-Stevens; Drawer-Helme; Filch-Doyle; Lucy-Mrs Kennedy; Mrs Peachum-Mrs Webb; Jenny Diver-Mrs Morton; Mrs Slammekin-Miss Platt; Mrs Vixen-Mrs Lewis; Dolly Trull-Mrs Chalmers; Sukey Tawdry-Mrs Inchbald; Mrs Coaxer-Mrs Whitfield; Molly Brazen-Miss Stuart; Betty Doxey-Miss Brangin; Polly-Mrs Bannister. hathi.
Cast
Role: Lockit Actor: Thompson

Afterpiece Title: End of Act I The Rival Knights

Cast
Role: Maxwell Actor: Thompson

Afterpiece Title: Three Weeks after Marriage

Dance: In Act III of mainpiece Hornpipe by Miss Besford

Event Comment: ["Towards the begining of the second act of Marian, Miss Poole, while on the stage, was taken suddenly ill, and literally fainted away; and it was with much difficulty that Mr Thompson [on 18 Nov. 1793 he is listed as acting Oliver], who stood near her at the time, prevented her falling down. She was carried off motionless, and an apology being made to the audience by Incledon, the piece was brought to a conclusion" (Morning Herald, 17 Nov.).] Receipts: #201 19s. (194.7.6; 7.11.6)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Miss Poole.
Cast
Role: Edward Actor: Johnstone
Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Stranger Author(s): Benjamin Thompson

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Performances

Mainpiece Title: King Edward Iii With The Fall Of Mortimer Earl Of March

Performance Comment: Queen-Mrs Barry; King Edward-Bullock Jr; Mountacute-Wilks; Mortimer-Mills; Chancellor-Bullock Sr; Sergeant Eitherside-Dogget; Maria-Mrs Rogers.
Cast
Role: King Edward Actor: Bullock Jr

Performances

Mainpiece Title: Jane Shore Containing The Death Of King Edward Iv The Penance Of Jane Shore And Her Miserable Fall Under Richard The Protector

Performance Comment: King Edward-Cory; Richard the Protector-Smith; Shore-Milward; Sir Robert Brackenbury-Oates; Jane Shore-Mrs Mottett; Flora-Miss Sherburn.
Cast
Role: King Edward Actor: Cory

Afterpiece Title: With The Comical Humours of Anthony Noodle His Man Weazle and Captain Blunderbuss

Performance Comment: Squire Noodle-Miller; Weazel-Ray; Captain Blunderbuss-Hall.
Cast
Role: Captain Blunderbuss Actor: Hall.

Afterpiece Title: The Wheel of Life or Harlequins Death