SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Smith"/1) | (@(roleclean,performerclean) "C Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2647 matches on Performance Comments, 1641 matches on Event Comments, 342 matches on Performance Title, 236 matches on Roles/Actors, and 31 matches on Author.

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-A Young Gentleman (Pupil to Newton; 1st appearance on any stage [unidentified]); Gonzalez-Lloyd; Garcia-Garland (of Deptford); Selim-Johnson; Perez-Kenny; Alonzo-Dancer; Heli-Smith; King-Comerford; Zara-A Young Lady [unidentified]; Leonora-Miss C. Newton; Almeria (the Mourning Bride)-Miss Reynolds.
Cast
Role: Heli Actor: Smith

Afterpiece Title: The Life and Death of Harlequin

Performance Comment: Harlequin (for that night only)-Loutherbourgh; Pantaloon-Russell; Frenchman-Smith; Clown-Newton; Colombine-Miss Reynolds.
Cast
Role: Frenchman Actor: Smith

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Ware (of Deptford); Young Wilding-Sparks; Old Wilding-Taylor (of Deptford); Dapper-Dancer; Quildrive-Smith; Beaufort-Johnson; Young Philpot-Garland; Maria (with Theatrical Imitations)-Miss Reynolds.
Cast
Role: Quildrive Actor: Smith

Song: As17760925

Entertainment: Monologue.End 3rd piece: Bucks have at ye all-Master Russell

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith; Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Kenny, &c.; Lord William-Miss Heard; Raymond-Palmer; Eleanor-Miss Kemble; Countess of Salisbury-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: Alwin Actor: Smith

Afterpiece Title: The Deserter

Performances

Mainpiece Title: She Stoops To Conquer Or The Mistakes Of A Night

Performance Comment: Hardcastle-Clarke; Young Marlow-Curtis; Hastings-Smith; Sir Charles Marlow-Griffith; Diggory-Watts; Jeremy-Westenholt; Landlord-Wilson; Countrymen-Johnston, Meadows, &c; Tony Lumpkin-Wright; Mrs Hardcastle-Mrs Johnston; Miss Neville-Miss Williams; Maid-Miss Stevens; Miss Hardcastle-Mrs Villars .
Cast
Role: Hastings Actor: Smith
Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: The Lying Valet

Song: End of Act I of mainpiece Nobody by Villars; End of mainpiece Freedom and his native Land by Price

Performances

Mainpiece Title: Douglas

Performance Comment: Young Norval-Hill; Lord Randolph-Smith; Glenalvon-Curtis; Officer-Westenholt; Servant-Meadows; Old Norval-Villars; Anna-Miss Williams; Lady Randolph-Mrs Johnston .
Cast
Role: Lord Randolph Actor: Smith

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Villars; Sir Jacob Jollup-Watts; Bruin-Smith; Lint-Curtis; Heeltap-Meadows; Roger-Johnston; Snuffle-Westenholt; Mob-Hill, Price, Watts Jun., &c.; Jerry Sneak-Wilson; Mrs Bruin-Mrs Benson; Mrs Sneak-Mrs Villars .
Cast
Role: Bruin Actor: Smith

Song: End of mainpiece song by Price

Event Comment: Paid tallow chandler's 4th Bill #44 14s.; half year's lighting &c. to Mich. last St Martin's #12 3s.; Mr Thomson (smith) #58 8s. 6d.; Mr Cole (turner) #10 6s.; Mr Scott (copper laceman) #46 4s. 6d.; Mr Palmer for Spermacetti Candles #275 4s.; Messrs Barrow & Co. for oil #50 15s.; Mr Chettell (timber merchant) #67 16s. 6d.; One year's Insurance of Wardrobe &c. to Xmas 1774 #15; 2 extra Guitars, 3 nights (6th Inst. incl.) #2 5s. Receipts: #220 11s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Event Comment: [MS note in hand of Colley Cibber (in R. J. Smith, History of the Stage, Vol. IV. BM 11826r)]: December 25, 1750 Sr. Tho' Death has been cooling his his [sic] heels at my door these three weeks, I have not had time to see him. The Dayly conversation of my friends have kept me so agreeably alive, that I have not passed my time better a great while. If you have a mind to make [?] us, I will order Death to come another day--to be serious I long to see you, and hope you will take the first opportunity. And so wish as merry a Christmas, as many New Years as your heart can hope for, I am Your real friend and Serv't C. Cibber Xmas Day

Performances

Mainpiece Title: None

Event Comment: At the chapel of the Foundling Hospital. [Beard and Ch. Smith gave their services free. Deutsch notes that this is the first list of Messiah performers preserved at the Foundling Hospital. The treasurer of the Hospital recorded receipts from 1,219 tickets and by cash-#666 15s. and an outlay of #58 17s. 6d., for Musicians, singers, constables, &c. Net to Hospital: #607 17s. 6d.

Performances

Mainpiece Title: The Messiah

Event Comment: Benefit for Rainton, Hawksby, Peacop &c. Tickets (Cross) Tickets delivered for The Fair Quaker will be taken, and those deliver'd by Mrs Bradshaw, Miss Farquhar, and Miss Smith (Public Advertiser). Receipts: #90 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: Mercury Harlequin

Event Comment: Paid Dan Malthus, Esq, 1 year's Rent to Xmas last, Land Tax #3 5s. to Mich last deducted #29 15s.; Mr Thomson (Smith &c.) #1 1s. 8d. sewer tax; #36 1s. 6d. (Treasurer's Book). Receipts: #189 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Dance: V: The Sailors Revels, as17711008

Event Comment: Benefit for Sg Daigville & Signa Vidini. [24 April letter signed Ned Shuter dated from his Majesty's Bench of Justice, St Georges Fields: "Theatrical Memoirs giving circumstantial account of my family-Admit my father was a chairman, my mother sold oysters in winter and cucumbers in summer. I was not born in a cellar but in a two pair of stairs front room at one Mrs Merit's an eminent Chimney Sweeper, Vine Street, St Giles" (Winston MS 10). Thomas Weston's apology for the delay of his Benefit. It was owing to his distressed affairs which he had new laid open to the managers. See comment form Edinburg Evening Courant, 29 April.] Paid Renters #88 for Oratorio nights; Mr Dibdin's draft on managers #50; Master Brown 5 nights, #1 17s. 6d.; Rec'd from Messrs Smith and Stanley charges for 11 Oratorio nights at 28# per night, plus candles &c . #342 4s.; Rec'd stopages #9 16s. 6d. (Treasurer's Book). Receipts: #151 4s. Charges: #65 11s. Profits to Daigville & Sga Vidini: #85 13s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Mayor of Garratt

Dance: I: The European in America (for 1st time this Season)-Messieurs Daigvilles, Miss Ross, Sga Vidini; II: A Comic Dance, as17720326 V: Psiche, a Grand Historical Ballet (Never performed before)-Daigville, Giorgi, Sga Daigville, Miss Ross, Sga Vidini

Event Comment: Benefit for Love. Recd Messrs Stanley & Smith 11 Oratorio Nights at #28 per night Candles Oyl &c. #347 12s.; Paid 11 nights Rent for Oratorios #88 (Treasurer's Book). [The Apology for Apologies is Larpent MS 351. Satire upon "Indispositions" of principal performers, suggests what would happen if other professions (law, medicine) substituted stand-ins with no other apology than is made in the theatrical profession.] Receipts: #168 8s. Charges: #64 12s. Profits to Love: #103 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Intriguing Chambermaid

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919

Event Comment: Benefit for Champnes. Afterpiece: By Particular Desire. Mr Champnes quits the Stage at the End of this Season therefore Mr Gar: plays for his Benefit (Hopkins Diary). Part of Pit laid into Boxes. Rec'd Messrs Stanley & Smith 11 Oratorio Nights at #24 per night (candles oyl &c.) #304 6s. Paid to Renters #88 from 11 Oratorio nights. Receipts: #233 1s. 6d. Charges: #74 14s. Profit to Champnes: #58 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Note of Hand

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robinson Crusoe

Dance: In Act I of mainpiece a Minuet by Lemercier and Miss Stageldoir. With a Masquerade Dance

Song: Mainpiece: With the Funeral Procession. Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c

Performance Comment: Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c .

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aimwell-Brereton; Foigard-Moody; Bonniface(1st time)-Fawcett; Sir Charles Freeman-R. Palmer; Sullen-Wrighten; Gibbet-Wright; Scrub-Dodd; Cherry-Miss Pope; Dorinda-Mrs Brereton; Lady Bountiful-Mrs Love; Gipsey-Miss Simson; Mrs Sullen-Miss Farren .
Cast
Role: Archer Actor: Smith

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Alfred, Spencer, Kenny; Mrs Love, Mrs Smith, Mrs Booth, Mrs Burnett, Miss Simson, Miss Hale, Miss Barnes, Miss Tidswell, &c.; Meriel-Miss Field; Rachel-Miss Phillips .

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

Performances

Mainpiece Title: The Carmelite

Cast
Role: : Saint Valori Actor: Smith

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Wilson, Alfred, Spencer; Mrs Love, Mrs Smith, Mrs Booth, Mrs Burnett, Miss Simson, Miss Hale, Miss Burnett, Miss Tidswell, &c.; Meriel-Miss Field; Rachel-Miss Phillips .

Dance: In Act I of afterpiece the celebrated Crutch Dance [performers not listed]

Performances

Mainpiece Title: Timanthes

Performance Comment: Parts-Smith, Bensley, Clarke, Wroughton, Gardner, Davis, R. Smith, Mrs Bulkley, Mrs Yates. Prologue and Epilogue in Act III a Procession. The Vocal parts-Reinhold, Mrs Baker, Mrs DuBellamy, Baker, Fox. Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Davis; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; playbill matched with 1770 Edn. The 1770 Edn. includes Olinthus-;,a child but specifies no actor. Playbill includes R. Smith; but assigns no part. In Act III, a Procession-; the Vocal Parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox; Prologue-Bensley; Epilogue-Mrs Bulkley.

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Cast
Role: Mrs Hartley Alzuma Actor: Smith

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick on Phaeton in the Suds With Harlequin a Pick Pocket

Performance Comment: Machine-Roberts; Fustian-Lacy; Sneerwell-Machen; Clymene (Oyster Wench)-Mrs Charke; Jupiter-Freeman; Neptune-Wallis; Phoebus-Topham [Toping in edition, of 1736]; Old Phaeton-Smith; Young Phaeton-Boothby; Aurora-Mrs Egerton; Aurora's Maid-Miss Jones; Terra-Miss Burgess; Genius of Gin-Miss Ferguson Jr; Harlequin-Rosamond, from DL; Justice-Jones; His Clerk (Pierrot)-Castiglione; Managers-Freeman, Turner; Stars-Master Sherwin, Miss Ferguson Jr; Colombine-Madame la Charmante, piping-hot from Paris [Mlle Beaumaunt in edition]; Countrymen-Smith, Collerd, Mons D'Herbage, Mons De la Soup Maigre [Lowder in edition]; Rakes-Boothby, Wallis, Phenix, Pullen; Chairmen-Smith, Collard; Pistol-Lowder; Tragedy King-Pullen; Schoolmistress-Mrs Egerton; Tragedy Queen-Miss Jones; edition adds: Watchmen-Smith, Lowder, Collerd, Chapman .

Performances

Mainpiece Title: The Perplexities

Performance Comment: Parts by Smith, Ross, Mattocks, Hull, Cushing, Gardner, R. Smith, Holtom, Weller, Buck, Murden, Shuter, Miss Wilford, Mrs Green, Miss Macklin; Prologue-; Epilogue-; Don Antonio-Smith; Don Henriquez-Ross; Guzman-Shuter; Don Florio-Mattocks; Ernesto-Cushing; Don Juan-Hull; Honoria-Miss Macklin; Felicia-Miss Wilford; Rosa-Mrs Green; Parts-Gardner, R. Smith, Holtom, Weller, Buck, Murden (Genest, V, 132).
Cast
Role: Don Antonio Actor: Smith
Role: Parts Actor: Gardner, R. Smith, Holtom, Weller, Buck, Murden

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: Henry The Second Or The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: Henry II Actor: Smith
Role: Verulam Actor: R. Smith

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028