SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2807 matches on Performance Comments, 2743 matches on Author, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Confederacy

Performance Comment: Moneytrap-Cibber; Dick-Simson; Clarissa-Mrs Butler; Corinna-Miss Cibber; Flippanta-Mrs Chetwood.

Afterpiece Title: The Virgin Unmasked

Dance: III: Welch Buffoons, as17430308 V: Scotch Dance, as17430308

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Cibber; Iago-Paget; Roderigo-Charles; Brabantio-Furnival; Cassio-Mozeen; Emilia-Mrs Chetwood; Desdemona-Miss Jenny Cibber; Prologue-.

Music:

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Brazen-Cibber; Plume-Mills; Silvia-Mrs Mills; Balance-Johnson; Kite-Paget; Melinda-Mrs Bailey; Rose-Miss Jenny Cibber; Worthy-Mozeen; Scale-Naylor; Scruple-Holtham; Bullock-Paddick; Pearmain-Bernard; Appletree-Hacket; Welsh Collier-Richards; Constable-Jackson; Lucy-Mrs George; Prologue-Mr Mills.

Music: Between the Acts: Select Pieces of Musick-

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Tom-Cibber; Indiana-Miss Jenny Cibber, first time that part; Phillis-Mrs Elmy, from Dublin; Sir John Bevil-Paget; Sealand-Johnson; Young Bevil-Charles; Myrtle-Mills; Cimberton-Bernard; Humphrey-Furnival; Daniel-Hacket; Mrs Sealand-Mrs Hill; Lucinda-Mrs Bailey; Isabella-Mrs Freeman; With a Prologue-nobody; Epilogue-nobody.

Afterpiece Title: Love in Low Life

Music: German Flute-Burk Thumoth

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Andromache-Mrs Roberts, first on that stage these twelve years; Pyrrhus-Mills; Orestes-Cibber; Hermione-Miss Jenny Cibber, first time in that part; Phoenix-Furnival; Pylades-Mozeen; Cephisa-Mrs Chetwood; Cleone-Miss Houghton.

Afterpiece Title: The Gardener's Wedding

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill

Event Comment: The Company in the Haymarket being busily employ'd in reviving several pieces, are oblig'd to defer playing till further notice (General Advertiser). [T. Cibber stated that when his troupe had a successful run of Romeo and Juliet, and when Mrs Clive arranged for a benefit performance there, the Patentees applied to the Lord Chamberlain and, in consequence, the Lord Chamberlain's Office legally stopped the performances at the Haymarket. Cibber's next move was the Academy device of 1 Nov.--Cibber, A Serio-Comic Apology, p. 10.

Performances

Event Comment: At Cibber's Academy in the Hay-Market...will be presented a Concert of Musick, Vocal and Instrumental. The Vocal Parts-Mr Brett, Mrs Hill, and others; the Instrumental by eminent Masters. The Doors to be open'd at Four, the Concert to begin at Five, and no Persons to be admitted after Seven o'clock. The Prices are Four Shillings, Half a Crown and Eighteen Pence. Places may be bespoke at the Academy. After the Concert will be exhibited Gratis, a Rehearsal, in Form, of the Play-(often acted with great Applause) call'd Romeo and Juliet. Written by Shakespear. The Characters personated by the Master of the Academy, his Assistants, Pupils, and Servants. With Proper Habits, Scenes and Decorations. [After Cibber announced his Academy, he received the following letter from the Justice of the Peace: I see by your advertisements, in regard to your Academical Performances, that they are of the same Nature as Mr L/c@y's were some Years ago, which brought him to a great deal of Trouble. Some strong Applications are making now to give you some; of which I think proper to give you Notice, in this private Manner, that you may avoid it.-Tho. de Veil. 31 Oct. Cibber, A Serio-Comic Apology. p. 12.

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Garrick; Siffredi-Sheridan; Osmond-Delane; Rodolpho-Havard; Sigismunda-Mrs Cibber; Laura-Miss Budgell; Epilogue-Miss Budgell, Mrs Cibber [1st edition, but listed in order of actors given by General Advertiser, except General Advertiser adds Bridges & Mozeen].1st edition, but listed in order of actors given by General Advertiser, except General Advertiser adds Bridges & Mozeen].

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: King Henry-Hale; Exeter-Ridout; Achb. Canterbury-Chapman; Fluellin-Hippisley; King of France-Cashell; Dauphin-Woodward; Constable-Bridgwater; French Soldier-Destrade; Pistol-Cibber; Queen of France-Mrs Bland; Princess Katherine-Mrs Vincent; Hostess-Mrs James; Chorus (after the manner of the ancients)-Ryan; Epilogue (on Somebody in the character of Nobody)-Cibber.

Afterpiece Title: Pyramus and Thisbe

Dance: Cooke, Sga Campioni

Event Comment: MMr Barry is greatly improv'd since last year in the character of Hastings , as he is indeed in every part in which I have seen him this winter. Mrs Cibber performed as she always does, to the admiration of her audience, and in my opinion she shewed a particular and new exertion of her art and abilities on those two nights. Great as I had declared my expectations for Miss Macklin, she surpassed them; particularly on the second night. On the former, indeed, in the first and in part of the second act, her embarrassment was insuperable, and I cannot sufficiently admire and applaud the Candour of the Audience on that distressed Occasion! In my judgment, never were two parts better adapted to the persons and powers of the performers, than those of Alicia and Jane Shore to Mrs Cibber and Miss Macklin (Inspector No 207, in Daily Advertiser and Literary Gazette, 30 Oct.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lottery

Dance: As17511021

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales. We hear that His Royal Highness the Prince of Wales, with Prince Edward will be this night at Covent Garden, to see the tragedy of Romeo and Juliet, and Harlequin Skeleton. On Tuesday 3 March, will be reviv'd a Tragedy call'd Macbeth (as written by Shakespear) the part of Macbeth by Barry, and Lady Macbeth by Mrs Cibber, being the first time of her appearing in that character. To which will be added the Oracle, a new Dramatic piece (of one act) taken from the French, the Principal Part to be perform'd by Mrs Cibber. Pit and boxes laid together

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: Boadicia

Performance Comment: Parts-Garrick, Mossop, Havard, Burton, Bransby, Davies, Mozeen, Jefferson, Mrs Pritchard, Mrs Cibber. Dumnorix-Garrick; Aenobarbus-Mossop; Flaminius-Havard; Tenantius-Burton; Ebrancus-Mozeen; Roman Ambassador Icenians and Trinobanitans-Bransby, Davies, Jefferson; Boadicia-Mrs Pritchard; Venusia-Mrs Cibber; [With new pieces of music- [between the acts, adapted to the play; Prologue-Mossop; Epilogue-Havard [(Edition of 1753).].(Edition of 1753).].

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: Virginia

Performance Comment: Parts by Garrick, Mossop, Ross, Davies, Blakes, Mozeen, Mrs Bennet, a Gentlewoman (1st time on any stage), Mrs Cibber. Virginius-Garrick; Icilius-Ross; Appius-Mossop; Claudius-Davies; Virginia-Mrs Cibber; Marcia-Mrs Graham; Plautia-Mrs Bennet; Rufus-Mozeen; Caius-Blakes; Prologue-Garrick; Epilogue-Mrs Clive (Genest, IV, 386).

Performances

Mainpiece Title: Barbarossa

Performance Comment: Parts-Garrick, Mossop, Havard, Davies, Usher, Mozeen, Walker, Miss Macklin, Miss Minors, Mrs Cibber. Achmet-Garrick; Barbarossa-Mossop; Othman-Havard; Sadi-Davies; Aladin-Usher; Officer-Mozeen; Slave-Walker; Irene-Miss Macklin; Slave-Miss Minors; Zaphira-Mrs Cibber; Music-adapted to the play; Prologue-Garrick in the Character of a Country Boy; Epilogue by Garrick-Woodward in the Character of a Fine Gentleman (Edition of 1755).
Event Comment: Benefit for Miss Macklin (Cross). Receipts: #180 (Cross). Ladies to send for tickets for the places they taken at Miss Macklin's, Russel St. next door to Tom's Coffee House. Part of Pit laid into Boxes and Amphitheatre on stage. Afterpiece: By Particular Desire. Last time of Performing till the Holidays. On seeing Miss Macklin in the character of the Mourning Bride: @Should Death (for Oh! what power can save Our tragic heroine from the grave)@At Cibber aim his dart:@Tears should forever speak my moan,@For oh! 'tis she, and she alone@Can melt the feeling heart.@Britannia spake, when Lo! a Voice@Britain be happy, and rejoice,@That, when your Cibber dies@The Gods have yet in store for thee,@A Macklin; and in her you'll see@Another Cibber rise.--Public Adveriser@

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: As17550203

Event Comment: Benefit for Cibber. To begin at 6:30 p.m. Pursuant to Act of Parliament. At the Desire of several Persons of Quality for the Benefit of Mr Cibber At the New Theatre in the Haymarket, on Wednesday next, the 14th instant, will be perform'd a Concert of Musick, the Particulars whereof will be express'd in the Bills of the Day. After which (by partiuclar Desire) will be given a Dissertation in two Parts on Patentees, on Theatres, on Acting, Publick Diversions, and address'd to the Town, by Mr Cibber (Daily Advertiser, 8 & 10 Jan.)

Performances

Mainpiece Title: A Dissertation

Performances

Mainpiece Title: Athelstan A New Tragedy

Performance Comment: Parts by Garrick, Murphy, Ross, Havard, Davies, Burton, Jefferson, Mrs Bennet, Mrs Cibber. Prologue to be spoken by-Holland in the character of the Genius of England; Athelstan-Garrick; Egbert-Ross; Siward-Davies; Thyra-Mrs Cibber; Edwina-Mrs Bennet; Gothmund-Murphy; Harold-Havard; Goodwin-Burton; Dunelm-Jefferson (Genest, IV, 453).

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Country Lass-Miss Valois; What's That To You? a Scots song,-Lauder; Oration-Miss Midnight; The Taylors-Master Settree, Miss Twist; Comic Lectures-Mr Cibber; Kitty or the Female Phaeton-Miss Gaudry; Cuckow Overture-; A new Scots Dance,with the Scots Measure,-Froment, Mme Dulisse; Singing-Sadler; Auction-Cibber; Italian Air-Signora Mimicotti; Dutch Peasant-Miss Valois; Marine Boys Marching to Portsmouth-; Hornpipe-Morris, Miss Durham; Comic Epilogueriding on an Ass-Miss Midnight; Voluntary on Cymbalo-Noel; Handel's Water Musick-; with Preamble on Kettle Drums-Woodbridge; Louvre, Minuet-Froment, Mme Dulisse.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: The Ambitious Step Mother

Performance Comment: Parts- Mossop, Fleetwood, Holland, Mrs Pritchard, Mrs Cibber, Miss Macklin Burton, Austin, Havard, Ackman, Scrase, Miss Hippisley; With the original Hymn to the Sun new set by Dr Arne-Beard, Miss Young, Miss E. Young; Genest, IV, p. 564-47, lists: Memnon-Mossop; Artaxerxes-Fleetwood; Artaban-Holland; Artemisa-Mrs Pritchard; Amestris-Mrs Cibber; Cleone-Miss Macklin.

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Eurydice

Performance Comment: Garrick, Havard, Holland, Davies, Burton, Packer, Mozeen, Mrs Cibber, Miss Haughton, but Genest, IV, 547, lists: Periander-Garrick; Procles-Havard; Polydore-Holland; Eurydice-Mrs Cibber; Leonidas-Davis; Ariston-Burton; Medon-Packer; Officer-Mozeen; Melissa-Miss Haughton.

Ballet: TThe Prussian Camp. As17581214

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Actors only: Garrick, Yates, Palmer, King, Ackman, Mrs Yates, Mrs Davies, Mrs Bradshaw, Miss Hippisley, Mrs Clive, Mrs Cibber. New Prologue-Holland; Lovemore-Garrick; Sir Bashful Constant-Yates; Sir Brilliant Fashion-Palmer; William-King; Widow Bellmour-Mrs Cibber; Mrs Lovemore-Mrs Yates; Muslin-Mrs Clive; Lady Constant-Mrs Davies; Mignionet-Mrs Bradshaw; Sideboard-Ackman; Furnish-Mrs Hippisley (Winston MS 9).

Performances

Mainpiece Title: Agis

Performance Comment: Actors only: Garrick, Holland, Havard, Davies, Packer, Mrs Pritchard, Mrs Davies, Mrs Cibber; Vocal Parts by Lowe, Champnes, Fawcett, Miss Young, Miss Reed. Lysander-Garrick; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Euanthe-Mrs Cibber; Sandane-Mrs Davies; Agis-Packer; Amphares-Havard (Winston MS 9).

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Parts by Garrick, Palmer, O'Brien, Castle, Fox, Mrs Clive, Mrs Yates, Mrs Cibber; Prologue, Epilogue; Sir John Dorilant-Garrick; Modely-Palmer; Belmour-O'Brien; Araminta-Mrs Yates; Lady Beverly-Mrs Clive; Celia-Mrs Cibber (Genest, IV, 639); Steward-Castle; Footman-Fox; Prologue-Garrick; Epilogue-Mrs Yates, Mrs Palmer (Winston MS 9).

Afterpiece Title: The Chaplet

Event Comment: Benefit for Rooker, and Saunderson (machinist). No Building on Stage. [The Theatrical Review; or, Annals of the Drama (Volunteer Manager section for 1 May 1763, p. 212) comments upon a stage tradition of having the Mouse Trap" Play presented on stage with the players' backs to Claudius and Gertrude. The author wishes Garrick and Beard to revise this absurdity and bring the whole in more accord with reality. The same paper criticises Mrs Cibber as Ophelia. "I hope you will not let so flagrant an outrage to the decorum of the stage as the following pass unnoticed. As [Mrs Cibber] sat upon the stage, with Hamlet at her feet, in the third act, she rose up three several times, and made as many courtiess, and those very low ones, to some ladies in the boxes. Pray good Sir, ask her in what part of the play it is said that the Danish Ophelia is acquainted with so many British Ladies?" See similar comment on her Belvidera, 17 March 1760.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Fortunatus