SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Burney News Cuttings"/1) | (@(roleclean,performerclean) "Burney News Cuttings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3119 matches on Event Comments, 2722 matches on Performance Title, 1423 matches on Performance Comments, 113 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Thomasand Sally

Dance: The Medley-

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Tobacconist

Entertainment: End I of Farce: Imitations Vocal and Rhetorical-Bannister

Monologue: End: A Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Tobacconist

Monologue: Interlude: Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner

Entertainment: Imitations Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Weathercock

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Midas

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Prometheus

Performances

Mainpiece Title: Il Bacio

Dance: I: Serious Ballet-Fierville, Mlle Bacelli; II: Les Evenemens Imprevues-M N. N., Helm, Mlle Tinti, Mlle Sophie; End Opera: La Generosite de Scipion-N. N., Fierville, Mlle Baccelli

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End of Opera: A Divertissement-Mlle Baccelli, Mlle Sophie

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Performances

Mainpiece Title: Le Ali D'amore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Valentine's Day

Dance: II: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003; II: The Sailors Revels, as17751220

Performances

Mainpiece Title: He Bankrupt

Afterpiece Title: The Lyar

Dance: The Haymakers-

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Padlock

Dance: Tambourine Dance-

Performances

Mainpiece Title: La Fraschetana

Dance: As17761102

Performances

Mainpiece Title: Astarto

Dance: As17761109

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761130; End Opera: Les Amans Heureux, as17761217, but Sga Zuchelli