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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Burney News Cuttings"/1) | (@(roleclean,performerclean) "Burney News Cuttings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6626 results for: Keyword - Burney News Cuttings
We found 3119 matches on Event Comments, 2722 matches on Performance Title, 1423 matches on Performance Comments, 113 matches on Author, and 0 matches on Roles/Actors.

351
15 April 1796 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Point at Herqui; or, British Bravery Triumphant

Dance: II: a Negro Dance-; 3rd piece: a new incidental Dance by Byrn-Mlle St.Amand, Holland, Byrn

Song: End I: Sweet Bird-Mrs Serres; accompanied on the German Flute (for this night only)-Ashe, from the Hanover-Square Concert; In Evening: Admiral Benbow-Incledon; 3rd piece: the following songs: The Mid Watch-Incledon; Tippy Bob-Munden; The Waiter-Fawcett; Irish Song-Johnstone; New Loyal Song-Mrs Martyr; Rondo-Mrs Clendining; Ye Gentlemen of England-Linton, Street, Incledon; Rule Britannia-Incledon, Johnstone, Chorus

352
24 October 1796 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

353
02 May 1797 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Sailor's Prize

Afterpiece Title: The Prisoner at Large

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

354
22 March 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

355
09 May 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

356
26 March 1799 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

357
30 March 1799 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement, as17990326End Opera: Telemaque- see17990326

358
08 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

359
30 May 1799 @ King's Theatre

Performances

Mainpiece Title: Didone

Dance: As17990330

Music: II: a new song [(never before sung in this Country), composed by Guglielmi-; accompanied by the First Violin and Harp-Salomon, Meyer Jun. [by Mme Banti (Anthony LeTexier, L'Ami des Meres, 1799, II, 155-57, which also refers to the air composed and sung by Benelli, and the quartet composed by Federici, both in the 2nd act)]

360
21 March 1800 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

361
25 November 1729 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Dance: new Pastoral Dance: The Shepherd's Holiday-Burney Jr. from dl, his first on this stage, Sandham, Eaton, Mrs Haughton, Miss Sandham, Mrs Mountfort

362
27 January 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Phoebe

Dance: new Fnew French Peasants-Burney, Miss Wherrit

363
14 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The What D'ye Call It

Dance: new Scotch Dance-Burney, Miss Wherrit

364
01 January 1743 @ King's Theatre

Event Comment: Text-Vanneschi; Music-Galuppi (Burney). A new Opera [Description as before] but the Silver Tickets will be deliver'd to the Subscribers at the Opera-Office, where Attendance will be given from Nine to One for that Purpose. [Not entered as a new piece in the Larpent MS.]

Performances

Mainpiece Title: Enrico

Performance Comment: Singers-Monticelli, Visconti, Amorevole, Signora Frasi, Signora Contini, With Signora Galli singing male parts (Burney, History of Music, IV, 449).

365
15 November 1743 @ King's Theatre

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

366
07 January 1746 @ King's Theatre

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Performance Comment: Singers-Monticelli, Jozzi, Ciacchi, Signora Imer, Signora Pompeati (or Mrs Cornelie), Signora Frasi (Burney, History of Music, IV, 452). [See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]

367
17 March 1770 @ Drury Lane Theatre

Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

368
16 July 1782 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; c 5, ascribed to Frances Burney (see Boaden, Siddons, 1, 272). MS: Larpent 596; not published; synopsis of plot in London Magazine, July 1782, p. 312. Prologue by George Colman, the elder (Colman, Prose, III, 235). The play is anonymous.]

Performances

Mainpiece Title: The East Indian

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

369
04 November 1746 @ King's Theatre

Performances

Mainpiece Title: Annibale In Capua

Performance Comment: Parts-Reginelli, Borosini, Triulzi, Ciocchi, Mrs Pirker, Signora Casarini, Signora Frasi (Burney, History of Music, IV, 453).

Dance:

370
26 March 1770 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Barry. Part of pit laid into boxes. ["On 25 March Mrs Baddeley set off for Dublin, induced by her husband's behaviour" (Winston MS 10, from Dr Burney's News Clippings). But she was advertised as singing the part of Rhodope in the afterpiece the night of the twenty-sixth.

Performances

Mainpiece Title: Zenobia

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17690926

371
30 April 1770 @ Drury Lane Theatre

Event Comment: Benefit for Champnes and Mrs W. Barry (playbill). [N.B. Winston suggests Cymbeline this night, but all extant playbill evidence favors Cymon. "Sir Joshua Reynolds purchased portrait of Garrick as Abel Drugger by Zoffany for #100" (Winston MS 10, from Burney News Clippings).

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Minor

Dance: III: As17700428

372
01 November 1770 @ Drury Lane Theatre

Event Comment: Afterpiece: By Desire. Garrick return'd last night from Bath (Dr Burney's News Clippings-Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Elopement

373
08 April 1772 @ Covent Garden

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. An Overture-Sg. Piccini; Milton's Morning Hymn-; The Music selected from the works of the following eminent composers, viz. Piccini, Jomelli, Pergolesi, Carrissime. This Hymn was set many years since by Galliard. Part II. Consisted of Miserere mei Die by Burney">Galuppi-; This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney, in his Account of the Present State of Music in France and Italy lately publish'd. The Melodies of the airs are pleasing, the chorusses Grand, and the composer has shown great taste and invention in the conduct of the whole. Part III. Dixit Dominus. The Music-Sg Pergolesi...a solemn and Grand Performance (Theatrical Review, p. 222).

374
02 July 1772 @ Mary-le-Bone Gardens

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

375
14 March 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Provok'd Husband

Song: Miss Thornowets

Dance: Burney, D'Anfoy, Sandham, Eaton, Miss Sandham, Mrs Thomas; particularly Pierrots, Fawns-

Related Works
Related Work: Robin Hood Author(s): Charles Burney
Related Work: The Cunning Man Author(s): Charles Burney