SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 18032 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. Receipts: #161 7s. (158.19.6; 2.7.6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Event Comment: [Mainpiece in place of The Merchant of Venice, advertised on playbill of 29 Oct.] Receipts: #159 9s. 6d. (106.5.6; 51.10.0; 1.14.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Children in the Wood

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser

Event Comment: [Afterpiece in place of The Humourist, advertised on playbill of 31 Oct.] Receipts: #185 8s. (126.10.6; 57.9.6; 1.8.0)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Blue-Beard

Event Comment: Account-Book: Paid Orchestra #61 13s. a week; Peake #10 a week; Soldiers #5 5s. a week. Receipts: #151 4s. (81.13; 65.18; 3.13)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Deserter

Event Comment: Account-Book: Paid Holford for coals #235 10s. 10d. Receipts: #269 16s. 6d. (262.1.6; 7.15.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Event Comment: [Tomkins, who had 1st appeared at this theatre on 1 May 1799, is identified by MS annotation on Kemble playbill.] Receipts: #178 17s. (117.9; 60.1; 1.7)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Katharine and Petruchio

Event Comment: By Command of Their Majesties. Account-Book: Paid Yeomen of the Guard #2 2s.; Their Majesties' Servants #3 19s. 6d. Receipts: #505 19s. 6d. (499.2.6; 6.17.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Spoil'd Child

Event Comment: Incledon continuing Hoarse, the new Comic Opera of The Turnpike Gate [advertised on playbill of 6 Nov.] is necessarily obliged to be postponed [see 14 Nov.]. "[Mrs Pope's] whole soul seems to be engrossed with the study of attitudes and postures; how to display to the best advantage a genteel shape...Her very looks are artificial, and betray an excess of female vanity" (Dramatic Censor I, 11). Receipts: #337 13s. (333.11.6; 4.1.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Event Comment: 2nd piece: In one act. 3rd piece: In which a Representation of the Battle of the Glorious First of August [see 25 Oct. 1798]. Receipts: #277 6s. 6d. (267.16.6; 9.10.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Ghost

Afterpiece Title: The Mouth of the Nile

Event Comment: [Mrs Higginson, who is identified in European Magazine, Nov. 1799, p. 328, had, as Mrs Cussans, acted previously at Richmond and elsewhere.] 2nd piece: In one act [and in place of The Flitch of Bacon, advertised on playbill of 9 Nov.]. 3rd piece: Representation of the Battle, as 9 Nov. Receipts: #293 17s. 6d. (286.17.6; 7.0.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Cross Purposes

Afterpiece Title: The Mouth of the Nile

Event Comment: [Afterpiece in place of The Flitch of Bacon, advertised on playbill of 11 Nov.] Receipts: #278 10s. (271.14.6; 6.15.6)

Performances

Mainpiece Title: Management

Afterpiece Title: Robin Hood

Event Comment: [DeCamp was from the Edinburgh theatre. He had previously acted children's parts at dl.] Receipts: #176 3s. (98.19.6; 74.1.6; 3.2.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: My Grandmother

Event Comment: Mainpiece: With additions from Dryden. The Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Linley Jun. Receipts: #186 7s. (136.9.6; 48.17.6; 1.0.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Humourist

Song: Mainpiece: Vocal Parts-Dignum, Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Jackson, Ms Gawdry, Ms Butler, Ms Benson, Ms Chippendale, Ms Saunders, Ms Jacobs; In V: Masque of Neptune and Amphitrite. Neptune-Caulfield, Amphitrite- Miss Leak

Event Comment: Afterpiece [1st time; CO 2, by Thomas Knight]: With new Music, new Scenes and Dresses. The Music composed by Mazzinghi and Reeve. The Scenes painted by Richards and Phillips. Books of the Songs to be had in the Theatre. Account-Book, 5 Feb. 1800: Paid Knight for Turnpike Gate #125; Reeve and Mazzinghi for music in same #50. Morning Chronicle, 29 Nov. 1799: This day is published The Turnpike Gate (1s. 6d.). Receipts: #288 17s. (281.2.6; 7.14.6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Event Comment: Afterpiece [1st time; M. ENT 2, by William Linley. Larpent MS 1246; not published]: With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by William? Linley. Books of the Songs to be had in the Theatre. [Notice on playbill of 20 Nov.: The Author of The Pavilion, submitting with deference to the decision of the Public, has withdrawn it for the present to make such alterations as he hopes may render it an Entertainment better entitled to their approbation. (On 21 Jan. 1800, altered, it was acted as The Ring.)] "Miss DeCamp need never wish to have a better foil to her exquisite style of acting, than the puny efforts of Kelly and Mrs Crouch. They may be singers, but never should attempt to perform" (Dramatic Censor, I, 9). Receipts: #291 4s. 6d. (157.3.0; 131.8.6; 2.13.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Event Comment: Mainpiece: In I a Grand Masqueradev. [For Mrs Higginson see 11 Nov.] Receipts: #293 9s. (287.6; 6.3)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Turnpike Gate

Opera: Mainpiece: Solemn Dirge. As17991007, but Vocal Parts-_Dyke

Event Comment: Mainpiece: In IV a Masquerade Scene. Receipts: #183 0s. 6d. (104.8.6; 76.7.6; 2.4.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Blue-Beard

Event Comment: By Command of Their Majesties. Receipts: #483 5s. (464.8.6; 18.16.6)

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Turnpike Gate

Event Comment: The Merchant of Venice [advertised on playbill of 20 Nov.] is obliged to be deferred on account of the Indisposition of a Principal Performer. Receipts: #122 8s. 6d. (66.11.0; 54.6.6; 1.11.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Deserter

Song: As17991001

Event Comment: Afterpiece: Not acted these 20 years [not acted since 1 Dec. 1767]. Receipts: #342 1s. 6d. (250.9.6; 89.13.0; 1.19.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, based on Das Schreibepult; oder, Die Gefahren der Jugend, by August Friedrich Ferdinand von Kotzebue. Prologue by Charles Moore (MS annotation by J. P. Kemble in Kemble-Devonshire copy in Huntington Library); Epilogue by John Taylor (see text)]: With New Dresses and Scenes. Morning Chronicle, 17 Dec. 1799: This day is published The Wise Man of the East (price not listed). Receipts: #323 14s. 6d. (321.12.6; 2.2.0)

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: The Spoil'd Child

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 26 Apr. 1800]. Receipts: #214 7s. (134.5; 77.9; 2.13)

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue-Beard

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Gheri (1st appearance); Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi DelCaro

Event Comment: The Publick is most respectfully informed that, in consequence of the sudden Indisposition of a Principal Performer, Hamlet cannot be acted. [But on playbill of 2 Dec. The Gamester is advertised for this evening.] Receipts: #151 2s. (85.10.6; 62.17.6; 2.14.0)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Shipwreck

Event Comment: [Afterpiece in place of The Humourist, advertised on playbill of 3 Dec.] Receipts: #188 18s. (125.16.6; 62.1.6; 1.0.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: No Song No Supper