Event Comment: Mainpiece: The Musick composed by Kelly. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Upper Gallery 1s. 2nd Price 6d. No money to be returned. Places for the Boxes to be taken of Fosbrook at his Office in Little Russel-street. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Dec.]. Printed by C. Lowndes, next the Stage-Door. Receipts: #304 18s. 6d. (224.8.0; 80.1.6; 0.9.0)

Event Comment: [Mrs Dibdin was from the Rochester theatre.] Receipts: #263 19s. 6d. (256.4.6; 7.15.0)

Event Comment: [The playbill assigns Claudius to Packer, but "Archer, on the sudden indisposition of Packer, put on the robes of majesty, which seemed to sit sufficiently easy upon him" (Monthly Mirror, Sept. 1799, p. 175.] "The agitation of Hamlet in the course of the Play which he prepares to try the King, and his violent transports on gaining the certainty of his uncle's villainy by the effect of the piece were strongly characterized" (Morning Chronicle, 20 Sept.). Receipts: #330 17s. (245.19; 84.14; 0.4)

Event Comment: [Miss Campbell was from the Newcastle theatre.] Receipts: #276 4s. 6d. (174.12.6; 100.12.0; 1.0.0)

Event Comment: Paid Music 20th Inst. #9 3s. 6d.; Properties 2s. 3d.; Chorus Singers #1 10s.; Wardrobe #6 13s. 3d.; Supernumeraries 16s. 6d.; Sloper[master carpenter] for Scene Men #62 11s. 4d.; 3 weeks salary to Phillips #15 15s., to Lupino #11 0s. 6d., to Hollogan #6 15s., to Hodgins #2 5s. [these were scene painters]. Receipts: # 336 14s. 6d. (330.18.0; 5.16.6)

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. "[Raymond] appears to possess many of those wild beauties, and enthusiastic bursts for which Mossop has been celebrated; which produce an effect upon the audience, like electricity, instantaneous and irresistible" (Monthly Mirror, Oct. 1799, p. 232). Receipts: #304 13s. (213.5.0; 91.5.6; 0.2.6)

Event Comment: [In mainpiece the playbill assigns Margarita to Mrs Powell, and Clara to Miss Heard, but Mrs Powell "being suddenly indisposed, Miss Heard was her substitute" (Morning Chronicle, 30 Sept.). It is not stated who acted Clara.] Receipts: #245 2s. (150.3.6; 92.18.6; 2.0.0)

Event Comment: [Mainpiece in place of King Richard the Third, advertised on playbill of 28 Sept.] Receipts: #274 17s. (177.3; 97.6; 0.8)

Event Comment: Afterpiece [1st time; M. ENT 2, by Andrew Franklin. Larpent MS 1268; not published]: With appropriate Scenery, Dresses, &c. The Music entirely new, with a Naval and Military Medley Overture, composed by Reeve. Books of the Songs to be had in the Theatre. [European Magazine, Oct. 1799, p. 255, states that this was founded on the expedition to Holland which embarked at Deal from 7th to 11th September 1799.] Receipts: #340 14s. 6d. (225.17.0; 114.13.2; 0.4.0)

Event Comment: Afterpiece: In Two Acts. Receipts: #245 16s. (241.4.6; 4.11.6)

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Event Comment: Afterpiece: The Scenery re-painted, and the Dresses and Decorations entirely new. The Musick composed by Kelly. The Scenes designed and executed by Greenwood, Chalmers, and others. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Dresses by Johnston, Gay and Miss Rein. Account-Book: Paid Hatton, sword cutler, #5 10s; Chorus #11 16s. 6d. Receipts: #370 2s. (254.6.6; 114.3.0; 1.12.6)

Event Comment: In II The Grand Triumphal Entry of Alexander into Babylonv. In IV a Grand Banquetv. [Macartney was from the Theatre Royal, Dublin.] Receipts: #222 18s. (218.2; 4.16)

Event Comment: The Naval Pillar [advertised on playbill of 14 Oct., is] obliged, on account of Incledon's severe Hoarseness, to be postponed till Next Week. Afterpiece: By permission of the Proprietors of Drury Lane Theatre. Receipts: #263 4s. 6d. (253.3.6; 10.1.0)

Event Comment: 2nd piece: not acted these 2 years. Receipts: #262 11s. 6d. (256.12.6; 5.19.0)

Event Comment: Account-Book: Paid Mrs Booth, washing bill, #1 14s. 7d. Receipts: #283 3s. (188.19; 94.1; 0.3)

Event Comment: 1st piece: 15th time [i.e. in continuation of the reckoning for the previous season]. 3rd piece: to conclude with a Representation of the Moraiv, with the Interment of the Body of Captain Cookv by the Natives. With the original Scenery, Music, Dresses and Decorations. Receipts: #238 4s. (235.15; 2.9)

Event Comment: [1st piece in place of Ramah Droog; 2nd piece of The Jew and the Doctor, both advertised on playbill of 21 Oct.] 2nd piece: To conclude as 3rd piece, 21 Oct. Receipts: #180 1s. 6d. (177.0.6; 3.1.0)

Event Comment: The Clandestine Marriage [advertised on playbill of 23 Oct.] is obliged to be deferred on account of indisposition of a Principal Performer. Receipts: #146 4s. 6d. (86.12.0; 58.7.6; 1.5.0)

Event Comment: Mainpiece: 36th Time [i.e. in continuation of the reckoning for the previous season]. The Scenery, Dresses, and Decorations new Painted and Augmented. The Music composed by Mazzinghi and Reeve. [The playbill assigns, in Europeans, Captain Sidney to Incledon, but he was ill (see 16 Oct., 7 Nov.). He did not act again until 14 Nov.] Receipts: #252 12s. 6d. (249.13.0; 2.19.6)