SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18032 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Banquet, Court, Procession as 1 May. Powell: Pirates rehearsed at 11. Receipts: #367 11s. (300/14; 61/8; 5/9)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Benefit for Farren. Morning Herald, 6 May.: Tickets to be had of Farren, No. 85, Gower-street, Bedford-square. Receipts: #335 (77/2/0; 16/6/6; tickets: 241/11/6)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: FATAL EXTRAVAGANCE

Afterpiece Title: THE SPRIGS OF LAUREL

Song: End of 1st piece Old Towler by Incledon

Event Comment: Powell: Love a-la-Mode rehearsed at 10 (Palmer ill; Packer one scene); Pirates music at 11 (Caulfield ill); Lodoiska music at 12. Receipts: #433 19s. (356/16/6; 67/13/0; 9/0/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: MY GRANDMOTHER

Event Comment: 1st piece: Not acted these 2 years [not acted since 15 June 1791]. With the original Music, Dresses, Scenery, Machinery and Decorations. Receipts: #107 18s. (93/17/6; 14/0/6)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SCHOOL FOR ARROGANCE

Afterpiece Title: NETLEY ABBEY

Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. "But for the excellent acting of Falmer, [THE ENGLISHMAN IN PARIS] would now scarcely be tolerated" (Thespian Magazine, June 1794, p. 225). Powell: Pirates rehearsed at 11 (Sedgwick one scene; Bardeauleau, Boyce, Horsfall). Receipts: #337 3s. (277/3/6; 57/3/0; 2/16/6)

Performances

Mainpiece Title: The Pirates

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Event Comment: Benefit for Fawcett. Morning Chronicle, 5 May: Tickets to be had of Fawcett, No. 9, Tottenham-Court-road, opposite Howland-street. Receipts: #332 16s. 6d. (71/4/0; 5/2/6; tickets: 256/10/0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: HE WOUD BE A SOLDIER

Dance: After the Monologue Dermot and Kathlane, as17931022

Song: In the course of mainpiece a Tippetywitchet, the words by O'Keeffe, with new Music by Shield, by Fawcett, in the Character of Dr Grigsby

Monologue: 1794 05 16 End of main piece a Jeu d' Esprit; or, Jerr Sneak's intended Law Suit with the Major, with The Little Pig lays without any Straw, by Fawcett

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The ew

Afterpiece Title: BON TON

Event Comment: [Afterpiecc in place of LOVE A-LA-MODE, advertised on playbill of 17 May.] Powell: Macbeth's scenes rehearsed at 11; Natural Son at 12. Receipts: #366 5s. (293/2/0; 69/12/6; 3/10/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE PRIZE

Song: Mainpiece: Chorus of Witches and Spirits by Kelly, Master Welsh, Sedgwick, Dignum, Cooke//Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, &c. &c

Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: NETLEY ABBEY

Event Comment: Powell: Love a-la-Mode rehearsed at 10 (King two scenes); Gamester at 11 (Mrs Siddons one scene; Mrs Heard). Receipts: #283 7s. 6d. (225/16/0; 52/5/0; 5/6/6)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

Event Comment: Benefit for Miss Chapman. [In 1st piece the Young Lady is identified in Morning Herald, 20 May, only as "Niece to the late Alexander Fordyce, Esq., and a pupil of the veteran Macklin."] Morning Herald, 10 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #199 8s. 6d. (62/4/0; 10/12/6; tickets: 126/12/0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILORS FESTIVAL

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

Event Comment: Benefit for Harley. Receipts: #339 19s. (102/7/6; 4/12/0; tickets: 232/19/6)

Performances

Mainpiece Title: Othello

Afterpiece Title: THE SAILORS FESTIVAL

Afterpiece Title: HARTFORD BRIDGE

Dance: In 3rd piece The Lucky Escape, as17930916

Event Comment: Powell: Gamester rehearsed at 11; Lodoiska at 12 (Bannister, Miss Redhead ill; Boyce, Denman, Fisher, Horsfall, Bardeauleau, Annereau, Cooke, Walker absent; Sedgwick, Webb, Fairbrother, Boimaison, Dorion Jun. one chorus). Receipts: #388 18s. (314/10/0; 68/7/6; 5/8/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: MY GRANDMOTHER

Event Comment: 3rd piece [Ist time; MF 2, attributed to Mrs Rainsford, for whom see Morning Herald, 9 May; London Chronicle, 23 May, states that it was written by "A Lady," but gives no name. MS: Larpent 1025; not published]: The Music composed by Webbe. Receipts: #118 4s. (109/3; 9/1)

Performances

Mainpiece Title: Netley Abbey

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: THE SPEECHLESS WIFE

Event Comment: Powell: Love a-la-Mode rehearsed at 12 (King one scene); Lodoiska music at 1 (for Caulfield, Danby, Cooke, Annereau, Boyce). Receipts: #318 3s. 6d. (256/4/0; 58/14/0; 3/5/6)

Performances

Mainpiece Title: The Pirates

Afterpiece Title: LOVE A LA MODE

Event Comment: Benefit for Mrs Mountain. 1st piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 21 May: Tickets to be had of Mrs Mountain at Mr Greak's, No. 3 3 , Tavistock-street, Covent-Garden. Receipts: #274 3s. (109/7/6; 9/19/6; tickets: 154/16/0)

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Event Comment: [In afterpiece the playbill retains Miss Menage, but she "being at the Italian Opera this Evening, Master Chatterley play'd her part" (Powell).] Receipts: #361 1s. 6d. (298/8/6; 55/12/0; 7/1/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico Or Britannia Triumphant

Afterpiece Title: THE BELLES STRATAGEM

Afterpiece Title: THE HIGHLAND REEL

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: Powell: Lodoiska rehearsed at 12. Receipts: #356 6s. 6d. (276/2/0; 75/6/6; 4/18/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE PRIZE

Song: As17940519

Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Afterpiece Title: THE SHIPWRECK or French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Powell: Lodoiska 3rd Act rehearsed at 11; whole at 12. Receipts: #257 10s. 6d. (202/2/6; 51/14/0; 3/8/0; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

Event Comment: Powell: Lodoiska dialogue and business rehearsed at 11; music at 12. Receipts: #368 17s. 6d. (301/14/6; 57/11/0; 9/12/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: NO SONG NO SUPPER

Event Comment: Benefit for Middleton. [1st piece in place of NAPLES BAY, advertised on playbill of 27 May.] 3rd piece [1st time; MD 3, by Henry Siddons. Author of Prologue unknown]: Taken from the Sicilian Romance of the Author of the Romance of the Forest [Ann Radcliffe}. Overture and Music entirely new by Reeve. Morning Herald, 6 June 1794: This Day is published THE SICILIAN ROMANCE (1s.) [In 3rd piece the playbill lists Incledon, but "an apology was made on account of Incledon's indisposition, whose character in the After-piece was well supported by Townsend" (Thespian Magazine, July 1794, p. 281).] Morning Herald, 22 May: Tickets to be had of Middleton at Vint's, perfumer, No. 3, Tavistock-row, CoventGarden. Receipts: #203 13s. 6d. (92/14/0; 9/3/0; tickets: 101/16/6)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: ALEXANDER THE GREAT

Afterpiece Title: THE SICILIAN ROMANCE or The Apparition of the Cliffs

Event Comment: Powell: Lodoiska rehearsed at 11 (Sedgwick absent). Receipts: #370 3s. 6d. (287/5/6; 75/10/6; 7/4/6; ticket not come in: 0/3/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: MY GRANDMOTHER

Event Comment: Benefit for the Author [of 2nd piece]. Receipts: #88 13s. (81/10; 7/3; tickets and charge: neither listed)

Performances

Mainpiece Title: The Deserter

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: BARNABY BRITTLE