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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18476 results for: Keyword - Blakes</i>, deleted.] Receipts:
We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

14651
05 February 1782 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years. Receipts: #179 13s. (176/16; 2/17)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Choice of Harlequin

14652
06 February 1782 @ Covent Garden

Event Comment: Man of the World [announced on playbill of 5 Feb.] is unavoidably deferred, on account of the Indisposition of a Principal Performer. Receipts: #195 12s. (193/6; 2/6)

Performances

Mainpiece Title: Maid Of The Mill

Afterpiece Title: Choice of Harlequin

14653
07 February 1782 @ Drury Lane Theatre

Event Comment: The Critic [announced on playbill of 6 Feb.] is unavoidably deferred on account of the Indisposition of King. Receipts: #159 14s. 6d. (112/16/0; 46/12/0; 0/6/6)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Robinson Crusoe

14654
09 February 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

14655
11 February 1782 @ Covent Garden

Event Comment: "Whitfield played the Author the first night, but so indifferently that the part was given to Lee Lewes on the 2d" [MS annotation on BM playbill (CG, Vol. III)]. Receipts: #231 8s. (227/5; 4/3)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Tom Thumb

Dance: After the Epilogue, as17811213

14656
12 February 1782 @ Drury Lane Theatre

Event Comment: The Lord of the Manor [announced on playbill of 11 Feb.] is unavoidably deferred. [Afterpiece in place of The Citizen, announced on playbill of 11 Feb.] Receipts: #102 12s. 6d. (81/14/0; 20/11/0; 0/7/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Robinson Crusoe

Dance: In Act IV of mainpiece a Dance by Henry, Miss Armstrong, &c

14657
12 February 1782 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Jovial Crew

14658
14 February 1782 @ Covent Garden

Event Comment: 3rd piece: Not acted these 6 years [acted 22 Apr. 1777]. Receipts: #243 6s. (238/16/6; 4/9/6)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Devil to Pay

Dance: As17820211

14659
16 February 1782 @ Drury Lane Theatre

Event Comment: [The afterpiece was perhaps changed to The Apprentice, which is listed in the Account-Book; if so, see 22 Oct. 1781. But corroboration is lacking.] Receipts: #87 6s. (57/8; 29/14; 0/4)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Citizen

Dance: As17811117

14660
18 February 1782 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece]. Comus is obliged to be deferred, on account of Miss Catley's Indisposition. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Midas

14661
19 February 1782 @ Drury Lane Theatre

Event Comment: The Maid of the Oaks [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #101 3s. 6d. (69/12/0; 31/10/6; 0/1/0)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Quaker

Dance: End of mainpiece a new Dance (composed by Zuchelli), The Distress'd Lovers, by Zuchelli, Lemercier, Miss Armstrong, the Miss Stageldoirs

14662
21 February 1782 @ Covent Garden

Event Comment: 3rd piece [1st time; past 2, by Matthew Feilde. MS: Larpent 585; not published; synopsis of plot in Public Advertiser, 22 Feb.]: With New Overture and Music, composed by [Michael] Arne. New Dresses, Scenes and Decorations. Books of the Songs to be had at the Theatre. Receipts: #247 12s. (243/19/6; 3/12/6)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

14663
23 February 1782 @ Drury Lane Theatre

Event Comment: Variety is unavoidably deferred [Public Advertiser, 26 Feb.: on account of King's illness] till Monday next, when it will certainly be performed for the First Time. Receipts: #118 1s. 6d. (85/3/0; 32/16/0; 0/8/6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece The Distress'd Lovers, as17820219, but omitted: Miss Armstrong

14664
23 February 1782 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Comus

Dance: As17820221

14665
25 February 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; c 5,by Richard Griffith. Prologue by Richard Tickell (see text). Author of Epilogue unknown]: With new Scenes, Dresses, and Decorations. Public Advertiser, 27 Mar. 1782: This Day is published Variety (1s 6d.). Receipts: #226 9s. 6d. (218/5/0; 7/14/6; 0/10/0)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Quaker

14666
25 February 1782 @ Covent Garden

Event Comment: [The playbill announces, as dance, The Double Surprise, in which Banti was to make his 4th appearance. But it was deferred; sec 5 Mar.] Receipts: #244 (239/8/6; 4/11/6)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Jovial Crew

14667
26 February 1782 @ Covent Garden

Event Comment: Benefit for Miss Catley. Receipts: #282 14s. (194/12; tickets: 88/2) (charge: free)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

14668
28 February 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #215 13s.(183/13/0; 31/2/6; 0/17/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Variety

Afterpiece Title: Comus

14669
04 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington [who is named in the Account-Book, but not on the playbill]. Receipts: #153 6s. 6d. (118/6/0; 33/18/0; 1/2/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Variety

Afterpiece Title: Robinson Crusoe

14670
05 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #139 91. 6d. (112/15/0; 26/1/0; 0/13/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Gentle Shepherd

14671
05 March 1782 @ Covent Garden

Event Comment: Benefit for Macklin. [In the dance Band is announced as making his 4th appearance (see 25 Feb., 19 Mar.).] Receipts: none listed (charge: free)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Tom Thumb

Dance: End of Epilogue, as17811219

Song: End of Act II of mainpiece The Huntsman's sweet Halloo, as17820226

14672
11 March 1782 @ Covent Garden

Event Comment: [In mainpiece Public Advertiser erroneously lists Mrs Abington in place of Mrs Mattocks; see 29 Nov. 1782.] Receipts: #211 14s. (208/5; 3/9)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Choice of Harlequin

14673
14 March 1782 @ Drury Lane Theatre

Event Comment: Paid Smith for Canvas #32 7s. 6d. Receipts: #148 8s. (116/9/0; 31/16/6:0/2/6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Luns Ghost

Dance: End of Act II of mainpiece, as17820223; In Act III a Hornpipe by Blurton; In afterpiece, by the Miss Stageldoirs, &c

14674
14 March 1782 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 15 Mar. 1779]. [Trew is identified by MS annotation on Kemble playbill. Afterpiece in place of The Positive Man, announced on playbill of 12 Mar.] Paid one-half years Land Tax for the Theatre #61 5s. Receipts: #167 4s. (161/14; 5/10)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Tom Thumb

14675
16 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Yates [who is named in the Account-Book, but not on the playbill]. Mainpiece: Not acted these 4 years. Monody: Not performed these 3 years [performed 28 Mar. 1781]. With Vocal and Instrumental Music [by Thomas Linley Sen.]. Receipts: #187 10s. 6d. (136/2/0; 51/7/0; 0/1/6; tickets: none listed) (charge: #76 14s. 9d.)

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Monody on the Death of Garrick

Afterpiece Title: Comus