SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Blakes deleted Receipts "/1) | (@(roleclean,performerclean) "Blakes deleted Receipts ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 18079 matches on Event Comments, 1063 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Hobson (House-Keeper). Tickets for a widow under Misfortunes will be taken. Receipts: #170

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Virgin Unmasked

Song: II: Song-Beard; III: Bumper Squire Jones-Beard

Dance: I: Running Footman's Dance, as17420428 II: Le Boufon, as17420325 IV: The Italian Peasants, as17411205; V: The Drunken Peasant, as17411029

Event Comment: RRylands MS.: Benefit for Numberers &c, Mrs Marshall, Miss Lee, Miss Budgell, Miss Wright, Miss Cole, and Mr Walker. Tickets deliver'd out by Edwards, Owen, Brooks, Rumball, and others will be taken. Receipts: #120

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: Celladon and Phyllis-Master Matthews, Miss Wright; V: The Medley of Jokes-Master Matthews, Miss Wright

Event Comment: Benefit Taylor, Box-Keeper (Rylands MS.). Receipts: #170

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Dutch Dance-Phillips; II: The Swiss, as17410926; IV: Running Footman-Phillips

Song: III: Beard

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Garrick Play'd, Duke Attended. Died 31 July, aged 77, Ben Johnson (Winston MS. from Burney's Actors MSS). [See benefit for his daughter 15 Dec.] Receipts: #171

Performances

Mainpiece Title: Richard Iii

Dance: The Mechels

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Rake Actor: Blakes

Dance: Muilment

Performances

Mainpiece Title: The Beggars Opera

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: The Beggars Opera

Dance: Cooke, Mlle Campioni

Performances

Mainpiece Title: The Beggars Opera

Dance: Cooke, Mlle Campioni

Event Comment: Yesterday Mr Rich paid into the Chamberlain's Office at Guildhall, the sum of #602 7s. to the Veteran's scheme, being the three night's receipts arising from the Beggar's Opera, performed at cg: And he thinks it incumbent on him in justice to the several persons interested in the Said theatre, to declare, that when the above scheme was by him proposed, they all most generously subscrib'd their demands for these three nights in order to enlarge the sums to be rais'd for the above purpose.-General Advertiser. [The Gentlemen's Magazine, Dec. 1745, states the idea of this gift was proposed by Mrs Cibber, and that the tallow chandlers also gave the candles.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Orpheus and Eurydice

Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

Event Comment: [The first payroll of the season, covering three days of acting, amounted to #69 8s. 6d (30 men--#35 14s.; 24 women--#26 10s; 10 servants' accounts including an unspecified number of dressers and charwomen--#7 4s. 6d.).] Receipts: #42. 18s. 6d.

Performances

Mainpiece Title: Venice Preserved Or A Plot Discovered

Afterpiece Title: The Mock Doctor

Event Comment: Afterpiece: a Tragi/Comi/Pastoral/Farce. Receipts #54 14s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The What Dye Call It

Event Comment: Mainpiece not acted these six years. Receipts: #116 19s. 6d

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The King and The Miller of Mansfield

Event Comment: [G+General Advertiser gives The Mock Doctor as the afterpiece. As 1 Oct., but Davy-$Hippisley.] Receipts: #76 15s

Performances

Mainpiece Title: The Committee

Afterpiece Title: The King and The Miller of Mansfield

Event Comment: Mainpiece Containing the Distresses and Death of King Henry the Sixth; the Artful Acquisition of the Crown by King Richard; The Cruel Murder of Prince Edward and his Brother in the Tower; the Landing of the Earl of Richmond, and the death of King Richard in the Memorable battle of Bosworth Fieldv; being the last that was fought between the Houses of York and Lancaster. Receipts: #160 19s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmasked

Event Comment: By Command of the Prince and Princess of Wales, but they not there (Egerton 2268). Receipts: #142 15s

Performances

Mainpiece Title: Cato

Afterpiece Title: The What Dye Call It

Event Comment: HHorace Walpole to Montagu, 3 Nov.: I shall be with you at the end of the week, but just now I am under the maidenhead-palpitation of an author; my Epilogue will, I believe, be spoke tomorrow night, and I flatter myself I shall have no faults to answer for but what are in it, for I have kept secret whose it is. It is now gone to be licensed, but as the Lord Chamberlain is mentioned, though rather to his honour it is possible it may be refused, as they are apt to think at the Office, that the Duke of Grafton can't be mentioned but in ridicule.--Horace Walpole's Correspondence with George Montagu, I, 48. Receipts: #119 1s

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Event Comment: Present The Duke, Princess Amelia, and Princess of Hesse (Account Books, Egerton 2268). Receipts: #161 3s

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Duke and No Duke

Event Comment: Mainpiece: By Command. Present the Duke, Princess Amelia, and Princess of Hesse. (Account Books, Egerton 2268). Receipts: #178 1s. 6d

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Mainpiece: By Command. Present the Duke, Princess Amelia, The Princess of Hesse. Paid Mr Day for the use of a Turkish Vase 2 nights in Tamerlane for Mr Bencraft #1 1s. Receipts: #144 12s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Duke and no Duke

Event Comment: By Command. Ladies desired to send servants to keep places by three o'clock (General Advertiser). Present the Prince and Princess of Wales (Account Books, Egerton 2268). Receipts: #192 4s

Performances

Mainpiece Title: The Fair Penitent

Event Comment: Ladies are desired to send their servants to keep places by Three o'clock. Receipts: #191 2s. 6d

Performances

Mainpiece Title: The Fair Penitent

Event Comment: The Fair Penitent is deferr'd on account of the Indisposition of a principal performer. Paid Garrick on account #105. Paid Vincent #10 10s. for a pair of Kettle Drum banners. Receipts: #78 9s

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Duke and no Duke