SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ben Jonson"/1) | (@(roleclean,performerclean) "Ben Jonson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 674 matches on Author, 312 matches on Performance Comments, 277 matches on Event Comments, 9 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Song: End: An Ode, selected from Ben Jonson, as17960516

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Foote; Sir Sampson Legend-Berry; Mrs Frail-Mrs Clive; Miss Prue-Miss Macklin (being their first appearance in those characters); Valentine-Havard; Scandal-Palmer; Foresight-Taswell; Jeremy-Blakes; Tattle-Woodward; Trapland-W. Vaughan; Nurse-Mrs James; Mrs Foresight-Mrs Bennet; Angelica-Miss Haughton.
Cast
Role: Ben Actor: Foote
Role: Mrs Foresight Actor: Mrs Bennet

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Last's Examination before the College of Physicians

Afterpiece Title: The Poor Sailor; or, Little Ben and Little Bob

Performance Comment: Lieut. Battledor (the Poor Sailor)-Incledon; Compass-Harley; Bumbo-Bernard; Freakish-Townsend; O'Daub-Rock; Lieutenant of a Press Gang-Williamson; Capt. Battledor-Munden; Little Bob-Master Standen a Child only six years old; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Cornelys; Eliza alias Little Ben (for that night only)-Miss Poole.

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: Black Eyed Susan-Incledon

Performances

Mainpiece Title: The Suspicious Husband

Related Works
Related Work: The Suspicious Husband Author(s): Benjamin Hoadly

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Performance Comment: Lieut. Battledor (the Poor Sailor)-Incledon; Compass-Harley; Bumbo-Bernard; O'Daub-Macready; Freakish-Townsend; Lieutenant-Williamson; Captain Battledor-Munden; Little Bob-Little Standen; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Walcup; Eliza (alias Little Ben)-Mrs Martyr.

Dance: Afterpiece to conclude with: Hornpipe incidental to the Piece,-Byrn, Holland, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Performance Comment: Lieut. Battledore (the Poor Sailor)-Incledon; Compass-Waddy; Bumbo-Farley; O'Daub-Macready; Freakish-Townsend; Lieutenant-Haymes; Capt. Battledore-Munden; Little Bob-Young Standen; Miss Ann Battledore-Mrs Davenport; Nancy-Miss Logan; Eliza (alias Little Ben)-Mrs Martyr.
Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Performance Comment: Lieutenant Battledor (the Poor Sailor)-Incledon; Compass-Davenport; Bumbo-Farley; O'Daub-Waddy; Freakish-Townsend; Lieutenant-Gray; Capt. Battledor-Munden; Little Bob-Young Standen; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Wheatley; Eliza (alias Little Ben)-Mrs Martyr.

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Performance Comment: Lieut. Battledore (the Poor Sailor)-Incledon; Compass-Davenport; Bumbo-Farley; Freakish-Townsend; O'Daub-Waddy; Capt. Battledore-Munden; Little Bob-Miss Gilbert; Miss Anne Battledore-Mrs Davenport; Nancy-Miss Wheatley; Eliza (alias Little Ben)-Mrs Martyr.
Event Comment: In the notebooks of John Ward, between 1 and 25 Sept. 1662, appears The Alchemist [by Ben Jonson]. See A. L. D. Kennedy-Skipton, "A Footnote to John Ward and Restoration Drama," Shakespeare Quarterly, XII (1961), 353. For an early cast, see Dec. 1660

Performances

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Event Comment: Sir Robert Southwell to Edward Southwell, 26 Aug. 1685 (in Morley, Bartholomew Fair, pp. 224-26): I think it not now so proper to quote you verses out of Persius, or to talk of Caesar and Euclide, as to consider the great theatre of Bartholomew Fair....You wou'd certainly see the garboil there to more advantage if Mr Webster and you wou'd read, or cou'd see acted, the play of Ben Jonson, call'd Bartholomew Fair:...The main importance of this fair is not so much for merchandize, and the supplying what people really want; but as a sort of Bacchanalia, to gratify the multitude in their wandring and irregular thoughts. Here you see the rope-dancers gett their living meerly by hazarding of their lives, and why men will pay money and take pleasure to see such dangers, is of separate and philosophical consideration. You have others who are acting fools, drunkards, and madmen, but for the same wages which they might get by honest labour, and live with credit besides. Others, if born in any monstrous shape, or have children that are such, here they celebrate their misery, and by getting of money forget how odious they are made

Performances

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince, with Installation of Knights of the Garter

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Ben Jonson
Related Work: Oberon, The Fairy Prince Author(s): Ben Jonson
Event Comment: By Permission of the Lord Chamberlain. Benefit for Waldron, prompter. Mainpiece [1st time; TC 5, by Francis Godolphin Waldron. Larpent MS 1094; not published]: Founded on Shakespeare and Fletcher's Two Noble Kinsmen, by the Continuator of Ben Jonson's Sad Shepherd. With new Music composed by Dr Arnold. Copies of the Songs will be delivered gratis at the Theatre. Afterpiece [1st time; C 3, by Francis Godolphin Waldron, abridged from his The Maid of Kent. Larpent MS 1095; not published]: Written by the Author of Heigho for a Husband. Tickets and Places for the Boxes to be had of Waldron, No. 54, Drury-lane, and of Rice, at the Theatre

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: 'Tis a Wise Child Knows its Father

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Cast
Role: Ben Actor: Dogget

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Dogget.
Cast
Role: Ben Actor: Dogget.

Entertainment: As17040417

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Dogget; Sir Sampson-Estcourt; Valentine-Wilks; Tattle-Cibber; Scandal-Husband; Foresight-Johnson; Trapland-Bullock; Jeremy-Bowen; Angelica-Mrs Oldfield; Mrs Foresight-Mrs Cross; Mrs Frail-Mrs Porter; Prue-Mrs Bicknell; Nurse-Mrs Willis.
Cast
Role: Ben Actor: Dogget

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Dogget; Sir Sampson-Estcourt; Foresight-Johnson; Valentine-Wilks; Tattle-Cibber; Scandal-Husband; Jeremy-Bowen; Trapland-Bullock; Angelica-Mrs Oldfield; Mrs Foresight-Mrs Rogers; Prue-Mrs Bicknell.
Cast
Role: Ben Actor: Dogget

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Dogget; Sir Sampson-Estcourt; Valentine-Wilks; Scandal-Booth; Tattle-Cibber; Foresight-Johnson; Trapland-Norris; Jeremy-Bowen; Angelica-Mrs Oldfield; Mrs Foresight-Mrs Rogers; Mrs Frail-Mrs Porter; Prue-Mrs Santlow; Nurse-Mrs Willis.
Cast
Role: Ben Actor: Dogget

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Dogget; Genest, II, 506, lists Angelica-Mrs Oldfield.
Cast
Role: Ben Actor: Dogget

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Dogget.
Cast
Role: Ben Actor: Dogget.

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Griffith (from Ireland).
Cast
Role: Ben Actor: Griffith
Event Comment: Benefit delaGarde. At the particular Desire of several Ladies of Quality. Receipts: money #36 17s. 6d.; tickets #70 15s

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-a Gentleman who never appear'd on this Stage before.

Afterpiece Title: Hob

Music: Two Entertainments on the Flute-Mr Mercy

Dance: delaGarde, Moreau, Shaw, Thurmond Jr, Mrs Bullock, Mrs Schoolding, Mrs Cross; particularly The Dutch Skipper-delaGarde, Mrs Bullock

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Burney, who never appear'd on this Stage before.

Song: As17181006

Dance: A new Dance betwixt a Burgomaster and his Frow by delaGarde-delaGarde, Mrs Bullock; A new French Peasant-delaGarde's Two Sons

Performances

Mainpiece Title: 7 Love For Love

Performance Comment: Ben-Miller; Tattle-Cibber; Foresight-Johnson; Sir Sampson-Harper; Valentine-Milward; Scandal-W. Mills; Jeremy-Oates; Trapland-Griffin; Mrs Frail-Mrs Butler; Mrs Foresight-Miss Hollyday; Nurse-Mrs Willis; Prue-Mrs Clive; Angelica-Mrs Thurmond, the first time of her performance on that stage these three years .
Cast
Role: Ben Actor: Miller

Dance: By Nivelon, Essex, Pelling, Davenport, Mrs Pelling, Mrs Walter, Miss Mann, particularly The Black and White Joke and Revellers

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Miller; Tattle-Cibber; Foresight-Johnson; Valentine-Milward; Scandal-W. Mills; Sir Sampson-Shepard; Jeremy-Oates; Trapland-Griffin; Angelica-Mrs Thurmond; Prue-Mrs Clive; Mrs Frail-Mrs Cross; Mrs Foresight-Miss Hollyday; Nurse-Mrs Willis .
Cast
Role: Ben Actor: Miller

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

Dance:

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Miller; Tattle-Cibber; Foresight-Johnson; Valentine-Milward; Scandal-W. Mills; Sir Sampson-Shepard; Jeremy-Oates; Trapland-Griffin; Mrs Frail-Mrs Butler; Mrs Foresight-Miss Holliday;Prue-Mrs Clive; Nurse-Mrs Bennet; Angelica-Mrs Thurmond.
Cast
Role: Ben Actor: Miller
Role: Nurse Actor: Mrs Bennet

Afterpiece Title: The Devil to Pay

Music: Select Pieces-

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Rover, as17361029; V: Drunken Peasant-Philips