SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Anthony Young"/1) | (@(roleclean,performerclean) "Anthony Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3247 matches on Performance Comments, 752 matches on Author, 698 matches on Performance Title, 577 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Lover's Vows

Performance Comment: As17991026, but Frederick-A Young Gentleman (1st appearance on any stage [unidentified]); Cottager-Abbot; Original Epilogue-Munden.
Cast
Role: Frederick Actor: A Young Gentleman

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Entertainment: End: a Variety of Imitations-Rees

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Lilla-Mme Bolla (First Comick Singer from the Opera House, by permission of the Proprietors; 1st and only appearance on the English [speaking] stage); Ghita (1st time)-Miss Clara Dixon (of the Opera House); Katharine-Mrs Crouch; Page-A Young Lady (1st appearance on any stage [in a speaking part: Miss Jacobs]).in a speaking part: Miss Jacobs]).
Cast
Role: Page Actor: A Young Lady

Afterpiece Title: Of Age To-morrow

Song: III: a new song (composed by Kelly)-Mme Bolla

Event Comment: Account-Book: Tickets delivered by Blurton, Young, Coates, Bent, Wilkins, Sturgeon, Brice, Goodwin, Anselmo, Roberts, Robson, Bonsor, Mrs Morris, Keeting, Akery, Ashwin, Hawtin will be admitted. Receipts: #409 13s. 6d. (25.12.0; 2.3.6; tickets: 381.18.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Guardian

Cast
Role: Young Clackit Actor: Knight

Dance: III: Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Performance Comment: As18000611 but Maria-A Young Lady (1st appearance on any stage [Miss Usher]).Miss Usher]).
Cast
Role: Maria Actor: A Young Lady
Role: Young Philpot Actor: Bannister Jun.
Role: Young Wilding Actor: Palmer

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

Performance Comment: Capt. Meadows-Palmer; Old Wrongward-Waldron; Young Wrongward-J. Palmer; Groom-Chippendale; William-Klanert; Canteen-Trueman; Sternhold-Atkins; Sophia-Miss Menage; Chambermaid-Miss Leserve; Betsy Blossom (with a song)-Mrs Mountain.
Cast
Role: Young Wrongward Actor: J. Palmer

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Guardian

Performance Comment: Mr Heartly-Barrymore; Mr Clackit-Palmer; Sir Charles Clackit (1st time)-Emery; Servant-Chippendale; Miss Harriet-A Young Lady (1st appearance on any stage [Mrs Leach]); Lucy-Mrs Gibbs.
Cast
Role: Miss Harriet Actor: A Young Lady
Event Comment: At Oxford on this day the so-called red bull players acted All's Lost by Lust in the morning, The Young Admiral in the afternoon. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Dionysia in the former, Rosinda in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Event Comment: At Oxford the players gave The Young Admiral in the morning, The Rape of Lucrece in the afternoon. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Rosinda in the former, Lucretia in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: At Oxford the players gave The Rump in the morning, The Young Admiral in the afternoon. For the latter, see also 8 July

Performances

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: The Duke's Company. Pepys, Diary: [Mr Herbert] and I and the two young ladies and my wife to the playhouse, the Opera, and saw The Mayde in the Mill, a pretty good play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The King's Company. Pepys, Diary: So my wife and I abroad to the King's playhouse, she giving me her time of the last month, she having not seen any then; so my vowe is not broke at all, it costing me no more money than it would have done upon her had she gone both her times that were due to her. Here we saw Flora's Figarys. I never saw it before, and by the most ingenuous performance of the young Jade Flora, it seemed as pretty a pleasant play as ever I saw in my life

Performances

Mainpiece Title: Flora's Vagaries

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Arcon Actor: Young
Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: The King's Company. Pepys, Diary: After dinner, with my wife, to the King's house to see The Mayden Queene, a new play of Dryden's, mightily commended for the regularity of it, and the strain and wit; and, the truth is, there is a comical part done by Nell, which is Florimell, that I never can hope ever to see the like done again, by man or woman. The King and Duke of York were at the play. But so great performance of a comical part was never, I believe, in the world before as Nell do this, both as a mad girle, then most and best of all when she comes in like a young gallant; and hath the motions and carriage of a spark the most that ever I saw any man have. It makes me, I confess, admire her

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, and there saw The Mayden Queene, which, though I have often seen, yet pleases me infinitely, it being impossible, I think, ever to have the Queen's part, which is very good and passionate, and Florimel's part, which is the most comicall that ever was made for woman, ever done better than they two are by young Marshall and Nelly

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Black Prince again: which is now mightily bettered by that long letter being printed, and so delivered to every body at their going in, and some short reference made to it in heart in the play, which do mighty well; but, when all is done, I think it is the worst play of my Lord Orrery's. But here, to my great satisfaction, I did see my Lord Hinchingbroke and his mistress, with her father and mother; and I am mightily pleased with the young lady, being handsome enough--and, indeed, to my great liking, as I would have her. I could not but look upon them all the play

Performances

Mainpiece Title: The Black Prince

Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Event Comment: The Duke's Company. If The Royal Shepherdess was acted six days consecutively, the interruption of its run for this day is due to the tradition of the company's not regularly acting on Wednesday and Fridays in Lent. Pepys, Diary: To the Duke of York's playhouse, and there saw an old play, the first time acted these forty years, called The Lady's Tryall, acted only by the young people of the house; but the house very full. But it is but a sorry play, and the worse by how much my head is out of humour by being a little sleepy and my legs weary since last night

Performances

Mainpiece Title: The Lady's Trial

Event Comment: The King's Company. The date of the premiere is not known, but this play belongs to a group which have been considered as "Lenten plays," ones in which the young actors of a company comprise a large portion of the cast. On this basis, as Easter fell on 30 March 1673, this play has been assigned to March 1673. See Philip B. Gray Jr, Lenten Casts and the Nursery: Evidence for the Dating of Certain Restoration Plays, PMLA, LIII (1938), 781-94; for this play particularly, pp. 791-92. A song, Down with this love, set for this play by Alphonso Marsh, is in Choice Ayres and Songs, 1676

Performances

Mainpiece Title: The Spanish Rogue

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. This performance may well be the premiere. In the Preface the author states that the play was asked for on Shrove Tuesday and he wrote it within a week; a premiere, then, before this date would allow very little time for rehearsal. This play is certainly a "Lenten" performance, for it was acted on a Wednesday in Lent and was referred to in the Prologue as a "Lenten Play." See the discussion under The Spanish Rogue (March 1673) and Gray, pp. 785-86. See also J. G. McManaway, The Copy for The Careless Lovers," MLN, XLVI (1931), 406-9. Preface to the edition of 1673: [This play] was written at the Desire of the Young Men of the Stage, and given them for a Lenten-Play, they ask't it not above a Week before Shrove-Tuesday

Performances

Mainpiece Title: The Careless Lovers

Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Performances

Mainpiece Title: The Amorous Old Woman; Or, 'tis Well If It Take

Event Comment: The Bulstrode Papers (1, 274): The first of January ye young Princes are to divert their Maties and Court wth a play & an opera in whch ye splendour of ye English monarchy will be seen

Performances