Event Comment: [At Lee, Yeates and Warner's Great Tiled Booth, Bowling Green, Southwark Fair. [Time, entertainments, prices and description as 23 Aug., bf.] The Proprietors have been at a great Expense in having their Booth repair'd and surveyed, in order to accommodate the Gentry and others in an agreeable Manner, and to prevent any Accident that might happen through the Carelessness of the Workmen

Event Comment: At Lee, Yeates and Warner's Booth. [Announcements as 23 Aug., bf.

Event Comment: At Lee, Yeates, and Warner's Booth

Event Comment: At Lee, Yeates, and Warner's Booth

Event Comment: At Lee, Yeates, and Warner's Booth

Event Comment: Mainpiece: By Particular Desire. [Lee had returned to Covent Garden. See Winston MS 7.] Notwithstanding the reports of Mrs Cibber's Indisposition, we hear that she is not ill at Bath. We hear that the Comic part of the Little French Lawyer is alter'd from Beaumont and Fletcher, and will be acted very soon at Drury Lane, the part of the little French Lawyer will be perform'd by Woodward (General Advertiser). [See 7 Oct.] Receipts: #170

Event Comment: At the Great Tiled Booth, Bowling Green. Mainpiece: An Historical Play presented by Warner and the Widow Yeates's Company of Comedians, during the time of the Fair. The Scenes and Cloaths are entirely New, and the Droll the same that was performed by Mrs Lee, twenty Years ago, with Great Applause. [Repeated.

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Event Comment: Benefit for Clarke. Mainpiece: Not acted these 8 years. [See 22 March 1750.] No building on the Stage. Receipts: #49 4s. 6d. Charges: #63. Deficiency covered by #114 14s. from tickets (boxes 160; pit 394; gallery 156). Rec'd from John Rich, #300, being part of the sum paid Mrs Finny on account of the New Building. Paid out for sundries from the theatres and sum, to Barry and Lee, #284 14s. (Account Book)

Event Comment: N.B. This was Mr Packer's first appearance at Drury Lane Theatre. He had acted one night at Covent Garden in the preceding season, Johnson, in the Rehearsal and the Frenchman in Lethe, which pieces were perform'd for Mr Lee's Benefit. Mr Garrick was there, and engag'd Mr Packer, who was going to Ireland, with Mr Barry, and Mr Woodward, into the Drury Lane Company. I am writing this on the sixth of April 1801--tonight Mr Packer told me the above Particulars at Drury Lane Playhouse, where he has always remained since his first being engaged there (J. P. Kemble's note on Huntington bill). Receipts: #100 (Cross); #107 1s. 6d. (Winston MS 8)

Event Comment: Receipts: #127. Paid Mrs Lee for playing Dorinda in The Stratagem the 20th inst., #5 5s. Paid Mr Weller for extra attendance in getting The Fair ready #2 2s. Paid Mr Kemp 13 nights from the 1st to 15th inst. at #1 12s. per night, #20 16s

Event Comment: Benefit for Mrs Ward. Afterpiece: Never acted there before. Mainpiece: Not acted this season. Mrs Ward having been defrauded of a number of Tickets for the above play, those sold at the door will not be admitted. [Afterpiece is John Lee's alteration of Wycherley's play into two acts. See dl 26 April 1765.] @Receipts #74 2s. 6d.@House charges #63@Candles #1 5s.@Extra: Kettle drum 5s.@Side Drum 2s.@Wardrobe #1 9s.@Total #66 1s.@Balance due Mrs Ward #8 1s. 6d.@Tickets 115 129 179 #66@Money #74 2s. 6d.@Total value of House #140 2s. 6d. (Account Book). [Mrs Ward seems to have profited only to the extent of #74 1s. 6d.

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Event Comment: Benefit for Lewes. Mainpiece: Not acted these 6 years. [See 23 Jan. 1767.] Charges #68 2s. Deficit to Lee Lewes #3 4s. 6d., cover'd by #149 18s. from tickets (Box 206; Pit 414; Gallery 363). Receipts: #64 17s. 6d. (Account Book)

Event Comment: Benefit for Mrs Hartle, Francis, Walters, Mas. Blurton, Symonds. Tickets deliver'd for the Inconstant will be taken. Tickets deliver'd by Longley, Mas. Jones, Singleton, Shuter, Norbury, Roberts, Frenzdorf, Miller, Stephenson, Read, Robson, Walker, Clarridge, Perry Sr; and Bassan will be taken. [Hours received half value of tickets plus the ready receipt money.] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle 5 31 43 #10 4s. #5 2s.@Francis 2 26 25 #6 18s. #3 9s.@Patterson 5 79 71 #20 4s. #10 2s.@Blurton - 15 28 #5 1s. #2 10s. 6d.@Symonds 19 45 42 #15 14s. #7 17s.@Longley 18 112 53 #26 12s. #13 6s.@Jones - 2 11 #1 8s. 14s.@Singleton - 8 14 #2 12s. #1 6s.@Shuter - 52 8 #8 12s. #5 14s. 6d.@Norbury 9 26 53 #11 9s. #5 14s. 6d.@Roberts 9 125 59 #26 18s. #13 9s.@Frensdorf - 42 31 #9 8s. #4 14s.@Miller 5 62 56 #16 3s. #8 1s. 6d.@Stephenson 16 61 52 #18 7s. #9 3s. 6d.@Read - 15 45 #6 15s. #3 7s. 6d.@Robson 3 101 32 #19 2s. #9 11s.@Walker - 17 68 #9 7s. #4 13s. 6d.@Claridge 5 36 35 #10 3s. #5 1s. 6d.@Perry 3 30 81 #13 7s. #6 13s. 6d.@Bassan 1 12 21 #4 3s. #2 1s. 6d.@Total 100 897 828 #242 7s. #121 3s. 6d.@ Paid Lee for a quantity of velvet #21 (Account Book). Receipts: #12 7s. 6d. (Account Book)

Event Comment: Paid Whitefield quarter year's salary due Xmas last #25, and Sarjant quarter year's salary due same time, #10. Advanc'd cash to Lee Lewes as per note #50 (Account Book). Receipts: #215 2s

Event Comment: Benefit for Lewes. Mainpiece [a Tragedy by Nicholas Rowe]: not acted these 20 years. [See 3 Feb. 1756.] The characters dress'd in the habits of the times (playbill). Charges #69 14s. Profit to Lee Lewes #153 18s. (Box 227; Pit 417; Gallery 346) (Account Book). Receipts: #84 9s

Event Comment: Cash advanc'd Lee Lewes as per note #24. Receipts: #160 8s. 6d. (Account Book)

Event Comment: Benefit for Lewes. Tickets deliver'd for the 27th of April will be taken. Charges #66 19s. 6d. Profit to Lee Lewes #32 17s., plus #157 5s. from tickets (Box 220; Pit 459; Gallery 334). Receipts: #99 16s. 6d. (Account Book)

Event Comment: [The Westminster Magazine for October presented brief critical comments upon eight new actors at Covent Garden who performed this month: Mr and Mrs Whitefield, Young, Clinch, a young Lady (Mrs Armstead), Lee, Melmoth and Mrs Hunter.

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Event Comment: [As afterpiece the playbill announces the 31st night of The Touchstone (see 20 Feb.), but "The entertaiment at Covent-garden theatre was obliged to be changed last night, on account of Lee Lewes being seized with a most violent inflammation in his right arm...Hand-bills, announcing that The Reprisal would be the farce, were distributed at each door of the theatre as the company came in; when the tragedy, however, was ended, some persons in the galleries...began an alarming disturbance, calling out vociferously for the pantomime...and continued throughout the farce to behave in the most savage manner, pelting every actor and actress as fast as either came on the stage. Mrs Morton stood their fire of oranges, apples, and pieces of wood, with more heroism than prudence. At length the brutes aimed at her head with an orange, which struck her a violent blow, and she fainted immediately" (Morning Chronicle, 16 Feb.).