Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Event Comment: Evelyn, Diary: Saw a Comedie at night, at court, acted by the Ladys onely, viz: The Lady Mary & Ann his R. Highnesses two Daughters, & my deare friend Mrs Blagg, who having the principal part, perform'd it to admiration: They were all covered with Jewels. [It seems likely that Evelyn saw a rehearsal or was in error concerning the date of performance.] Newdigate newsletters (Folger Shakespeare Library): On Twelfe day the principallest abt ye Court divert their Matys with a Play & Opera where in ye Splendor & Grandeur of the English Monarchy will be seen (Wilson, Theatre Notes, p. 79). See also Nicoll, Restoration Drama, pp. 357-58, for an order of this date, L. C. 5@141, p. 83, concerning habits for the opera

Event Comment: An excellent Comedy, (not Acted these 18 Years)...Written by the Ingenious Mrs Ann Behn. [This performance was presumably a part of a summer season at dl. The presentation of The Gentleman Cully at lif implies a similar season there.

Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Event Comment: By His Royal Highness's Command. The Weekly Journal or British Gazetteer, 8 Dec.: Last Thursday Night his Royal Highness the Prince of Wales was at the Theatre in Drury-Lane, when one Mr Freeman, a mad Gentleman of 2000l. per Ann. offering to go into the Boxes, and being stopt by one of the Centries in the Passage, he shot him above the Shoulder; however the Centry knockt him down, and securing him, 2 or 3 more loaded Pistols were found in his Pockets....The sudden Discharge of Mr Freeman's Pistol put the Ladies and others withinside the Playhouse into some Consternation at first....The Gentlemen about the Prince, and almost throughout the House, drew their Swords upon the Occasion of this Disorder, which was soon over

Event Comment: Receipts: #69 4s. 6d. Mrs Pendarves to Mrs Ann Granville, 12 Dec. (Delany, Autobiography, I, 101-2): I was to see the opera of Dioclesian, and was very much disappointed, for instead of Purcell's musick which I expected, we had Pepusch's, and very humdrum it was; indeed I never was so tired with anything in my life

Event Comment: By Command of His Royal Highness. Benefit Mrs Younger. Receipts: money #73 19s.; tickets #135 3s. [The Prince, Princess Caroline, and Lady Ann Lumley present.

Event Comment: Mainpiece: Written by the late Sir Richard Steele. Mrs Pendarves to Mrs Ann Granville, 8 Jan.: I was this morning regaled with Mr Handel's new opera called Arminius, it was rehearsed at Covent Garden.--Delany, Autobiography, I, 587

Event Comment: Benefit for Mortimer, Tomlinson, West, Lings. House charges #84. [Deficit to actors #60 4s.] Received Mr Evans and Miss Roger's deficiency #28 18s. 6d. Paid Ann Collett for a gold brocaided silk #10 10s. (Treasurer's Book). Receipts: #23 16s. (Treasurer's Book). Went into ye Pit...Vernon is an excellent MacHeath. I don't like Yates as Peachum so well as Shuter, and Parsons is not so good a Filch as Holborn. Bransby ye Lockit and Mrs Abington Lucy pretty well...Polly-$Mrs Vincent, who is now too old for ye character, and I think wants feeling...One Tomlinson, who had a 4th of the Benefit, spoke an Epilogue in the character of a Beggar, but by one party hissing and a greater clapping, could not hear it.--At Covent Garden a Hurdy-Gurdy man and girl play in the whore's scene, and as the Highwaymen march out, one returns and kisses MacHeath, and Shuter says some things Yates did not, but perhaps they are additions of his own (Neville MS Diary)

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Event Comment: Opera: The music by several Eminent Masters [chiefly Bertoni, with additions by Paisiello and Gluck]; under the Direction of Bertoni. Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 20, Queen Ann Street, Westminster

Event Comment: Opera: Performed in the Manner of an Oratorio. The music by Bertoni. Tickets to be had of Bertoni, No. 20, Queen Ann-street, Westminster

Event Comment: Benefit for Miss George. Gazetteer, 10 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's. Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #141 19s. 6d. (60/8/0; 22/4/6; 0/15/0; tickets: 58/12/0) (charge: #117/19/0)

Event Comment: Benefit for Miss George. [Monologue by Charles Stuart {.European Magazine, Sept. 1786, p. 165).] Morning Chronicle, 31 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Afterpiece: Never performed here

Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East