SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ambassador Extraordinary from the Emperor of Morocco"/1) | (@(roleclean,performerclean) "Ambassador Extraordinary from the Emperor of Morocco")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 252 matches on Performance Title, 217 matches on Event Comments, 124 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon, Brother to Judas-; Messenger-; Eupolemus, Jewish Ambassador to Rome- (Larpent MS).
Cast
Role: Brother to Judas Actor:
Role: Jewish Ambassador to Rome Actor:
Event Comment: A tragedy written by Mr Glover, great Applause-but a thought dull (Cross). Never Acted before. [Mainpiece complimented left-handedly by Murphy in Gray's Inn Journal, 8 Dec. The music and scenery were both suited to the piec e, and the acting of it, were there no other inducement, should be sufficient to draw numerous audiences...I cannot but remark that the applause it met with, was scarcely warm enough for such fine writing...I am convinced that this Tragedy will prove an elegant Closet-companion to every reader of taste."] Receipts: #230 (Cross)

Performances

Mainpiece Title: Boadicia

Performance Comment: Parts-Garrick, Mossop, Havard, Burton, Bransby, Davies, Mozeen, Jefferson, Mrs Pritchard, Mrs Cibber. Dumnorix-Garrick; Aenobarbus-Mossop; Flaminius-Havard; Tenantius-Burton; Ebrancus-Mozeen; Roman Ambassador Icenians and Trinobanitans-Bransby, Davies, Jefferson; Boadicia-Mrs Pritchard; Venusia-Mrs Cibber; [With new pieces of music- [between the acts, adapted to the play; Prologue-Mossop; Epilogue-Havard [(Edition of 1753).].(Edition of 1753).].

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-; (Brother to Judas), Messenger=-; Eupolemus-; (Jewish Ambassador to Rome). (Jewish Ambassador to Rome).
Event Comment: A Dramatic Opera [by Betterton altered from Beaumont and Fletcher; music by Purcell. Not acted these 30 years. New Cloaths, Scenes, and other Decorations incident to the Opera. Nothing under full prices will be taken. To prevent any obstruction either in the Music or Decorations, no persons can be admitted behind the scenes. [Notices repeated for this play this season.] Receipts: #190 18s. (Account Book)

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: Diocles-Ross; Charinus-Sparks; Maximinian-Smith; Cosroe-Clarke; Aper-Gibson; Niger-Ridout; Camurius-Anderson; Persian Ambassador-White; Suitors-Collins, Costollo, Stoppelaer; Countrymen-Dunstall, Barrington; Geta-Shuter; Aurelia-Mrs Vincent; Cassana-Mrs Stephens; Drusilla-Miss Condill; Delphia-Mrs Hamilton; With the Original Dances-Gallini, Granier, Lucas, Miles, Leppie, Desse, Rochford, Gosley, Mlle Capdeville, Miss Hilliard, Mrs Granier, Mrs Viviez, Mrs Leppie, Mrs Jansolet, Miss Dawson, Miss Viviez, Mrs Guerin; With several New Songs adapted to the Opera, set to music by Arne. The Vocal Parts-Lowe, Mattocks, Howard, Legg, Baker, Mrs Lampe, Mrs Chambers, Miss Younge, others.
Event Comment: New Cloaths, Scenes, and other Decorations incident to the Opera. N.B. To prevent any obstructions either in the music or decorations, no persons can be admitted behind the scenes or in the orchestra

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: Diocles-Ross; Charinus-Sparks; Maximinian-Smith; Cosroe-Clarke; Aper-Gibson; Camurius-Anderson; Niger-Ridout; Persian Ambassador-Davis; Geta-Shuter; Suitors-Collins, Costollo, Stoppelaer; Countrymen-Dunstall, Barrington; Aurelia-Mrs Vincent; Drusilla-Miss Nossiter; Cassana-Mrs Stephens; Delphia-Mrs Hamilton.
Cast
Role: Persian Ambassador Actor: Davis

Afterpiece Title: The Sultan (a Masque)

Dance: The Original Dances-Delaistre, Granier, Lucas, Leppie, Dumai, Desse, Rochford, Gosly, Mlle Capdeville, Miss Hilliard, Mrs Granier, Mrs Viviez, Mrs Leppie, Mrs Jansolin, Miss Dawson, Mrs Dulies, Miss Vallois; and several New Songs adapted to the Opera, set by Arne-Lowe, Mattocks, Legg, Baker, Mrs Lampe, Miss Young

Event Comment: By Command of the Prince of Wales. Last time of performing till after the Easter Holidays

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Demetrius-Smith, 1st time; King-Ridout; Seleucus-Anderson; Ptolomy-Wignel; Lysimachus-Gibbs; Timon-Stoppelaer; Lieutenant-Shuter; Cerinthus-Bencraft; 1st Ambassador-R. Smith; 2d-Holtom; Physician-Redman; 1st Gentlemen-Bennet; 2d Gentlemen-Perry; Host-Marten; Leontius-Sparks; Gentleman Ushers-Collins, Dunstall; Magician-Baker; with the Incantation Song-Baker; Singing Spirits-Mrs Lampe, Miss Young; Leucippe-Mrs Pitt; Caelia-Miss Nossiter, 1st time; Old Woman-Miss Ferguson; Phoebe-Miss Allen.

Afterpiece Title: Florizel and Perdita

Dance: [Unspecified in the bill]

Event Comment: Benefit for the Composer. Afterpiece: Written by Congreve and set to Music by Dr Arne. Receipts: #206 19s. [cash], plus #51 18s. from tickets (Boxes 148; Pit 74; Gallery 38). Total income #258 17s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: Diocles-Ross; Maximinian-Smith; Charinus-Sparks; Cosroe-Clarke; Aper-Gibson; Niger-Ridout; Camurius-Anderson; Persian Ambassador-Davis; Suitors-Collins; Costollo, Blakey; Countrymen-Dunstall, Barrington; Geta-Shuter; Aurelia-Mrs Vincent; Drusilla-Mrs Baker; Cassana-Mrs Stephens; Delphia-Mrs Hamilton; Original Dances-Poitier, Mlle Capdeville, Miss Hilliard; The Vocal Parts-Lowe, Mattocks, Legg, Baker, Mrs Lampe, Miss Young.

Afterpiece Title: To conclude with the Masque ofThe Sultan

Afterpiece Title: The Judgment of Paris

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Music: II: A Concerto on the Violin-Hay; End Opera: A Concerto on the Haut@Bois-Simson

Performances

Mainpiece Title: King Henry V, With Conquest Over French At Agincourt

Performance Comment: King Henry-Smith; Exeter-Tindal; Achbp Canterbury-Sparks; Fluellin-Shuter; Gower-Anderson; French Ambassador-White; Mountjoy-Baker; French Soldier-Holtom; MacMorris-Barrington; Jamy-Dunstall; Pistol-Dyer; Bardolph-Marten; Hostess-Mrs Pitt; Williams-Buck; French King-Gibson; Burgundy-Bennet; Dauphin-Davis; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Miss Hallam.
Cast
Role: French Ambassador Actor: White
Role: Catherine Actor: Miss Hallam.

Afterpiece Title: Coronation

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Ambassador Actor: Burton

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: King Henry V; With Conquest Of French At Agincourt

Performance Comment: King-Smith; Exeter-Tindal; Achbp. Canterbury-Sparks; Fluellin-Shuter; Pistol-Dyer; Williams-Buck; French King-Gibson; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Miss Hallam; Westmoreland-White; Gower-Anderson; Bardolph-Marten; Hostess-Mrs Pitt; MacMorris-Barrington; Jamy-Dunstall; Ambassador-White; Burgandy-Bennet; Dauphin-Davis.
Cast
Role: Catherine Actor: Miss Hallam
Role: Ambassador Actor: White

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Performance Comment: Principal Characters by Palmer, Aickin, Packer, Suett, Barrymore, Staunton, R. Palmer, Williames, Wrighten, Fawcett, Wilson, Kemble; Mrs Ward, Miss Tidswell, Mrs Siddons. [Cast from London Chronicle, 28 Jan.: Bertoldo-Palmer; Gonzaga-Aickin; Astutio-Packer; Gaspare-Suett; Fulgentio-Barrymore; Roberto-Staunton; Antonio-R. Palmer; Rodorigo-Williames; Ambassador-Wrighten; Iacomo-Fawcett; Ferdinand-Wilson; Adorni-Kemble; Aurelia-Mrs Ward; Clarinda-Miss Tidswell; Camiola-Mrs Siddons.] Prologue spoken by Kemble. Epilogue spoken by Mrs Siddons . Prologue spoken by Kemble. Epilogue spoken by Mrs Siddons .
Cast
Role: Ambassador Actor: Wrighten

Afterpiece Title: The Padlock

Event Comment: Benefit for Edwin. Mainpiece: Altered from Wycherly; Never performed there [acted 24 Jan. 1743]. Afterpiece: Not acted these 15 years [acted 27 Nov. 1776]. Morning Herald, 11 Apr.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Receipts: #353 (226/15/6; 2/12/6; tickets: 123/12/0) (charge: #105)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin-Edwin; Lavinio-Palmer; Barbarino-Booth; Alberto-Thompson; Mago-Fearon; Brunetto-Kennedy; Ambassador-Cubitt; Officer-Helme; Puritan-Wewitzer; Duchess-Miss Platt; Prudentia-Miss Brangin; Flametta-Miss Stuart .
Cast
Role: Ambassador Actor: Cubitt

Song: End of Act II of mainpiece Hogarth's March to Finchley; In Act I of afterpiece Four-and-Twenty Fidlers all on a Row, both by Edwin

Monologue: 1786 04 18 End of mainpiece Peeping Tom of Coventry's Peep into London by Edwin

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage; Or, Money Works Wonders

Performance Comment: Philenzo-Wroughton; Duke of Mantua-Hull; Fulvio-Gardner; Ambassador-Helme; Grutti-Wewitzer; Dondolo-Palmer; Perenotto-Cubitt; Carlo-Swords; Orpiano-Thompson; Guards-Stevens, Bates, Painter, &c; Morello-Edwin; Bonamico-Quick; Donella (with singing')-Mrs Martyr; Cassiana-Miss Platt; Katherina-Miss Stuart; Mardona-Mrs Swords; Fidelia-Miss Rowson; Eugenia-Mrs Wells. New Occasional Epilogue spoken by Mrs Wells .
Cast
Role: Ambassador Actor: Helme
Role: Katherina Actor: Miss Stuart

Afterpiece Title: The Drummer; or, The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin-Edwin; Lavinio-Macready; Barbarino-Booth; Alberto-Thompson; Mago-Fearon; Brunetto-Kennedy; Ambassador-Cubitt; Officer-Helme; Puritan-Wewitzer; Duchess-Miss Platt; Prudentia-Miss Brangin; Flametta-Miss Stuart.
Cast
Role: Ambassador Actor: Cubitt

Dance: As17870131

Event Comment: Afterpiece: Not acted these 2 years. Receipts: #186 7s. 6d. (178.5.6; 8.2.0)

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: Duke and No Duke

Performance Comment: Trapolin-Edwin; Lavinio-Macready; Barbarino-Gardner; Alberto-Thompson; Mago-Fearon; Brunetto-Evatt; Ambassador-Cubitt; Officer-Helme; Puritan-Wewitzer; Duchess-Mrs Platt; Prudentia-Miss Brangin; Flametta-Miss Stuart.
Cast
Role: Ambassador Actor: Cubitt

Dance: As17881107

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Performance Comment: Hortensio-read by Johnston; Gonzaga (Duke of Mantua)-Murray; Uberti (Prince of Parma)-Toms; Alonzo-Whitfield; Bellario-Clarke; Octavio-Hull; Manfroy-Davenport; Ambassador-Powel; Alberto-Claremont; Bernardo-Thompson; Lorenzo (Duke of Tuscany)-Holman; Ascanio-Mrs Litchfield; Beatrice-Mrs Platt; Gentlewoman-Miss Leserve; Matilda (Princess of Mantua)-Mrs Pope.
Cast
Role: Ambassador Actor: Powel

Afterpiece Title: Starboard Watch

Performance Comment: The Sailor's Carousal; or, Saturday Night at Sea As17980528, but added: The Medley of Lovers-Munden; Jack at the Windlass-_; Farewell to Old England dear Mary adieu-_.

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performance Comment: End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.]This was included in all subsequent performances.]
Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Performance Comment: Being the intermediate part of the Night's Entertainment. End I of the Play John Appleby (1st time)-Fawcett; End II Black Ey'd Susan-; End III Poor Tom; or, Sailor's Epitaph-Incledon; Here a sheer hulk-Incledon; End IV Pull Away; or, Howe, St. Vincent, Duncan & Nelson-Fawcett; End Play Monsieur Tonson (Founded on Fact, and read at Freemason's Hall, in the Winter of 1795)-Fawcett.

Afterpiece Title: The Princess of Georgia

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, H. Johnston, Townsend, Simmons, Clarke, Miss Waters, Mrs Chapman, Miss Sims, Mrs H. Johnston. [Cast from Larpent MS: Giobar-Incledon; Morad-Munden; Acba-Fawcett; Daracardin-H. Johnston; Iskouriah-Townsend; Nainda-Miss Waters [in MS: Mrs Atkins]; Zara-Miss Sims; Illidia-Mrs H. Johnston [in MS: Mrs Pope]; unassigned-Simmons, Clarke, Mrs Chapman; Ambassadors and Suite from Armenia-Dyke, Hawtin, Abbot, Wilde, Blurton, Street, L. Bologna; Ladies of the Harem-Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Lloyd, Ms Burnett, Ms Walcup, Ms Blurton.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this performance is the premiere, but an additional performance on 20 Nov. 1675 and the entry of the play into the Stationers' Register, 29 Nov. 1675, suggest that the first production probably occurred in early or mid-November 1675. Downes (Roscius Anglicanus, pp. 10-11), gives a cast which is identical except for omissions. For Kynaston's acting of Morat (especially in the later years of the century), see Cibber, Apology, ed. Lowe, I, 124-26

Performances

Mainpiece Title: Aureng-zebe

Performance Comment: Edition of 1676: Prologue-; Old Emperor-Mohun; Aureng Zebe-Hart; Morat-Kynaston; Arimant-Wintershal; Nourmahal-Mrs Marshal; Indamora-Mrs Cox; Melesinda-Mrs Corbet; Zayda-Mrs Uphil; Epilogue-.
Cast
Role: Old Emperor Actor: Mohun
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Aureng-zebe

Performance Comment: See16751117. Prologue-; Old Emperor-Mohun?; Aureng Zebe-Hart?; Morat-Kynaston?; Arimant-Wintershal?; Nourmahal-Mrs Marshal?; Indamora-Mrs Cox?; Melesinda-Mrs Corbet?; Zayda-Mrs Uphil?; Epilogue-.
Cast
Role: Old Emperor Actor: Mohun?
Event Comment: Written by the late famous Poet Laureat John Dryden, Esq. Note, The Subscribers' Tickets Pass every Night there is Acting at Greenwich, tho' it be on a Benefit Night

Performances

Mainpiece Title: Aurengzebe

Performance Comment: Aurengzebe-Powell; Morat-Elrington; Emperor-Shepherd; Arimant-Pendry; Dinant-Freeman; Nourmahal-Mrs Kent; Indamora-Mrs Shepherd; Melesinda-Mrs Baxter.
Cast
Role: Emperor Actor: Shepherd

Song:

Dance:

Performances

Mainpiece Title: Aurengzebe

Performance Comment: As17161101, but Emperor-Keene; Aurengzebe-J. Leigh; Arimant-Corey; Nourmahal-Mrs Rogers; Indamora-Miss Rogers; Melesinda-Mrs Spiller.
Cast
Role: Emperor Actor: Keene

Dance: A new Dance of a Scaramouch and Dame Ragonde by Moreau-Salle, Mlle Salle

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Performance Comment: As17161117, but Emperor-J. Leigh; Muley Zeydan-Smith; Benducar-Corey; Antonio-Bullock Jr; Mufti-Bullock; Alvarez-Rogers; Mustapha-Pack; Almeyda-Mrs Rogers; Morayma-Mrs Cross; Johayma-Mrs Kent.
Cast
Role: Emperor Actor: J. Leigh

Dance: As17170125

Performances

Mainpiece Title: Aurengzebe; Or, The Great Mogul

Performance Comment: Aurengzebe-Leigh; Emperor-Keen; Morat-Smith; Arimant-Corey; Nourmahal-Mrs Rogers; Indamora-Mrs Bullock; Melesinda-Mrs Spiller.
Cast
Role: Emperor Actor: Keen

Song: As17171130

Dance: As17171022; Dutch Skipper-Thurmond Jr, Mrs Bullock

Event Comment: By His Royal Highness's Command. According to the Original Weekly Journal 26 April the Prince was present, but Edward Harley Jr writing to Abigail Harley on 6 May stated: The P..., not long ago, bespoke at the Old Playhouse, a play called the Indian Emperor. The K...hearing of it, sent to the players to tell them that if the P...came, and they acted that play, he would turn them out of his service, which message they sent to the P..., who had the good sense not to come, so the Indian Emperor was acted.-Portland MS, V, 560

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-