SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Adam Smith"/1) | (@(roleclean,performerclean) "Adam Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2051 matches on Performance Comments, 376 matches on Event Comments, 253 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Related Works
Related Work: The Princess of Parma Author(s): Henry Smith
Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment

Event Comment: The Diary of Robert Hooke: at Bartholomew fair with Grace. Shows 2 1!2 sh. (ed. H. W. Robinson and W. Adams [London, 1935])

Performances

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: At Lee's Great Theatrical Booth over against the Hospital Gate. Mainpiece: A Dramatic Opera. A Masque of Paradise, with Adam and Eve in the Garden of Edenv, the Serpent, and all the Creation, the Heavens open, the Sun appears, and an Angel descends and drives them thence. With Scenes, Machines, and Decorations proper

Performances

Mainpiece Title: The Wisdom Of Solomon; Or, The Two Harlots

Afterpiece Title: The Comical Humours of Toby Stag, the Huntsman, and a Merry Poet

Event Comment: At the Great Tiled Booth in the Borough. Benefit for Mrs Adams. To begin at 7 p.m

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The King and Miller of Mansfield

Song:

Dance:

Event Comment: [G$Garrick] promised me the Part of Tressel; when the Play was given out, and I prepar'd for it, I saw in the Bills next Morn, another Person's Name [Blakes].-Charles Adams to John Gilbert-Cooper, quodet in Theatre Notebook, XI (1957) p. 136. Receipts: #180 (Cross); #182 9s. 6d. (Powel)

Performances

Mainpiece Title: King Richard III

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Not acted these 20 years. Music, Dances and Other Decorations for afterpiece entirely new. [In a letter to John Gilbert-Cooper, the actor Charles Adams states that "the Prompter gave me a little Part in the Emperor of the Moon...I appear'd in it thrice." He was "paid Twenty Shilling Pr Week." See Theatre Notebook, XI (1957), p. 136. The only male parts left were Baliardo's servant Peter and the figures in the tableau of the final scene.] Receipts: #160 (Cross); #158 11s. (Powel)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Emperour of the Moon

Music: A Piece of Music-the Child

Dance: TThe Sailors Revels-Mathews

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: Poet-; Beau-; Frenchman-; Miser-; a Taylor-; a Sot-; two young Gentlemen-; a Ghost. Ghost-Marr (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI 1957, p. 138); Oration in Praise of Sight- As17481212.

Dance: PPrince Eugene's March-

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: By particular Desire. ["We have in Rehearsal a new Tragedy call'd Irene--Author, as yet, unknown."--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957), pp. 138-39.] Receipts: #130 (Cross); #143 16s. 6d. (Powel)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Anatomist

Dance: IV: Dutch Dance, as17481203

Event Comment: Benefit for James Sturgis Adams (a Person in Distress) (Cross). Gave Xmas Box to Duke's Servts #1 1s. (Treasurer's Book). Tickets for Boxes to be had at the following Coffee Houses, St. James, St. James's St; Somerset in the Strand; Grigsby's behind the Royal Exchange; and the Union, Cornhill. Receipts: #205 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Chaplet

Song: I: Master Mattocks

Dance: IV: Hornpipe-Mathews

Event Comment: Benefit for Mrs Crouch. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Crouch, No. 3, Adam-street, Adelphi. Afterpiece: Not acted these 9 years [acted 24 Jan. 1778]. Receipts: #314 9s. 6d. (117/11/0; 10/18/6; 1/7/0; tickets: 184/13/0) (charge: #108 0s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Charles Actor: Smith

Afterpiece Title: Daphne and Amintor

Dance: End of Singing The Sailors' Revels by Mills, &c; In afterpiece Dana incident to the piece by Hamoir, Menage, Mrs Sutton, Miss Stageldoir

Song: In Act III of mainpiece song, as17860920; End of Act II of mainpiece Still the Lark finds repose (composed by Linley [Sen.]); End of mainpiece The Soldier tir'd of War's Alarms, both by Mrs Crouch

Performances

Mainpiece Title: As You Like It

Performance Comment: [Jaques-Palmer; Orlando-$Herrington; Oliver-$Shetfield recte $Shatford]; Touchstone-$Kipling; Duke Senior-$L'Estrange; Duke Frederick-$Hudson; Amiens-$W. Palmer; Adam-$Swendall; Silvius-$Marriot; Rosalind-$Mrs Belfille; Celia-$Mrs Fox; Audrey-$Miss Hale; Phoebe-$Miss Burnett.
Cast
Role: Adam Actor: Swendall

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Performance Comment: I know that my Redeemer liveth-Mrs Harrison; By Man came also the Resurrection of the Dead, Even so in Christ shall all be made alive-Chorus; The trumpet shall sound-; O! Death-Miss Leak, Harrison; If God be for us-Miss Poole; Since by Man came Death-Semi-Chorus; For as in Adam-Quartetto; Behold-Morelli; Then shall be brought-; But thanks be to God, Worthy is the Lamb-Chorus.
Cast
Role: For as in Adam Actor: Quartetto

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Cast
Role: Mrs Hartley Alzuma Actor: Smith

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick; on Phaeton in the Suds: With Harlequin a Pick Pocket

Performance Comment: Machine-Roberts; Fustian-Lacy; Sneerwell-Machen; Clymene (Oyster Wench)-Mrs Charke; Jupiter-Freeman; Neptune-Wallis; Phoebus-Topham [Toping in edition, of 1736]; Old Phaeton-Smith; Young Phaeton-Boothby; Aurora-Mrs Egerton; Aurora's Maid-Miss Jones; Terra-Miss Burgess; Genius of Gin-Miss Ferguson Jr; Harlequin-Rosamond, from DL; Justice-Jones; His Clerk (Pierrot)-Castiglione; Managers-Freeman, Turner; Stars-Master Sherwin, Miss Ferguson Jr; Colombine-Madame la Charmante, piping-hot from Paris [Mlle Beaumaunt in edition]; Countrymen-Smith, Collerd, Mons D'Herbage, Mons De la Soup Maigre [Lowder in edition]; Rakes-Boothby, Wallis, Phenix, Pullen; Chairmen-Smith, Collard; Pistol-Lowder; Tragedy King-Pullen; Schoolmistress-Mrs Egerton; Tragedy Queen-Miss Jones; edition adds: Watchmen-Smith, Lowder, Collerd, Chapman .

Performances

Mainpiece Title: The Perplexities

Performance Comment: Parts by Smith, Ross, Mattocks, Hull, Cushing, Gardner, R. Smith, Holtom, Weller, Buck, Murden, Shuter, Miss Wilford, Mrs Green, Miss Macklin; Prologue-; Epilogue-; Don Antonio-Smith; Don Henriquez-Ross; Guzman-Shuter; Don Florio-Mattocks; Ernesto-Cushing; Don Juan-Hull; Honoria-Miss Macklin; Felicia-Miss Wilford; Rosa-Mrs Green; Parts-Gardner, R. Smith, Holtom, Weller, Buck, Murden (Genest, V, 132).
Cast
Role: Don Antonio Actor: Smith
Role: Parts Actor: Gardner, R. Smith, Holtom, Weller, Buck, Murden

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-Gibson; Miller-Dunstall; Dick-Perry; Lord Lurewell-Davis; Joe (with a song)-Mattocks; Courtiers-R. Smith, Wignell, T. Smith; Keepers-Stoppelaer, Banks, C. Smith, Holtom; Margery-Mrs Copin; Kate-Miss Helm; Peggy-Mrs Evans.

Dance: End: a Hornpipe-Miss Ford, for 3rd time

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: Henry II Actor: Smith
Role: Verulam Actor: R. Smith

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performance Comment: Containing a Pack of Politicians; a Pack of Patriots; a Pack of Ladies; a Pack of Beaus; Mr Medley, and Author; Mr Sourwit, a learned Critick; Lord Dapper, a great Critick; Apollo's Bastard Son; Quidam Anglicae, a certain Person; Mr Hen, an Auctioneer; Mr Ground Ivy, a Laureat; Mr Pistol; Polly Smart; Polly Soft; Com multis allis quos nunc prescribere longum est; but edition of 1737 lists: Medley-Roberts; Sourwit-Lacey; Lord Dapper-Ward; Ground Ivy-Jones; Hen-Mrs Charke; Apollo's Bastard Son-Blakes; Pistol-Davis; Quidam-Smith; Politicians-Jones, Topping, Woodburn, Smith, Machen; Patriots-Topping, Machen, Pullen, Woodburn; Banter-Smith; Dangle-Lowther; Mrs Screen-Mrs Haywood; Mrs Barter-Miss Kawer; Ladies-Mrs Charke, Mrs Haywood, Mrs Lacey, Miss Jones.
Cast
Role: Quidam Actor: Smith
Role: Politicians Actor: Jones, Topping, Woodburn, Smith, Machen
Role: Banter Actor: Smith

Performances

Mainpiece Title: Appius

Performance Comment: Principal parts-Sheridan, Sparks, Smith, Ridout, Gibson, Anderson, Mrs Elmy, Mrs Bellamy. Appius-Sparks; Valerius-Ridout;Horatius-Anderson; Icilius-Smith; Numitorius-Stevens; Claudius-Gibson; Sicinius-Bennet; Duellius-White; Pomponius-R. Smith; Flaminius-Redman; Virginia-Mrs Bellamy; Cornelia-Mrs Elmy; Dara-Miss Copen; Prologue-Mrs Cibber; Epilogue by a Friend-Mrs Bellamy (Edition of 1755).