SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Doors open at 6. Play to Begin exactly at 7. Books of the Interlude to be had at the theatre. Paid for a license for The Royal Garland #1 1s. (Account Book). Receipts: #173 17s. 6d. (Account Book)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Devil to Pay

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Country Wife

Event Comment: Mainpiece: Not performed these 2 years. [see 21 May 1767.] Paid Younger for a license for Tom Jones #2 2s. (Account Book). Receipts: #132 16s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Midas

Event Comment: Afterpiece [Harlequin Skeleton] now advertised under its original title, but the New Scene with additions continued (playbill). Paid Younger for a license for ye 2 Sisters #2 2s. (Account Book). [See 18 Feb.] Receipts: #244 11s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Performance Comment: Toby, the Statue (for that night only) in the character of Harlequin-Woodward. In which he will introduce the different attitudes.

Dance: End: The Irish Lilt, as17680930

Event Comment: Benefit for Dyer. Charges #64 5s. Balance to Dyer #4 3s. plus #143 1s. from tickets (Box 383; Pit 234; Gallery 122). Paid Music Porter as per bill 10s. 6d. Receipts: #68 8s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Upholsterer

Song: II: A Song-DuBellamy

Dance: End: The Irish Lilt, as17680930

Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

Event Comment: Benefit for Wroughton. [Listed as Rotten in the Account Book.] Rec'd from tickets only #5 11s. (Box 12; Pit 17). Charges: 1!2 House charge, plus 1!2 value of tickets, plus half receipts amounted to #66 1s. 6d. and left the actor with an uncovered deficit of #5 19s. (Account Book), which he paid up on 20 May. Receipts; #60 3s. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Skeleton

Cast
Role: only Harlequin Actor: Lewes
Event Comment: Benefit for Condell, Potter (box-keepers) and Eddis. Tickets sold at the door will not be admitted. Tickets deliver'd for the Conscious Lovers will be taken. Charges #83 11s. 6d. Deficit to beneficiaries #27 10s., covered by income from tickets: Condell #84 7s. (Box 225; Pit 140; Gallery 71); Potter #60 7s. (Box 142; Pit 93; Gallery 109); Eddis #52 9s. (Box 118; Pit 153) (Account Book). Paid Miss Morris in Full for her performance this season #50 (Account Book). [But see note 1 May.] Receipts; #56 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Citizen

Dance: III: A Pantomime Dance-Fishar, Miss Capon

Event Comment: Benefit for Bates, Dumay, Curtat, Redman, Mrs Naylor. Tickets deliver'd for The Albion Queens will be taken. Charges #64 5s. Deficit #31 11s., covered by income from tickets: Bates #21 14s. (Box 8; Pit 66; Gallery 98); Dumay #49 13s. (Box 90; Pit 125; Gallery 84); Curtat #42 13s. (Box 61; Pit 90; Gallery 139); Redman #57 17s. (Box 35; Pit 180; Gallery 221); Mrs Naylor #33 9s. (Box 36; Pit 103; Gallery 90) (Account Book). Receipts: #32 14s. (Account Book). Stoppelaer and Sarjant paid up their deficiencies for 11th and 15th Inst

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Dance: II: A Minuet-Dumay, Miss Madden; End: A Pantomime Dance-Fishar, Miss Capon

Event Comment: The Doors to be opened at Half an Hour after Five. To begin exactly at Half an Hour after six. [The Account Book indicates that the following paid up their deficits of half values of tickets: Rose, Mrs Griffiths, Claridge, Doe, Pullen, Fransdorf, Norbury, Robson, Pilfold, Roberts and Singleton.] Receipts: #163 9s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Harlequin Skeleton

Cast
Role: only Harlequin Actor: Lewes
Event Comment: [The Account Book indicates the following Paid up their half value for tickets: Whatley, Dixon, Reed, Bushell, Wooley.] Receipts: #53 9s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: Mainpiece: By Desire. Paid Younger for a License for the Brothers #22s. (Account Book). Receipts: #127 11s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Rape of Proserpine

Event Comment: Author's Night [for Mainpiece]. Charges #64 9s. Balance to Author #92 6s. 6d. Paid Mrs Lessingham on acct #100 (Account Book). Receipts: #156 15s. 6d

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Dance: End: The Whim, as17691123

Event Comment: Mainpiece; Performed but once. Afterpiece: By Desire. Paid Cumberland balances for author's nights 5th, 8th, 12th Insts. #265 1s. 6d. (Account Book). Receipts: #132 10s

Performances

Mainpiece Title: Amintas

Afterpiece Title: Harlequin Skeleton

Dance: I: A New Pastoral Dance, as17691215

Event Comment: Benefit for New General Lying In Hospital in Store St., Tottenham Court Road. Charges #85 10s. Balance to Hospital #10 17s. 6d., plus income from tickets #116 15s. (Box 377, Pit 150). Paid Tenducci for his performance in Amintas the 21st Inst. #30 (Account Book). [Shuter's Occasional Epilogue is Larpent MS 303.] Receipts: #96 7s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Thomasand Sally

Dance: IV: The Lamplighters, as17691005

Event Comment: Gave Princess of Wales' Footmen #1 1s.; and Chairmen #1 1s. Paid James Dyer 9 nights as extra dancer #1 17s. 6d. (Account Book). Receipts: #97 19s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Court of Alexander

Event Comment: Mainpiece: By Particula9 Desire. Paid Mrs Lessingham on account of her salary #50 (Account Book). Receipts: #148 3s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Court of Alexander

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 5 years. [See 7 May 1766.] Charges #74 4s. Balance to Woodward #82 7s. plus income from 190 Box tickets, #47 10s.; Paid Williams 3 nights performing the Bells, #1 2s. 6d., and Gard & Singleton 3 nights for perfoming in the Lyon 7s. 6d. each (Account Book). Receipts: #156 11s

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Afterpiece Title: Harlequins Jubilee

Event Comment: Benefit for Smith. Part of Pit laid into Boxes. To prevent confusion Servants are desired to be at the theatre by 4 o'clock. Charges #73 19s. Balance to Smith #62 3s. plus income from tickets #141 9s. (Box 413; Pit 162; Gallery 139). Paid Miss Potts for walking 12 nights in Man and Wife #1 10s. and Mrs Morris for walking 26 nights in Harlequin's Jubilee #3 5s. (Account Book). Receipts: #136 2s. 6d

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Hephestion-Dyer; Lysimachus-Hull; Cassander-Clarke; Polyperchon-Perry; Thessalus-R. Smith; Perdiccas-Davis; Clytus-Gibson; Roxana-Mrs Bellamy; Sysigambis-Mrs Vincent; Parisatis-Miss Ogilvie; Statira (for that night only)-Mrs Yates , first time; With the Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Englishman in Paris

Dance: End: The Whim, as17691123

Event Comment: Benefit for Shuter. Charges #64 15s. 6d. Balance to Shuter #109 8s., plus #85 17s. from tickets (Box 200; Pit 239). Woodward, Mrs Yates and Smith paid their balances (Account Book). Receipts: #174 3s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Man and Wife

Dance: II: The Lamplighters, as17691005; II of the Comedy: The Dutch Milkmaid Dance=, as17691111

Entertainment: End: The Cries of London-; Epilogue Riding upon an Ass-Shuter

Event Comment: Benefit for Bensley. Mainpiece: Not acted this season. Charges #68 14s. Balance to Bensley #81 17s. plus #63 13s. from tickets (Box 221; Pit 56). Balances to Shuter and Yates paid (Account Book). Receipts: #150 11s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Apprentice

Dance: End: The Reel-Aldridge, Miss Valois, Sga Manesiere. [See17680307.

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

Event Comment: Benefit for Redman, Miss Besford, Dumay, Mrs Naylor, Curtat. Tickets deliver'd for All for Love will be taken. [The Account Book has crossed out The Jovial Crew and indicated the performance of The Beggar's Opera.] Charges #64 10s. Deficit to the 5 beneficiaries #7 4s. 7 1!2d. apiece, covered by income from tickets: Redman #32 11s. (Box 38; Pit 83; Gallery 106); Besford #18 1s. (Box 23; Pit 42; Gallery 60); Dumay #62 9s. (Box 165; Pit 88; Gallery 80); Mrs Naylor #30 17s. (Box 39; Pit 90; Gallery 76); Curtat #18 16s. (Box 12; Pit 68; Gallery 56). Sarjant and Condell paid up their deficiencies. Receipts: #28 7s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Citizen

Dance: II: A Minuet-Dumay, Miss Besford

Ballet: End Opera: The Wapping Landlady, Double Hornpipe,. As17700420

Event Comment: Benefit for Ansell and Green (Box-keepers). Tickets sold at Doors will not be admitted. Charges #82 17s. Deficit to each #29 5s. 9d., covered by income from tickets: Ansell #117 12s. (Box 355; Pit 173; Gallery 29); Green #132 12s. (Box 436; Pit 128; Gallery 44); Deficiencies and half value paid up by Wild, Potter, Mrs Lampe & Mrs Jones, Mrs Paddick and Sharratt (Account Book). Receipts: #24 5s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Spanish Lady

Dance: IV: The Whim, as17691123