SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Didelot having unfortunately met with an accident, in the performance of Thursday evening, which renders him unable to appear To-night, Mlle Parisot has had the complaisance, at so short a notice, to undertake to perform the part of L'Amour this Evening, relying upon the known indulgence of the Public

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement, as17970103

Ballet: End Opera: L'Amour et Psiche. As17961213, but L'Amour-Mlle Parisot; unassigned-_Fialon

Event Comment: Account-Book: Tickets delivered by Ledger, Claremont, Goostree. Mrs Dick, Mrs Egan will be admitted. 2nd piece [1st time; M. INT 1, by Richard Cumberland. Larpent MS 1111; not published]: To conclude with an Illumination, Transparency, and a Rural Procession. The Music partly selected, and partly composed, by Shield. The Harp by Weippert. The Bells by Lawrence. With appropriate Scenery, Dresses, and Decorations. [Written in honour of the Royal Marriage" [see dl, 13 May] (Morning Herald, 19 May). "If we are to have these repeated Congratulations, let them be written by men of spirit and invention. The public are miserably placed, in cases like the present: between a respect for their King and a respect for their own understandings, they know not how to act" (Monthly Visitor, May 1797, pp. 454-55, which also includes a brief synopsis of the plot). Receipts: #254 9s. 6d. (84.0.0; 11.2.6; tickets: 159.7.0)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Village Fete

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Event Comment: "The Italian singers, male and female, whom I saw on this stage, distinguished themselves by good action, which is uncommon among the Italians. But the Italian opera would instantly be abandoned, notwithstanding the talents of the singers and the beauty of the music, if dancing were not the powerful magnet which attracts the Londoners. All Italian operas are, therefore, abridged, divertisements introduced between the acts, and the ballets considerably lengthened, in order to gratify the public taste" (Goede, p. 263)

Performances

Mainpiece Title: The 1st Act Of Le Gelosie Villane

Afterpiece Title: The 1st Act of Merope

Dance: As17970715

Event Comment: [Extra night] By Authority of the Lord Chamberlain, and Permission of G. Colman, Esq. Benefit for Waldron, prompter. The Public are respectfully cautioned against purchasing Tickets offered for Sale, Waldron not having issued any for this Evening

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Peeping Tom

Cast
Role: Compton Actor: Bannister

Song: End II: The Nightingale-Mrs Atkins; End: The Flowing can-Mrs Harlowe; End 2nd piece: Sweet Echo, as17970904

Event Comment: Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. State of the Theatrical Fund, instituted at Covent Garden in the year 1765, and confirmed by Act of Parliament, 1776. This Institution, calculated to provide for, and relieve aged and infirm Performers and their Families, has not been successful enough during the course of 33 years, to acquire any particular Patronage, but has been raised and supported (some few private Donations and Bequests excepted) merely through the liberal Contributions of its Members. Several aged Persons are now, and have been for many years, oeconomically maintained by it, although the Interest arising from the general Sum already amassed is not equal to one half of the Claims of its Annuitants. The other Portion is entirely supplied from the weekly Contributions of the Performers. Applications to the Public in behalf of this salutary Institution have rarely been made, and sometimes very ineffectually. On these Considerations therefore the Lovers of Dramatic Entertainments are respectfully addressed for their Encouragement at This Evening's Performance. (See Genest, VII, 365-66.) Receipts: #131 7s. (122.13; 1.16; tickets: 6.18)

Performances

Mainpiece Title: Hooly And Fairly

Afterpiece Title: Oscar and Malvina

Dance: 1st piece to conclude with: a Highland Reel, as17980428

Song: In 1st piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie-; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; End II 2nd piece: Old Towler-Incledon; End 2nd piece: Admiral Benbow-Incledon

Music: In 3rd piece: The Union Pipes-Murphy

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 8, Haymarket. Didelot takes the liberty to assure the Nobility and Gentry that he is under no engagement in lieu of a Benefit, but entirely relies on the generosity and patronage of the Subscribers and the Public, whose protection he has ever studiously endeavoured to merit

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428

Ballet: End Opera: Le Deserteur. composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie

Event Comment: Lover's Vows. In Consequence of the Approbation which the above Play has received from the Town, various Translations, or pretended Translations of the work from which it was taken, have been offered for publication to some eminent Booksellers, who honourably declining such purchase, have given Information to the Manager of the attempted Imposition. The Public are therefore respectfully acquainted that the Play, as now performing at this Theatre, was rewritten from a literal Translation, sold to the Proprietor by an Agent of the German Author, and has been adapted to the English Stage by considerable Alterations in Plot & Incidents. The Piece will not be published till the 20th Night of its representation, when it will be submitted to the Reader, with the Name of Mrs Inchbald prefixed to the Publication. Receipts: #432 18s. 6d. (426.4.6; 6.14.0)

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Spoild Child

Event Comment: [Mainpiece in place of Lover's Vows, advertised on playbill of 21 Dec.] The Public are respectfully acquainted that the new Pantomime, the Machinery, Scenery, and Decorations of which have been in preparation the whole Summer, and which was intended to have been produced at Christmas, is on account of the extraordinary demand for Places for all the new Pieces now in representation, obliged to be postponed for a short time [see 29 Jan. 1799]. Receipts: #187 10s. 6d. (180.7.6; 7.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Event Comment: The Subscribers are most respectfully intreated to observe that in consequence of the frequent abuses practised in their names, it has become absolutely requisite to recur to the original custom of requiring the Subscribers themselves to produce their Tickets at the Doors, and the Public are intreated to observe that in future particular Ladies resorting to the Pit of the Opera will be required to give their names and places of residence at the Doors, as they go in, in order to ascertain and finally exclude improper Company from that part of the Theatre

Performances

Mainpiece Title: Medonte

Dance: As17981226

Event Comment: By Permission of the Lord Chamberlain. Benefit for the large Infant Orphan Family of a Man of Fashion [Sir Richard Perrott]. The mother of these helpless, unprotected infants, in contemplating the benevolence of a humane Public, throws herself with implicit confidence on the commiserating patronage of those who are ever ready to afford it for the relief of suffering innocence. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square [and see 18 Sept. 1797]

Performances

Mainpiece Title: The Provokd Husband

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Event Comment: Benefit for Wewitzer. Wewitzer most respectfully informs the Public that in Consequence of the continuation of Kemble's Indisposition, he is under the disagreeable necessity of Changing his Play of The Stranger [advertised on playbill of 29 Apr.] intended for this Evening. Receipts: #228 19s. (94.17.0; 50.9.6; 0.12.0; odd money: 2.0.0; tickets: 81.0.6) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Blue Beard

Cast
Role: Shacabac Actor: Bannister Jun.
Event Comment: Notice on playbill of 20 Dec.: The Public are respectfully acquainted that to render the new Pantomime as complete as possible in all its Departments of Painting, Machinery, Action and Decoration, there will be no Performance Tomorrow

Performances

Mainpiece Title: None

Event Comment: [In mainpiece the playbill retains Incledon, but "Family distresses (The loss of an amiable wife) preventing Incledon from appearing in public, the part of Darbony was assigned to Hill" (Dramatic Censor, I, 181).] Receipts: #215 11s. 6d. (212.0.6; 3.11.0)

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Volcano

Song: As18000124

Event Comment: By Permission of the Lord Chamberlain. Benefit for Lady Perrott and her Orphan Family. Lady Perrott trusts that this will be her last appeal to public commiseration, hoping to obtain justice from her claims in Jamaica. When it is considered that these agonizing efforts to preserve five helpless children are made by a woman born to all the delicate indulgences attending on rank and fashion, every species of apology would be deemed an insult to be had of Lady Perrott, No. 28, Spring-street, Portman-square

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Ways and Means

Event Comment: [In mainpiece the playbill retains Mrs Bland, but "An apology was made on behalf of Mrs Bland, who was prevented from appearing in public this evening by a recent loss in her family. We understand one of her children was unfortunately burnt to death, by its clothes taking fire...Mrs Roffey undertook her plaintive air in the Fourth Act, and was favourably received" (Dramatic Censor, I, 311).] Receipts: #244 18s. 6d. (181.13.0; 62.3.6; 1.2.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Of Age To morrow

Music: Vocal Parts, as17991127, but Mrs _Bland, Mrs Roffey; +To welcome mirth and harmless glee-Mrs Roffey, Miss Leak; I have a silent sorrow here-Mrs Roffey

Dance: As17991127

Event Comment: [Following the 2nd piece the playbill lists The Scotch Ghost, but "The Public is most respectfully informed that in consequence of the very sudden and violent indisposition of Signora Bossi DelCaro it is not in her power to have the honour of appearing before them this Evening, and there being no other person who can supply her place, The Scotch Ghost...is unavoidably obliged to be omitted" (printed slip attached to Kemble playbill).] Receipts: #188 7s. (127.14; 59.18; 0.15)

Performances

Mainpiece Title: Blue beard

Afterpiece Title: The Lying Valet

Afterpiece Title: Of Age To morrow

Event Comment: [By Franz Joseph Haydn; 1st time in London. 1st performed privately in Vienna, 29 Apr. 1798, and in public at the Vienna National Theatre, 19 Mar. 1799.] "Although not equal in grandeur to the divine compositions of the immortal Handel, [it] is, nevertheless, on the whole, a very charming production" (Morning Herald, 29 Mar.). [And see Ashley's note on 2 Apr.

Performances

Mainpiece Title: The Creation The Messiah Grand Selection 0

Event Comment: The Public are most respectfully informed that, on account of the danger to Gentlemen frequenting the Scenes, as well as to the Performers, and the other persons necessarily employed in working the machinery, in the scenes and decorations, no stranger can with safety remain upon the stage during the representation of this Opera; it has therefore become unavoidably necessary to shut up the communication between the audience part of the Theatre and the Stage during the performance of Alessandro e Timoteo, but the avenues will be opened as usual as soon as the Opera is over

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: A New Bacchanalian Divertisement Ballet-; La Fille Mal Gardee- As18000415 but no performers listed for either ballet

Event Comment: [The playbill assigns Albina Mandeville to Mrs Jordan, but "The Public are most respectfully informed that Mrs Jordan, being unable to have the honour of appearing before them this Evening, to prevent a Change of the Play Miss DeCamp has undertaken to perform Albina...and humbly hopes to experience the usual indulgence" (printed slip attached to Kemble playbill).] Receipts: #166 6s. (99.1; 63.3; 4.2)

Performances

Mainpiece Title: The Will

Cast
Role: Howard Actor: Bannister Jun.

Afterpiece Title: Of Age To morrow

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 2nd ballet [1st time]: Composed by Didelot, the music by Bossi. With new Scenes, Dresses and Decorations. The Public are respectfully informed that a Programme of the Ballet may be had at the doors

Performances

Mainpiece Title: I Zingari In Fiera

Dance: Between Acts: Divertisement-(1st time); End Opera: a Grand Fairy Ballet in 2 acts, Laura et Lenza; ou, Le Troubadour-all the principal Dancers see18000628

Event Comment: "Some Gentlemen very improperly intruded themselves on the audience, by resolutely keeping possession of the very centre of the stage for a considerable time, in defiance of the most clamorus disapprobation from all parts of the House, till they were reduced to a most ludicrous situation by the dropping of the curtain. The Public seem inclined to support any regulation that may be adopted by the Manager on this subject" (Morning Herald, 26 May). And see 27 May

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Laura et Lenza, as18000513

Event Comment: The Public are most respectfully informed that the performance on Saturday evening having been interrupted by the unusual concourse of company behind the scenes, it has become absolutely necessary to shut up the communications from the audience part of the Theatre to the stage, upon the nights when Alessandro e Timoteo is perfomed

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: As18000524

Performances

Mainpiece Title: Londons Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.
Event Comment: Pepys, Diary, 6 June 1660: My letters tell me...that the two Dukes do haunt the Park much, and that they were at a play, Madam Epicene, the other day

Performances

Mainpiece Title: Madam Epicene