SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Cast
Role: only Fine Gentleman Actor: Woodward

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: Benefit Widow and Child of James Miller, the author. As the Play of to-night is entirely for mine and my children's Benefit, and was allotted (by the Manager) for that purpose a considerable time ago, has since been advertis'd in the Publick papers upwards of ten days, and the Boxes chiefly been taken by Ladies of Quality and Distinction, I humbly hope, as Charity and Humanity are my advocates, the Performance will be permitted without interruption. D. Miller.--General Advertiser. To Those who remained in the Pit in Drury Lane Playhouse on Thursday Evening, and were refus'd their money: GENTLEMEN: If you are sensible of the Insults that we receiv'd from the servants of the Manager (after we had remain'd orderly in the House expecting our money for the best part of an hour) being expos'd to the danger of our lives from several sticks, &c being thrown at us from the stage, and from the attack of Soldiers jumping into the Pit with their bayonets fix'd, you'll meet tomorrow several Gentlemen equally injur'd, at the Fountain Tavern in Catherine Street in the Strand, at two o'clock, as well as, Your most humble Servant, J. Johnston.--Daily Advertiser. [Daily Gazetteer contained a letter by Anti-Mimus on the manager's publication of reasons for his late extraordinary measures.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The School Boy

Song: Lowe

Dance: Muilment

Event Comment: Benefit for Jones. A Serenata. Books of which may be had at the theatre. To begin at twelve o'clock promptly (General Advertiser). To the Publick: Walking in St James's Park the other day, I followed two young Gentlemen along the Mall, and overheard one of them say to the other, "shall we go and offer sacrifice to the Manes of Milton?" To which the other reply'd "with all my heart." I must own I had some curiosity to know in what this ceremony would consist, and determined to observe them. I accordingly followed them at some distance, into Dodsley the Bookseler's in Pall Mall; where to my great satisfaction I found that this most acceptable sacrifice was only an offering of Charity to the Granddaughter of Milton; who on account of her age, her poverty, and her relation to that great Man, is to have a Benefit at Drury Lane Theatre on Wednesday next. I willingly joined in their devotions, and rejoice with the Publick on their having an opportunity of shewing their gratitude and Veneration to a man whose Genius reflects a lustre on the British Literature, and whose sentiments have added strength to the British liberties; to an author whose works have been the delight of our Fathers, and will be the Admiration of our sons: latest posterity; to an Englishman who is not only the Glory of our Country, but the Honour to Human Nature. This fair Opportunity of paying a respect to his Memory (the last of the kind that can be offered to us, as Mrs Foster is the only surviving branch of his family) must certainly be embraced with Eagerness and pleasure; all who have any pretence to an Elegant Taste, all lovers of Liberty, and every friend of the Muses, will surely crowd to the house on this distinguish'd night, and give at once an instance of the politeness of their manners, and the goodness of their hearts, I am, &c. A Lover of Milton (General Advertiser)

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmaskd

Dance: JJovial Coopers, as17571107

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15. The play was not printed, and the only source of information concerning it is in Downes, Roscius Anglicanus, p. 30: The Woman made a Justice: Wrote by Mr Betterton: Mrs Long, Acting the Justice so Charmingly; and the Comedy being perfect and justly Acted, so well pleased the Audience, it continu'd Acting 14 Days together: The Prologue being spoke to it each Day. [It is possible that this date represents the premiere, since Saturday was frequently a day on which plays were first acted, but there is no certainty on this point.

Performances

Mainpiece Title: The Woman Made A Justice

Performances

Mainpiece Title: At Kings The School For Scandal

Afterpiece Title: The Mariners

Performance Comment: Characters by Suett, Bland, Dignum, Sedgwick, Bannister Jun., Wewitzer, Master Welsh, Burton, Fawcett, Maddocks, Webb, Cooke, Mrs Crouch, Miss DeCamp, Miss Collins, Miss Heard, Miss Menage. [Cast from Songs (C. Lowndes, 1793): Mr Indigo-Suett; Charles-Bland; Henry-Dignum; Clover-Sedgwick; Mizin-Bannister Jun.; Flintbourg-Wewitzer; Sea Boys-Miss DeCamp [in Songs: Mrs Bland (see17930515)], Master Welsh; Landlord-Burton [in Songs: Phillimore (see17930515)]; Chequer-Fawcett; Trusty-Maddocks; Caustic-Webb [in Songs: Hollingsworth]; Sophia-Mrs Crouch; Susan-Miss Collins [in Songs: Miss DeCamp (see17930515)]; Bell-Miss Heard; Julia-Miss Menage; Rest of the Vocal Characters-Caulfield, Danby, Welsh, Shaw; Cooke [unassigned. Cooke [unassigned.
Cast
Role: Mizin Actor: Bannister Jun.

Song: As17921030

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Brazen Actor: Bannister Jun.

Afterpiece Title: THE MARINERS

Performance Comment: Characters by Suett, Bland, Dignum, Sedgwick, Wewitzer, Bannister Jun., Mrs Bland, Miss De Camp//Mrs Bramwell, Miss Heard, Miss Menage, Mrs Stuart. [Cast adjusted from Songs (C. Lowndes, 1793): Mr Indigo-Suett; Charles-Bland; Henry-Dignum; Clover-Sedgwick; Flintbourg-Wewitzer; Mizin-Bannister Jun.; Sea Boys-Mrs Bland, Miss De Camp//Sophia-Mrs Bramwell; Bell-Miss Heard; Julia-Miss Menage; Susan-Mrs Stuart.] hathi. hathi.
Cast
Role: Mizin Actor: Bannister Jun.
Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a la Mode

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Song: I: The Highland Lad (set by Master Arne)-Master Mattocks; III: Singing-Master Mattocks

Dance: II: La Sabotiere-Master Maltere, Miss Foulcade; IV: Les Fantasies de la Dance-Mlle DelaContri; End: Minuet-Mathews, Mlle Contri

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit for Geminiani. A Grand Entertainment of Sacred Music called...To conclude with the Magnificat compsoed by Conti. Mr Geminiani will conduct the Orchestra and perform a Concerto and Solo of his own Composition. Pit and Boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. To begin at half after six. Mr Geminiani has altered his day from Friday 6 April Mr Handel having agreed to have no Oratorio on Wednesday 11 April. So Tickets for 6 Apr. will be taken (General Advertiser). [Cross incorrectly dates this on Tuesday 10 April.] Receipts: #230 (Cross); charges, #21 (Treasurer's Book)

Performances

Mainpiece Title: Concert Spiritual

Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Mr Smith-Burton; Mr Johnson-Palmer; other parts-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Atkins, Marr, Ackman, Vaughan, Raftor, Johnson, Allen, Rooker, Gray, Miss Barton, Mrs Hippisley, Miss Mills, Miss Simson; With an additional reinforcement of Mr Bayes' New Raised Troops-.

Afterpiece Title: The Anatomist

Dance: TThe Swiss, as17581102

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Beaumont and Fletcher. Afterpiece: Written by the Author of the Toy Shop. [For a letter on the disputes between the footmen and the gentlemen, see Grub St. Journal, 17 March.] [There is in the Bennett Collection, I, 93, in the Birmingham Library, an exceptionally curious advance notice for a performance to be given at Drury Lane soon after Easter of The Conscious Lovers and The Devil to Pay, with no cast for either play in the bill. The announcement appears to refer to the spring of 1737 and presumably appeared around the middle of March. It is intended for the benefit of a Widow under Misfortunes and the bill bears the heading: Gift and Pleasure. According to the announcement, the widow has been left Italian pictures, antiqees, jewels, and precious stones; and she intends, for the encouragement of her benefactors, to make a gift of all the objects, which will be placed in three hundred parcels. Tickets for the performance are advertised at five shillings, and no one is to be admitted without a ticket. The pit and boxes are to be put together at two tickets for each person, and the first and second galleries are placed together at one ticket for each spectator. The tickets are not to be left with the door-keepers as usual, but only shewn and kept. On the day following the benefit a raffle will be held, by Mr Foubert's Patent Mathematical Machine, at Hickford's Great Room in Brewers Street, Golden Square, and only holders of tickets will be admitted to the raffle, After this entry was set, an advertisement was found in the Daily Advertiser, 18 April 1738, announcing this performance for 13 May 1738. The Daily Advertiser on 5 May 1738, however, announced that the proposed performance had been cancelled.

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: Scornful Lady-Mrs Furnival, the first time of her appearance on that stage; Elder Loveless-Mills; Young Loveless-Cross; Welford-Milward; Savil-Johnson; Morecraft-Shepard; Sir Roger-Griffin; Poet-Oates; Captain-Winstone; Martha-Miss Holiday; Widow-Mrs Grace; Abigail-Mrs Willis.
Cast
Role: Martha Actor: Miss Holiday

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day, at the Office at Covent Garden Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The Galleries to be open'd at Half an Hour after Four o'clock. Pit and Boxes at Five. To begin at Half an Hour after Six (General Advertiser). New Oratorio by Handel (Account Books, Egerton 2268). We hear that Mr Garrick, who has been lately very ill, is now out of danger (General Advertiser)

Performances

Mainpiece Title: The Occasional Oratorio

Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, Anne and Janeton Auretti

Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: Mock Doctor

Event Comment: Benefit for Mrs James and Miss Minors. No building on stage. Tickets of Mrs James at her lodgings at Mr Saunder's Carpenter, in Little Wild St., Lincoln's Inn Fields; Miss Minors' at Mr Nicholl, a Baker in Catherine St., and at stage door. An Information was given to Henry Fielding, Esq; that a Set of Barber's apprentices, journeymen staymakers, maid-servants, &c. had taken a large Room at the Black Horse in the Strand, to act the tragedy of The Orphan; the Price of Admittance One Shilling. About eight o'clock the said Justice issued his warrant, directed to Mr Welch, High Constable, who apprehended the said actors, and brought them before the said Justice, who, out of compassion to their youth, only bound them over to their good behavior. They were all conducted through the streets in their Tragedy Dresses, to the no small Diversion of the Populace. (General Advertiser). Receipts: #138 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro