SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C B"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9670 matches on Event Comments, 3173 matches on Performance Comments, 1218 matches on Performance Title, 295 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Account-Book: Paid Orchestra #61 13s. a week; Peake #10 a week; Soldiers #5 5s. a week. Receipts: #151 4s. (81.13; 65.18; 3.13)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Deserter

Event Comment: Mainpiece: By Particular Desire. Paid Jos. Besford for Plumes for the Champion's Horse, &c. 10s.; Paid Mr Tomkyns & Co. a bill for wine at the practises last season #1 17s. 1d. (Account Book). Receipts: #164 19s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: The Village Romps, as17661008

Event Comment: Benefit for Mrs Mattocks. Charges #64 12s. Balance to Mrs Mattocks #37 6s. plus #67 12s. from tickets (Box 199; Pit 119). Paid Mr Simpson for wine &c. for the Orchestra at rehearsals of musical performances #5 5s. Mrs Bellamy's balance paid (Account Book). Receipts: #101 18s

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Citizen

Dance: End: The Irish Lilt-Aldridge, Sga Manesiere. [See17670921.

Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Event Comment: [Writer of letter to Public Advertiser states that it is not fashionable to attend on Tuesdays. On Tuesday, he continues, there were probably not more than twenty subscribers or a hundred who had paid. But the Upper Gallery never fails to do Honour to Opera. If not more than 20 people of Fashion in the House there are at least 300 in Upper Gallery." His suggestion is that reduction of cost to 2s. 6d. would induce whole musical families to attend and ultimately be beneficial for this form of entertainment.

Performances

Mainpiece Title: Senocrita

Dance: I: The Turkish Coffee House-; II: Le Tamborine-Fischar; and a new Terzetto-Duvall, Berardi, Miss Tetley; III: As17640221

Event Comment: Characters in the Mainpiece New Dress'd (Public Advertiser). Paid Garter Supers 8 nights (13th inst. incl.) #39 6s. (Treasurer's Book). Receipts: #161 9s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Padlock

Dance: V: The Sailors Revels, as17711008

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda Or The Royal Convert

Performance Comment: Hengist-Wroughton; Seofrid-Hull; Offa-Whitefield; Oswald-Robson; Priest-L'Estrange; Officers-Fearon, Booth, Davis, Thompson; Aribert-Lewis; Rodogune-Mrs Ward (1st appearance on this stage); Ethelinda-Mrs Hartley.

Afterpiece Title: The Seraglio

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Dunstall, Leoni, Miss Dayes, Mrs Green, A Young Lady (who never appeared on any stage) (Miss Wewitzer), Miss Brown. Cast from text (T. Evans, 1776): Abdallah-Mattocks; Reef-Reinhold; Venture-Quick; Goodwill-Dunstall; Frederick-Leoni; Hassan-Baker; Gunnel-Bates; Williams-Thompson; Polly-Miss Dayes; Curtis-Mrs Green; Elmira-Miss Wewitzer; Lydia-Miss Brown.
Cast
Role: Polly Actor: Miss Dayes

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

Event Comment: Benefit for Mrs Jackson. Mainpiece [1st time in London; T 5, by John Jackson, 1st acted at Crow Street Theatre, Dublin, 13 Jan. 1777, as Gerilda. Larpent MS 448, which also lists the following unassigned parts: Halard, Bragances, Setoc, Bruno, Grindal, Clara. Authors of Prologue and Epilogue unknown]. [Robinson, who is identified in Morning Chronicle, 6 May, was from the Smock Alley Theatre, Dublin.] Account-Book, 4 May: Paid Hull in lieu of a Benefit #100. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Jackson, Great Piazza, Covent Garden. Receipts: #188 15s. 6d. (99.19.6; tickets: 88.16.0) (charge: #105)

Performances

Mainpiece Title: The British Heroine

Afterpiece Title: Midas

Entertainment: Monologue.End: Tony Lumpkin's Ramble through London-Quick

Event Comment: Benefit for the City of London Lying-in Hospital. [Author of Prologue unknown.] Paid Heele for Insurance #125 4s. Public Advertiser, 5 Dec.: Tickets to be had at the Hospital, Old Street Road. Receipts: #281 16s. (91.10; 9.9; 0.1; tickets: 180.16) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deserter

Event Comment: Benefit for Grimaldi, ballet-master, and Lamash. The Rivals [announced on playbill of 4 May] is obliged to be deferred on account of Dodd's sudden Illness. Tickets delivered by Kenny, and [for] The Rivals will be taken. Paid Printer [of playbills, weekly throughout season] #9. Public Advertiser, 4 May: Tickets to be had of Grimaldi at his house, No. 125, Holbourn; of Lamash, No. 3, Air-street, Piccadilly. Receipts: #175 5s. 6d. (43.10.0; 17.17.6; 0.14.0; tickets: 113.4.0) (charge: #69 19s.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: In: Grand Dance, as17781102, but _Henry, Grimaldi, Master +Mills, Miss +Grimaldi

Song: As17790413

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mirror or Harlequin Every where

Event Comment: Benefit for Miss Catley. Public Advertiser, 10 Mar.: Tickets to be had of Miss Catley, No. 115, Jermyn-street, St. James's. Account-Book, 3 Apr.: Paid Miss Catley in full for salary to 31st March #210. Receipts: #290 4s. 6d. (209.7.6; tickets: 80.17.0) (charge: free)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Comus

Dance: In II: the original Crutch Dance-[This was danced in all subsequent performances]

Song: With additional songs, Ellen@a@Roon-Miss Catley, Miss Brown; Afterpiece: With Push about the Jorum, with an additional verse,-Miss Catley

Event Comment: Benefit for Mattocks. [Mrs Sage is identified in Morning Chronicle, 27 Apr.] On account of Miss Catley's Indisposition Comus [announced on playbill of 26 Apr.] is obliged to be deferred. Paid Atkins, coal merchant, #33 12s. 6d. Public Advertiser, 7 Apr.: Tickets to be had of Mattocks, Great Russel Street, Covent Garden. Receipts: #193 5s. 6d. (153.13.6; tickets: 39.12.0) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Macbeth

Afterpiece Title: The Siege Of Gibraltar

Song: As17791018Vocal Parts-Reinhold, Doyle, J. Wilson, Baker, Miss Valois, Mrs Morton, Mrs Willems

Event Comment: Benefit for Miss Blower. The last time of the Company's performing this Season. Public Advertiser, 23 May: Tickets to be had of Miss Blower, No. 12, Bedford-street, Covent-garden. Account-Book, 14 June: Paid various renters #19 16s. apiece. Receipts: #118 9s. (60/17; 28/4; 0/10; tickets: 28/18) (charge: none listed)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: End of Act I of mainpiece, as17820223; End of Act I of afterpiece The Irish Fair, as17820406

Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Triumph of Mirth or Harlequins Wedding

Event Comment: Mainpiece: Not acted these 2 years. "The violent and the impassioned are [Miss Brunton's] strongholds. The gentle--the modes oflevel speaking--and tenderness never add to her credit, nor receive addition from her form and countenance" (Public Advertiser, 10 Mar.). Paid Hawkes, tallow chandler, on acct. last Season #111. Receipts: #170 7s. (168/5/6; 2/1/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

Event Comment: The oratorio conductors do not receive the applause Stanley used to receive "owing to their being concealed by the boys, who are placed on high benches between the audience and the conductor, whose respects, though duly paid, have been scarely visible to the greater part of the house" (Public Advertiser, 28 Mar.)

Performances

Mainpiece Title: Judas Maccabaeus Redemption 0

Song: End II: an Italian Air-Mme Mara

Event Comment: [The performance was interrupted when "a piece of brass of upwards of a pound weight [was] hurled from the gallery into the pit, and much injured a lady on which it fell" (Public Advertiser, 8 Apr.). Advertisement from the theatre printed in the same newspaper, 9 Apr.: "For discovery of the offender the Theatre offers a reward of 10 guineas." Account-Book, 26 June: Paid Messrs Francis the reward offered #10 10s.] Receipts: #278 2s. 6d. (272.7.0; 5.15.6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Omai

Event Comment: Mainpiece: With Alterations. Paid Woodfall [for printing playbills in Public Advertiser] #200. Receipts: #223 16s. (213.5; 10.11)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Hide and Seek

Dance: End: Leap Year-

Event Comment: [Mainpiece in place of The Careless Husband, advertised on playbill of 22 Dec.] Paid House & Window tax, 1@2 Yr., #56 13s. 8d. Public Advertiser, 24 Dec.: [Pearce, who was from the Bath theatre, has] a clear bass voice, which he occasionally relieves by a falsetto...His first song was encored though sung much out of tune. Receipts: #113 4s. (77.2; 35.12; 0.10)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: The Injured Lovers Or The Ambitious Father

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Exciseman Trickd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for boxes to be had from Johnston at Stage Door; No money received at Stage Door, nor any returned after Curtain rises. Play will begin at exactly six o'clock; The passage from the Strand up Catherine Street to Drury Lane Theatre will be clear for Carriages. Paid Renters #8 (Drury Lane Treasurer's Book). [A constant expense nightly for 191 nights amounting to #1528 for the season. Will not be further itemized.] Receipts: #82 12s. 6d. (Drury Lane Treasurer's Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Dodd; Sir George-Palmer; Sir Francis-Yates; Charles-Packer; Butler-Strange; Isabinda-Miss Plym; Sir Jealous Traffic-Love; Whisper-Ackman; Scentwell-Mrs Bradshaw; Patch-Miss Pope, 1st time; Miranda-Mrs Palmer.
Cast
Role: Whisper Actor: Ackman

Afterpiece Title: The Devil to Pay

Dance: End: The Venetian Travellers-Sg Giorgi, Sga Giorgi