SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Walker. Mainpiece: Not acted this season

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Ross; King-Sparks; Horatio-Hull; Polonius-Shuter, first time; Laertes-Davis; Rosencraus-White; Guildenstern-Perry; Marcellus-Gardner; Lucianus-Weller; Pl. King-Redman; Pl. Queen-Mrs Ferguson; Ghost-Walker[, first time; Ostrick-Dyer; Grave Diggers-Dunstall, Costollo; Ophelia-Miss Macklin; Queen-Mrs Ward (playbill). [The Public Advertiser assigns Marcellus to Anderson.]The Public Advertiser assigns Marcellus to Anderson.]

Afterpiece Title: The Englishman in Paris

Cast
Role: only Buck Actor:

Dance: TThe Calabrian Peasants, as17631222

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Ross; King-Sparks; Horatio-Hull; Polonius-Shuter; Laertes-Davies; Rosencraus-White; Guildenstern-Perry; Marcellus-Gardner; Lucianus-Weller; Pl. King-Redman; Pl. Queen-Miss Ferguson; Ghost-Gibson; Ostrick-Dyer; Grave@Diggers-Dunstall, Costollo; Ophelia-Miss Macklin; Queen-Mrs Ward [playbill, but Public Advertiser assigns Marcellus to Anderson on this night only].playbill, but Public Advertiser assigns Marcellus to Anderson on this night only].

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Mother Shipton

Performance Comment: As17710108 but Parts-Hussey, _Barnshaw; and the +Public Advertiser substitutes Baker for Reinhold. and the +Public Advertiser substitutes Baker for Reinhold.

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17710129, but Sullen-Dunstall (playbill); but Gibson (Public Advertiser). but Gibson (Public Advertiser).

Afterpiece Title: Midas

Dance: IV: A Comic Dance, as17701017

Event Comment: Benefit for Woodward. Mainpiece: In Three Acts Never Performed there. [This seems to be some adaptation of Garrick's Florizel and Perdita in three acts, but without the character Rogero.] Charges #72 16s. Profit to Woodward #129 17s. 6d., plus #57 from tickets (Box 228). Receipts: #202 14s. (Account Book)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Smith; Polixines-Bensley; Florizel-Lewis; Camillo-Hull; Autolicus-Quick; Old Shepherd-Kniveton; Clown-Woodward; Perdita (with Sheep Shearing Ballad)-Miss Dayes; Paulina-Mrs P. Green; Hermione-Mrs Hartley; The Vocal Parts-Fox, Mrs Thompson, Mrs Baker; In Act II, a Dance-Aldridge, Miss Twist (playbill). [The Public Advertiser lists Reinhold instead of Fox as vocalist.]The Public Advertiser lists Reinhold instead of Fox as vocalist.]
Cast
Role: Perdita Actor: Miss Dayes

Afterpiece Title: The Citizen

Afterpiece Title: The Sylphs

Performance Comment: As17740224, but Short bill listing only Harlequin-Lewes; Sylph-Miss Brown; Colombine-Miss Twist.
Event Comment: Afterp1ece: By Particular Desire. Rec'd of Condell for Fruit rent this season #20 Receipts: #174 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Performance Comment: As17740228, but New Occasional Epilogue (Never Spoken)-Miss Barsanti; Woodward restored to Public Advertiser List of Actors. Woodward restored to Public Advertiser List of Actors.

Afterpiece Title: Midas

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751215, but the Vocal Parts-Mrs Smith, Mrs _Scott, Mrs _Jewell; +The Last New Epilogue-Mrs Abington (playbill). [The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]

Afterpiece Title: The Jubilee

Event Comment: Benefit for Bannister. Public Advertiser, 21 Aug.: Tickets to be had of Bannister, at Palmer's, Bridges-street. [Public Advertiser assigns in mainpiece: Kinswoman-$Miss Platt; in afterpiece: Mrs Bundle-$Mrs Love.

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Nancy Actor: Miss Dayes

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Afterpiece Title: Second Thought is Best

Event Comment: Afterpiece [1st time; F 1, by Frederick Pilon. Prologue by the author (Public Advertiser, 23 Oct.)]. Public Advertiser, 25 Oct. 1780: This Morning at Ten is published The Humours of an Election (1s.). Receipts: #118 12s. 6d. (116.6.0; 2.6.6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Humours of an Election

Performance Comment: Principal Characters by Wilson, Edwin, Whitfield, L'Estrange, Egan, Booth, Robson, Thompson, Fearon, Baker, Bates, Webb, Stevens, W. Bates, Jones, Quick, Mrs Morton, Mrs Webb. [Cast from text (G. Kearsly, 1780) and London Chronicle, 20 Oct.: Parmazan-Wilson; Goose-Edwin; Belfield-Whitfield; Electors-L'Estrange, Thompson, Baker, J. Wilson; O'Shannon-Egan; Canvass-Booth; Ballad@singer-Robson; MacRhetorick-Fearon; Marrowbone-Bates; Shrimp-Webb; Bristle-Stevens; Proteus-W. Bates; Cryer-Jones; Jail@bird-Cushing; George-Quick; Letitia-Mrs Morton; Mrs Highflight-Mrs Webb; Prologue-Wilson. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: II: Masquerade Dance-; End: The Humours of Leixlip, as17801018

Event Comment: Mainpiece: Not acted these 10 years [not acted since 7 Dec. 1768]. With new Dresses and Decorations. [Miss Phillips is identified in Public Advertiser, 18 Nov. Afterpiece in place of The Lyar, announced in Public Advertiser, 10 Nov.] Receipts: #187 15s. (155.9; 32.6; 0.0)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Miss Prudom (from the King's Theatre; 1st appearance on this stage); Artaxerxes-Mrs Baddeley; Rimenes-Du-Bellamy; Artabanes-Vernon; Semira-Miss Wright; Mandane-A Young lady (who never appeared on any stage [Miss Phillips]).Miss Phillips]).

Afterpiece Title: The Citizen

Dance: End II: a Dance-Henry, Miss Armstrong, Miss Simonet, Sga Zuchelli

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Whod Have Thought It

Performance Comment: Characters by Wilson, Lamash, Wewitzer, R. Palmer, Webb, Kenny, Barrett, Painter, Ledger, Bannister, Mrs Wilson, Miss Hale, Mrs Webb. [Cast from Public Advertiser, 7 July: Strap-Wilson; Spangle-Lamash; Ishmael-Wewitzer; Pillage-Webb; Harry Horsfar [recte Hawser]-Bannister; Broadhem-Mrs Wilson; Miss Strap-Miss Hale [unassigned by Public Advertiser]; Mrs Strap-Mrs Webb; [Larpent MS 556 also lists: Lord George Willmore-; Clinker-; Clod-; Box-; Frank-.

Dance: End I: a Dance-Master Byrn, Miss Byrn; End I afterpiece: [another] Dance-Master and Miss Byrn

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Performance Comment: As17811211, but Blunt-J. Bates [Public Advertiser retains W. Bates] .Public Advertiser retains W. Bates] .

Afterpiece Title: The Choice of Harlequin

Event Comment: A New Comic Opera in 2 acts; The Music by Sacchini. [Opera in place of I Viaggiatori Felici, announced in Public Advertiser, 1 Mar. Nonini, who is unidentified, was from the Opera, Lisbon.] Public Advertiser, 6 Apr.: To the credit of Sacchini, it is the best Burletta extant. It is in all parts excellent . . . while it amuses, it does not fail equally to interest

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: The Temple Beau Or The Intriguing Sisters

Performance Comment: Young Wilding-Benson; Sir Avarice Pedant-Barrett; Veromil-Sparks; Valentine-Booth; Pincet-Fellowes; Thomas-Roberts; Taylor-Middleton; Snob-Norris; Young Pedant-Clinch; Sir Harry Wilding-Swords; Lady Lucy Pedant-Miss Fitzherbert; Bellaria-Miss Patterson; Clarissa-Miss Ambross; Milliner-Mrs Fisher; Lady Gravely-Miss Saunders. With a new Prologue [spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .

Afterpiece Title: The Citizen

Dance: End of mainpiece a Hornpipe by Middleton

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Rambler or The Convent in an Uproar

Performances

Mainpiece Title: Macbeth

Performance Comment: As17831006, but Lenox-Mahon; Malcolm-Davies; 3rd Witch-Jones [Public Advertiser: Stevens] .Public Advertiser: Stevens] .

Afterpiece Title: Harlequin Rambler

Song: As17831218, but omitted: Mrs Bannister, Mrs Johnstone

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Rambler

Performance Comment: As17840920, but omitted: The other Characters. [Public Advertiser assigns Harlequin-Kennedy.] hathi. hathi.

Song: In mainpiece To thee, O gentle sleep! by Brett

Event Comment: Benefit for Pope. Tickets delivered for March 15 and 31 will be taken. Public Advertiser, 14 Apr.: Tickets to be had of Pope at Mrs Sledge's, Henrietta-street, Covent Garden. "In the prominent display of Iago's jealousy, a material question of the play--slightly handled by the poet, and almost untouched by every preceding player--in this, Henderson's claim to praise is quite unrivalled" {Public Advertiser, 25 Apr.)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Event Comment: Benefit for Mrs Siddons. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. "The mournful tone, the pathetic countenance, and the long-drawn expression pervaded the sprightly scenes of Rosalind as effectually as if the play had been Isabella" (Public Advertiser, 2 May). Receipts: #327 8s. 6d. (150/1/9; 9/11/6; 0/6/0; tickets: 167/10/0) (charge: #106/15/10)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: End of Act I of mainpiece, as17850307athi

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement or The Loves of Bengal

Dance: As17870217

Event Comment: [Herrington, who was from the Royalty, and Mrs Farmer are both identified in Public Advertiser, 30 Aug. As afterpiece the playbill announces Peeping Tom, but "The fatigues Edwin had undergone at his benefit the preceding evening rendered him incapable of performing last night. Peeping Tom was therefore obliged to be changed to The Golden Pippin" (Public Advertiser, 30 Aug.)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Lord Hastings-A Gentleman (1st appearance on this stage [Herrington]); Gloster-Williamson; Belmour-Davies; Catesby-Gardner; Ratcliff-Johnson; Derby-Swords; Porter-Painter; Servant-Ledger; Shore-Bensley; Alicia-A Lady (1st appearance on any stage [Mrs Farmer]); Jane Shore-Miss Woollery.

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Pope. "Desdemona was happily pourtrayed by Mrs Pope, particularly...her manner of receiving the blow from Othello, by shewing she felt it as for the loss of her husband's affection rather than the indignity offered her sex" (Public Advertiser, 21 Apr.). Public Advertiser, 31 Mar.: Tickets to be had of Pope at his house in Half-Moon Street, Piccadilly. Receipts: #184 9s. 6d. (125.10.0; 3.13.6; tickets: 55.6.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Dance: As17880301