Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
12593 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

626
27 November 1703 @ Drury Lane Theatre

Event Comment: [This performance, following the Great Storm of 1703, aroused the wrath of the reformers, typified by Jeremy Collier's remark in his Dissuasive from the Play-House: "But Stupidity under that Convulsion was not the worst of our Case: No, that dreadful Hurricane, the Voice of an angry Heaven, and Terrour of Earth and Sea, was it seems a Jest at the Play House: Macbeth with his Lightning and Thunder the Entertainment of the Day, and the Mention of Chimnies blown down, clapt by the Audience with an unusual Length of Pleasure and Approbation" (p. 18).

Performances

Mainpiece Title: Macbeth

Music: All the Musick being compos'd-Mr Leveridge, wherein he performs his own parts

Song: As17031125

Dance: Several comical Dances-

627
01 February 1704 @ Lincoln's Inn Fields

Event Comment: By Subscription. The music for The Judgment of Paris composed by Weldon. [Note that both duRuel and Mrs Mayers are advertised to appear at both theaters this day.

Performances

Mainpiece Title: Concert

Afterpiece Title: The Judgment of Paris

Music: With several Songs in Italian and English-Mrs Tofts; With several other select pieces of Musick- compos'd by the late Mr Henry Purcell

Dance: l'Abbe, duRuell, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers

628
27 September 1705 @ Drury Lane Theatre

Event Comment: [In Daily Courant, 26 Sept., The Royal Merchant had been announced for this day.

Performances

Mainpiece Title: Tunbridge Walks Or The Yeoman Of Kent

Song: As17050922; Particularly a two/Part Song compos'd by the late Mr Henry Purcell-

Dance: Cherrier

629
08 September 1711 @ Greenwich

Event Comment: Benefit Teno and Rainton. That Celebrated Comedy... As it was perform'd before her Majesty on her Birth Day at St. James's

Performances

Mainpiece Title: The Jew Of Venice Or The Female Lawyer

Song: Between the Acts: With several Songs and Dialogues-Teno, Rainton, a Gentlewoman from London, who never perform'd there before; particularly that Celebrated Dialogue of Tell Me Why My Charming Fair by the late famous Mr Henry Purcell-; Mad Dialogue by him-; Also several Opera Songs with Instruments-

630
28 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: The Monody to the Memory of Mr Garrick Drydens Ode for St

Performance Comment: Cecelia's Day. As17810302but The Recitation-Miss Farren.

Music: As17810307

Song: In Oratorio: Verdi Prati-a Young Gentleman (1st appearance in public [unidentified])

631
19 December 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: Colombine Courtezan

Dance: Les Bergeries by Essex, Mrs Walter, &c

632
24 April 1735 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: I: Pigmalion by Lally, Mlle Salle &c. II: Fawns by Lally, Mlle Grognet, Miss Rogers, Mrs De l'Orme. III: By Denoyer and Mlle Salle. IV: By Mlle Grognet, Miss Rogers, Mrs De l'Orme. V: Minuet by Denoyer and Mlle Salle

633
08 November 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Cynthia Actor: Miss Holliday

Afterpiece Title: Harlequin Restord

Music: As17351018 Also a Set of New Act Tunes composed by Arne

Dance: I: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: French Peasant by Poitier, Mlle Roland. V: Serious Ballet by Denoyer and others

634
02 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Dance: II: Venetian Gondolier and Courtezan by Denoyer, Mlle Roland, &c. V: Le Badinage, as17351022

635
06 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Constance Actor: Miss Holliday

Afterpiece Title: The Virgin Unmaskd

Dance: I: By Mlle Anne Roland, &c. II: Dutchman and Frow by Le Brun and Miss Brett. III: English Maggot by Villeneuve and Mrs Walter. IV: Tambourine by Mlle Roland. V: The Rover, as17360103

636
07 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Constance Actor: Miss Holliday

Afterpiece Title: Colombine Courtezan

Dance: I: By Mlle Anne Roland, &c. II: English Maggot by Villeneuve and Mrs Walter. III: Tambourine by Mlle Roland. IV: The Rover, as17360103

637
09 January 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Constance Actor: Miss Holliday

Afterpiece Title: The Devil to Pay

Dance: I: By Mlle Anne Roland, &c. II: English Maggot by Villeneuve and Mrs Walter. III: Tambourine by Mlle Roland. IV: Dutchman and Frow by Le Brun and Miss Brett. V: The Rover, as17360103

638
05 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Milward; Fainall-W. Mills; Witwoud-Cibber Jr; Sir Wilful-Harper; Petulant-Mechlin; Waitwell-Shepard; Millamant-Miss Holliday; Mrs Marwood-Mrs Butler; Mrs Fainall-Mrs Pritchard; Lady Wishfort-Mrs Cross; Foible-Miss Mann .
Cast
Role: Millamant Actor: Miss Holliday

Afterpiece Title: Harlequin Restord

Dance: III: Russian Sailor by Denoyer, &c. In IV: Tambourine by Mlle Roland

639
09 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

640
15 May 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Comus

Afterpiece Title: The Mock Doctor

Dance: I: Running Footman's Dance-Phillips; III: The Drunken Peasant-Phillips

Entertainment: AA Lesson on the Welch Harp-Mr Jones

641
18 May 1762 @ Drury Lane Theatre

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

642
28 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

643
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron or Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

644
26 December 1791 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry Ii Or The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

645
19 April 1760 @ Covent Garden

Event Comment: Benefit for Saunders and Mrs Lee. Receipts: #34 14s. 6d. in cash. Deficit (Charges #64 5s.) to each beneficiary, #14 15s. 3d., cover'd by income from tickets: Saunders #18 11s. (Boxes 7; Pit 68; Gallery 66); Mrs Lee, #49 19s. (Boxes 97; Pit 124; Gallery 71). Total income, #103 4s. 6d. Paid Kemp #9 12s; Shane (upholsterer) #41 11s. 6d

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Miller of Mansfield

Dance: II: By Particular Desire, Mr Parry will play on the Harp

Entertainment: Several New Equilibres on the Wire-Saunders Particularly he will balance two straws, one across the other with an egg in the center; he will Ring 6 Bells on the Wire, and play on Divers Instruments of Music, particularly, (by Desire) the Guitar, while balancing the Straw

646
03 December 1766 @ Drury Lane Theatre

Event Comment: For the Author of the Cunning Man. House charges #84. [Profit to author #92 2s.] Paid chorus singers 2 nights #5 1s. (Treasprer's Book). Receipts: #176 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cunning Man

Music: II: A Concerto on the Harpsichord-Mr Burney Jr from Worcester

647
01 January 1767 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Paid Pointer's 2 Bills #16 14s. (Treasurer's Book). [This year were published The Theatrical Campaign (44 pp.), an examen of productions this season; The Stage the High Road to Hell (43 pp.); Theatrical Entertainments Consistent with Society, Morality and Religion: or, A Letter to the Author of the "Stage the High Road to Hell," shewing that writer's arguments to be fallacious, his principals enthusiastic, and his authorities (particularly from the ancients) misconstrued and perverted.] Receipts: #176 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Cast
Role: Clod Actor: Ackman

Music: II: A Concerto on the Harpsichord-Mr Burney Jr

648
30 March 1770 @ Covent Garden

Event Comment: [Usual note about servants and sale of Books of performance.] Paid Bensley's Balance (Account Book). Charges: #35

Performances

Mainpiece Title: The Resurrection

Music: FFirst Violin, Solo-Giardini; Solo on Violincello-Mr Crusdile

649
11 October 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]

Afterpiece Title: A Day at Rome

650
30 January 1661 @ no theater listed

Event Comment: See Pepys, Diary, 27 Jan. For several decades this day was regularly observed as a Fast Day, with no plays acted

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I