Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7571 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

7551
25 October 1797 @ Covent Garden

Event Comment: "We consider Madame Mara, to use vulgar phrase, as upon he last legs...[Her] Polly is downright burlesque; her figure, countenance, and time of life are directly repugnant to our ideas of the character; and her foreign accent and gesticulation complete the absurdity" (Monthly Mirror, Nov. 1797, p. 299). "Mme Mara is merely a singer; her voice is by no means calculated to give effect to the dialogue of the part; and her performance, although she appears to have paid considerable attention to the degree of action necessary for the part, is greatly deficient in point of feeling...Her deficiency in person and performance, however, is amply compensated for in her ability as a singer" (Morning Herald, 26 Oct.) Receipts: #329 16s. (324.6; 5.10)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Honest Thieves

Cast
Role: Justice Day Actor: Powel
Role: Mrs Day Actor: Mrs Davenport.

Dance: III: a Hornpipe in Fetters-Blurton

7552
11 November 1797 @ Drury Lane Theatre

Event Comment: Account-Book: Paid Lampmen #6 16s.; Morning Post Advertisements last Year #17 1Os. 6d. Receipts: #257 17s. (161.14.0; 90.12.6; 5.10.6)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Deaf Lover

7553
25 November 1797 @ Covent Garden

Event Comment: Account-Book: Received of the Earl of Chesterfield for a private box #105; Paid Simonet for 4 rehearsals #8 8s. Receipts: #270 4s. 6d. (259.14.6; 10.10.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower

7554
18 December 1797 @ Drury Lane Theatre

Event Comment: The Fatigue attending the representation of some of the Characters [in The Castle-Spectre] renders it impossible to repeat the performance every night in the week. The 5th night will be on Wednesday. Account-Book: Paid One years' House & Window Tax #222 0s. 6d. Receipts: #396 5s. (315.9.6; 78.0.6; 2.15.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Comus

7555
09 February 1798 @ Covent Garden

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

7556
08 October 1798 @ Covent Garden

Event Comment: Mainpiece: In I a Grand Masquerade. Account-Book: Paid Sloper [master carpenter] for Scene Men #40 17s. 11d. Receipts: #179 0s. 6d. (176.9.6; 2.11.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

7557
16 October 1798 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 2, by Andrew Franklin. Larpent MS 1224; not published; synopsis of plot in Universal Magazine, Oct. 1798, pp. 275-76]: The Overture and Musick composed by Florio. Books of the Songs to be had at the Theatre. Account-Book, 8 July 1799: Paid Florio for the Outlaws #20. Receipts: #258 5s. 6d. (163.10.0; 92.16.6; 1.19.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Outlaws

7558
10 November 1798 @ Drury Lane Theatre

Event Comment: [Miss Brown is identified by MS annotation on Kemble playbill. "Notwithstanding the bills...[she acted] the summer before last, on the boards of the Richmond theatre" (Monthly Mirror, Nov. 1798, p. 308). In afterpiece the playbill retains Mrs Roffey as Nelly, but she "who usually performed the part of the Servant Maid, [was] suddenly taken ill; her substitute [was] Miss Tidswell" (Morning Herald, 12 Nov.).] Account-Book: Received of Hammersley & Co., lent to pay the Company #500; paid Lowndes, printer, #10; Chorus #6; Rablus, tallow candles, #10. Receipts: #203 12s. (126.3.6; 76.7.6; 1.1.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: No Song No Supper

7559
10 November 1798 @ Covent Garden

Event Comment: Account-Book: Paid Enderby, oil merchants, on acct. of last season #402 13s. 9d. Receipts: #382 5s. (375.19; 6.6)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Deaf Lover

Afterpiece Title: The Mouth of the Nile

7560
12 November 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performance Comment: End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.]This was included in all subsequent performances.]

7561
27 March 1799 @ Drury Lane Theatre

Event Comment: Account-Book: Paid Carpenters #40. Receipts: #276 4s. 6d. (227.10.6; 45.3.0; 3.11.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

7562
09 April 1799 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

7563
23 April 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Thomas Sedgwick Whalley. Prologue, Epilogue by the author (see text)]. Account-Book, 20 May: Paid Whalley for Castle of Montval #100. Receipts: #288 19s. (224.18.6; 63.9.0; 0.11.6)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: Blue-Beard

7564
14 October 1799 @ Drury Lane Theatre

Event Comment: Afterpiece: The Scenery re-painted, and the Dresses and Decorations entirely new. The Musick composed by Kelly. The Scenes designed and executed by Greenwood, Chalmers, and others. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Dresses by Johnston, Gay and Miss Rein. Account-Book: Paid Hatton, sword cutler, #5 10s; Chorus #11 16s. 6d. Receipts: #370 2s. (254.6.6; 114.3.0; 1.12.6)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Blue-Beard; or, Female Curiosity

7565
19 October 1799 @ Drury Lane Theatre

Event Comment: Account-Book: Paid Mrs Booth, washing bill, #1 14s. 7d. Receipts: #283 3s. (188.19; 94.1; 0.3)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Blue-Beard

Dance: In III: Hornpipe-Garman

7566
02 November 1799 @ Drury Lane Theatre

Event Comment: Account-Book: Paid Orchestra #61 13s. a week; Peake #10 a week; Soldiers #5 5s. a week. Receipts: #151 4s. (81.13; 65.18; 3.13)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Deserter

7567
04 November 1799 @ Covent Garden

Event Comment: Account-Book: Paid Holford for coals #235 10s. 10d. Receipts: #269 16s. 6d. (262.1.6; 7.15.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

7568
06 November 1799 @ Covent Garden

Event Comment: By Command of Their Majesties. Account-Book: Paid Yeomen of the Guard #2 2s.; Their Majesties' Servants #3 19s. 6d. Receipts: #505 19s. 6d. (499.2.6; 6.17.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Spoil'd Child

7569
18 December 1799 @ Covent Garden

Event Comment: By Command of Their Majesties. Account-Book: Paid One Quarter Land, Window and House Taxes due Michaelmas last #102 6s. 9d. Receipts: #261 10s. 6d. (253.12.0; 8.6.6)

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: The Jew and the Doctor

7570
23 December 1799 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: The Volcano; or, The Rival Harlequins

7571
01 March 1800 @ Covent Garden

Event Comment: Account-Book: Paid Bentham for half a year Rat Catching due Xmas last #2 12s. 6d. Receipts: #271 2s. 6d. (265.13.6; 5.9.0)

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Netley Abbey