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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7571 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

6976
14 January 1768 @ Covent Garden

Event Comment: Both pieces by command of Their Majesties. Present: Their Majesties, Prince of Wales, Prince Frederick and Lady Louisa. Gave Yeoman of the Guards #2 2s. Paid Younger for licensing The Good Natured Man #2 2s. (Account Book). Receipts: #228 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Orpheus and Eurydice

6977
26 March 1768 @ Covent Garden

Event Comment: Benefit for Yates. Part of Pit laid into Boxes. Last time of performing till Easter Holidays. Afterpiece: Never Performed There (playbill). Charges #64 5s. Balance to Mrs Yates #90 7s. 6d. plus #112 15s. in tickets (Box 406; Pit 75). Paid John Doe for sticking Black Bills #4 10s. (Account Book). Receipts: #154 12s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Edgar and Emmeline

Dance: End: The Irish Lilt, as17670921

6978
30 April 1768 @ Covent Garden

Event Comment: Benefit for Mahoon. [The Young Gentlewoman who played Polly would seem to have been Miss Groce. See 25 May.] Charges 1!2 #32 2s. 6d. Mahoon to accept 1!2 Receipts. A balance due him of #25 7s. plus #39 7s. from Tickets (Box 111; Pit 42; Gallery 53) (Account Book). [Mrs Dyer seems to have shared this night, who in lieu of paying half the charges accepted only half the value of the tickets she disposed of. She received #18 17s. as one-half value of 43 Box tickets; 101 Pit; 118 Gallery.] Paid Danl Gyles [or Dancer Gyles?] in consideration of his assigning over Miss Parfett's Indentures...#78 15s. Receipts: #114 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Dance: II: The Irish Lilt, as17670921

6979
26 May 1768 @ Covent Garden

Event Comment: Benefit for Stoppelaer. Tickets for The Way of the World will be taken. Charges: 1!2 charge for House #31 10s.; 1!2 charge for candles 12s. 6d.; 1!2 charge Tabor & Pipe 5s. 3d.; 1!2 value of tickets #57 16s.: Total #90 3s. 9d. minus 1!2 Receipts #20 14s. equals #69 9s. 9d. deficiency to Stoppelaer. Covered by #115 12s. from tickets (168 Box; 370 Pit; 181 Gallery) and #20 14s. from Receipts. Profit to Stoppelaer was #86 16s. 3d. Paid to Mr Shropshire for 20,000 brushes #4 10s. Receipts: #41 8s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Dance: II: A Hornpipe-Miss Besford, 2nd time

6980
01 June 1768 @ Covent Garden

Event Comment: Benefit for Condell, Potter and Eddis (playbill). [Account Book lists only Condell and Potter.] Charges #81 10s. Deficit to Condell and Potter #49 10s. 6d. covered by #97 10s. to Condell from tickets (Box 248; Pit 194; Gallery 64) and #73 14s. to Potter from Tickets (Box 159; Pit 157; Gallery 104). Paid Richard Richardson for the Purchase of the Fee Farm of three Houses on the West Side of Bow St. subject to 40s. a year payable to the Duke of Bedford...#1800. Receipts: #31 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Royal Chace

Dance: II: The Merry Sailors, as17671009

6981
11 October 1768 @ Covent Garden

Event Comment: Doors open at 6. Play to Begin exactly at 7. Books of the Interlude to be had at the theatre. Paid for a license for The Royal Garland #1 1s. (Account Book). Receipts: #173 17s. 6d. (Account Book)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Devil to Pay

6982
09 November 1768 @ Drury Lane Theatre

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Cast
Role: Clod Actor: Ackman

6983
03 December 1768 @ Covent Garden

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Country Wife

6984
16 December 1768 @ Covent Garden

Event Comment: Mainpiece: Not performed these 2 years. [see 21 May 1767.] Paid Younger for a license for Tom Jones #2 2s. (Account Book). Receipts: #132 16s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Midas

6985
31 January 1769 @ Covent Garden

Event Comment: Afterpiece [Harlequin Skeleton] now advertised under its original title, but the New Scene with additions continued (playbill). Paid Younger for a license for ye 2 Sisters #2 2s. (Account Book). [See 18 Feb.] Receipts: #244 11s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

6986
28 March 1769 @ Covent Garden

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Performance Comment: Toby, the Statue (for that night only) in the character of Harlequin-Woodward. In which he will introduce the different attitudes.

Dance: End: The Irish Lilt, as17680930

6987
01 April 1769 @ Covent Garden

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Afterpiece: For the only time this season. Charges #64 5s. Balance to Miss Macklin #77 7s. 6d. plus #115 15s. from tickets (Box 463). Paid Mr Reed for the balance of his 3 nights for Tom Jones #297 3s. Receipts: #141 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17680930

6988
03 April 1769 @ Covent Garden

Event Comment: Benefit for Mattocks. Charges #68 16s. Balance to Mattocks #82 4s. plus #40 5s. in tickets (Box 83; Pit 130) Paid Mr Hobster for Negus's at rehearsals #2 2s. 8d. Receipts: #151 (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt, as17680930

6989
07 April 1769 @ Covent Garden

Event Comment: Benefit for Dyer. Charges #64 5s. Balance to Dyer #4 3s. plus #143 1s. from tickets (Box 383; Pit 234; Gallery 122). Paid Music Porter as per bill 10s. 6d. Receipts: #68 8s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Upholsterer

Song: II: A Song-DuBellamy

Dance: End: The Irish Lilt, as17680930

6990
17 April 1769 @ Covent Garden

Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

6991
04 May 1769 @ Covent Garden

Event Comment: Benefit for Wroughton. [Listed as Rotten in the Account Book.] Rec'd from tickets only #5 11s. (Box 12; Pit 17). Charges: 1!2 House charge, plus 1!2 value of tickets, plus half receipts amounted to #66 1s. 6d. and left the actor with an uncovered deficit of #5 19s. (Account Book), which he paid up on 20 May. Receipts; #60 3s. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Skeleton

Cast
Role: only Harlequin Actor: Lewes

6992
16 May 1769 @ Covent Garden

Event Comment: Benefit for Condell, Potter (box-keepers) and Eddis. Tickets sold at the door will not be admitted. Tickets deliver'd for the Conscious Lovers will be taken. Charges #83 11s. 6d. Deficit to beneficiaries #27 10s., covered by income from tickets: Condell #84 7s. (Box 225; Pit 140; Gallery 71); Potter #60 7s. (Box 142; Pit 93; Gallery 109); Eddis #52 9s. (Box 118; Pit 153) (Account Book). Paid Miss Morris in Full for her performance this season #50 (Account Book). [But see note 1 May.] Receipts; #56 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Citizen

Dance: III: A Pantomime Dance-Fishar, Miss Capon

6993
17 May 1769 @ Covent Garden

Event Comment: Benefit for Bates, Dumay, Curtat, Redman, Mrs Naylor. Tickets deliver'd for The Albion Queens will be taken. Charges #64 5s. Deficit #31 11s., covered by income from tickets: Bates #21 14s. (Box 8; Pit 66; Gallery 98); Dumay #49 13s. (Box 90; Pit 125; Gallery 84); Curtat #42 13s. (Box 61; Pit 90; Gallery 139); Redman #57 17s. (Box 35; Pit 180; Gallery 221); Mrs Naylor #33 9s. (Box 36; Pit 103; Gallery 90) (Account Book). Receipts: #32 14s. (Account Book). Stoppelaer and Sarjant paid up their deficiencies for 11th and 15th Inst

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Dance: II: A Minuet-Dumay, Miss Madden; End: A Pantomime Dance-Fishar, Miss Capon

6994
18 May 1769 @ Covent Garden

Event Comment: Benefit for Green and Ansell (box-keepers). Tickets sold at the Doors will not be admitted. Charges #83 1s. 6d. Deficit #53 13s., covered by income from tickets: Ansell #112 7s. (Box 341; Pit 162; Gallery 28); Green #135 4s. (Box 470; Pit 106; Gallery 18). Rec'd of Condell his deficiency and #20 in full for Fruit Rent this season: also deficiencies from Mrs Naylor and Potter. Paid Mr Scovell for copying Music in Maid of the Mill--#3 9s. (Account Book). Receipts: #53 13s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

6995
22 May 1769 @ Covent Garden

Event Comment: The Doors to be opened at Half an Hour after Five. To begin exactly at Half an Hour after six. [The Account Book indicates that the following paid up their deficits of half values of tickets: Rose, Mrs Griffiths, Claridge, Doe, Pullen, Fransdorf, Norbury, Robson, Pilfold, Roberts and Singleton.] Receipts: #163 9s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Harlequin Skeleton

Cast
Role: only Harlequin Actor: Lewes

6996
23 May 1769 @ Covent Garden

Event Comment: [The Account Book indicates the following Paid up their half value for tickets: Whatley, Dixon, Reed, Bushell, Wooley.] Receipts: #53 9s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

6997
25 November 1769 @ Covent Garden

Event Comment: Mainpiece: By Desire. Paid Younger for a License for the Brothers #22s. (Account Book). Receipts: #127 11s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Rape of Proserpine

6998
12 December 1769 @ Covent Garden

Event Comment: Author's Night [for Mainpiece]. Charges #64 9s. Balance to Author #92 6s. 6d. Paid Mrs Lessingham on acct #100 (Account Book). Receipts: #156 15s. 6d

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Dance: End: The Whim, as17691123

6999
21 December 1769 @ Covent Garden

Event Comment: Mainpiece; Performed but once. Afterpiece: By Desire. Paid Cumberland balances for author's nights 5th, 8th, 12th Insts. #265 1s. 6d. (Account Book). Receipts: #132 10s

Performances

Mainpiece Title: Amintas

Afterpiece Title: Harlequin Skeleton

Dance: I: A New Pastoral Dance, as17691215

7000
22 December 1769 @ Covent Garden

Event Comment: Benefit for New General Lying In Hospital in Store St., Tottenham Court Road. Charges #85 10s. Balance to Hospital #10 17s. 6d., plus income from tickets #116 15s. (Box 377, Pit 150). Paid Tenducci for his performance in Amintas the 21st Inst. #30 (Account Book). [Shuter's Occasional Epilogue is Larpent MS 303.] Receipts: #96 7s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Thomasand Sally

Dance: IV: The Lamplighters, as17691005