SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6104 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A play, unidentified, was given by the Duke's Company at this time. The customary fee of #20 was paid. See A Calendar of the Inner Temple Records, ed. Inderwick, III, II

Performances

Event Comment: This play, possibly an adaptation from Corneille, was apparently not printed. It bears, however, some resemblances to Walter Hawkesworth's Latin comedy, Labyrinthus (which was first acted at Trinity College, Cambridge, in March 1602@3); and this Restoration play may be a variation on Hawkesworth's. Pepys, Diary: To the King's Playhouse...my wife and I and Madamoiselle. I paid for her going in, and there saw The Labyrinth, the poorest play, methinks, that ever I saw, there being nothing in it but the odd accidents that fell out, by a lady's being bred up in men's apparel, and a man in a woman's

Performances

Mainpiece Title: The Labyrinth

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: The King's Company. Pepys, Diary: And myself to the King's playhouse, which troubles me since, and hath cost me a forfeit of 10s., which I have paid, and there did see a good part of The English Monsieur, which is a mighty pretty play, very witty and pleasant. And the women do very well; but, above all, little Nelly, tha I am mightily pleased with the play, and much with the House, more than ever I expected, the women doing better than ever I expected, and very fine women

Performances

Mainpiece Title: The English Monsieur

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The Duke's Company. The Diary of Robert Hooke (p. 108): To Hoskins with Sir Ch. Wren. By water with him to the Playhouse. Saw Tempest. Paid 3sh

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Event Comment: John Perin paid #1 10s. for a booth at the Fair in 1680. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Mainpiece Title: Entertainments

Event Comment: Richard Shore paid #5 for space at Bartholomew Fair. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Event Comment: This work is advertised in The Loyal Protestant 22, 27, and 29 Aug. 1682: at Mrs Saffry's, a Dutch Woman's booth, over against the Greyhound Inne in West Smithfield. [Her first announcement calls the company "By an Approved Company"; the other two notices refer to it as "the first New-market Company." See Rosenfeld, The Theatre of the London Fairs, p. 6.] John Coysh paid #6 for a booth at the Fair (Rosenfeld, The Theatre of the London Fairs, p. 6). See also Morley, Memoirs of Bartholomew Fair, p. 222, for notice of the Indian Water Worksv. In Wit and Drollery (1682), p. 304, are verses on the Fair: @Here's the Whore of Babylon the Devil and the Pope,@The Girl is just agoing on the Rope@Here's Dives and Lazarus and the World's Creation,@Here's the Tall Dutch Woman the like's not in the Nation,@Here is the Booth where the High-Dutch Made is@Hear are the Bears that dance like any Ladies,@Tat, tat, tat, tat, tat says the little penny Trumpet@Here's Jacob Hall, that does so jump it, jump it.@Sound Trumpet Sound, for Silver Spoon and Fork,@Come here's your dainty Pit and Pork.@ [See also August 1680.

Performances

Mainpiece Title: The Irish Evidence, The Humours Of Tiege; Or, The Mercenary Whore

Event Comment: On this date a payment was made to the foreign performers who had come in the spring: To Francis Duperier, for the charge and expences of ye French players attending his Majestie at Windsor and Winchester, and returning to London (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII [1851], 93)

Performances

Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Event Comment: By Command. Admission as 23 Oct. 1714. At 6 p.m. Daily Courant 11 May: Whatever Persons paid for Box-Tickets for the Opera of Hydaspes, which was perform'd on Saturday the 7th Instant, by reason of several Persons of Quality (who could not be denyed) coming in without Tickets; those who had taken them, and could not find Room, may send their Tickets to the Theatre-Office...and their Money will be repaid

Performances

Mainpiece Title: Hydaspes

Event Comment: Benefit the French Comedians. [#40 paid to Bullock presumably the house charges]. By His Majesty's Command. Tickets given out for Pasquin and Marforio taken at this play. [His Majesty Present.] Original Weekly Journal, 29 Nov.: And we hear, his Majesty gave a 100 Guineas

Performances

Mainpiece Title: Le Maitre Etourdi

Afterpiece Title: Le Tombeau de Maitre Andre

Entertainment: Several new Entertainments which were never perform'd in England before-

Event Comment: Benefit the French Comedians [Bullock paid #40]. Written by Mons le Noble

Performances

Mainpiece Title: Les Deux Arlequins

Entertainment:

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

Event Comment: At Cibber-Griffin-Bullock-Hallam Booth by Hosier-Lane. Whereas it has been reported that [the Proprietors] intend to raise the Prices of their Seats...they intend to take only the Common Prices usually paid in the Fair, viz. Boxes Half a Crown. Pit Eighteen pence. First Gallery One Shilling. Upper Gallery Six pence

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al' Fresco

Event Comment: A New Opera.[Text by Paul Rolli; music by Nicholas Porpora.] The Characters are all new dress'd. N.B. The Tickets of such Subscribers who have not yet paid the last Call will not be admitted. 6:30 P.M

Performances

Mainpiece Title: Aeneas

Event Comment: The Prince of Wales paid #250 to Handel's Opera Company. See BM, Add MSS 24, 403

Performances

Mainpiece Title: The Nonjuror

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

Event Comment: Benefit the Author of the Farce. [Author not known. Apparently not published.] N.B. Mr Marforio hopes those who have paid a Visit to his Brother Pasquin, will not refuse him the same Favour. His Clothes are as old, and the Jokes somewhat more New. Receipts: money #100 14s.; tickets #68 8s

Performances

Mainpiece Title: All For Love

Afterpiece Title: Marfor1o, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Dapper, Buskin, Prompter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lord Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts

Dance: Tambourine by Miss Rogers. Peasants by Lalauze, Mlle D'Hervigni, &c. Harlequine by Mlle De L'Isle

Event Comment: Benefit the Author of Sir Roger DeCoverley [Joseph Dorman]. Receipts: money #38 8s. 6d.; tickets #120 3s. (Account Book); #170 (Rylands MS.). [On 19 Nov. Dorman paid the Treasurer #15.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Doctor

Dance: W Wooden Shoe-Mechel; Comic Ballet-Villeneuve, Miss Oates; Drunken Peasant-Phillips

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Event Comment: By Command. The Prince and Princess of Wales present. Paid Mr Davis for a pair of stays for Miss Granier #1 1s. Receipts: #85 8s

Performances

Mainpiece Title: The Provok'd Wife

Event Comment: 1 Ladies send servants by three o'clock to keep places. [A customary note for subsequent performances this season.] Paid Mrs LaFont for her performance 3 nights in The Rape of Proserpine 15s. Receipts: #189 7s

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff