SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #122 15s. 6d. Paid Meares (tailor) #4 1s. 4d.; Kemp for 6 nights #9 12s.; Monck for 6 days #1 10s.; Sarjant for his salary to Xmas '59, #5; Music in Beggar's Opera 2 nights

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Cast
Role: only Trappolin Actor: Shuter.

Dance: As17600108, but Comic Dance [probably The Plowman]-Poitier, Mlle Capdeville

Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Dance: Dances incident to the Opera. Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman]

Event Comment: Memorandum: Mrs Baker, actress, died this day at Coventry on her Journey from Liverpool to London. Paid Mr J. Rich on Account #10. [This is Account or ledger Number 1 (Account Book).] Receipts: #71 11s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Afterpiece Title: The Devil to Pay

Dance: II: Comic Dance call'd The Pedlar Trick'd-; End: The Cossacks-Sg Maranesi, Sga Maranesi, her 1st appearance there

Event Comment: Both pieces By Command of his Majesty. The Comedy Love for Love design'd to be perform'd this day, is deferr'd till further notice. Present His Majesty and Princess of Wales, Lady Augusta, Princess Louisa, Prince William and Prince Frederick. Boxes #94 7s. 6d. [about 384 persons, nearly the capacity of the Boxes, which was about 560]. Paid Macklin one fifth part of #179 being the surplus after #63 allow'd for the charge as per agreement...#35 16s. Gave the Yeomen of the King and Princess's Guard #2 2s., and the King's Footmen and Chairmen #1 1s. (Account Book). Receipts: #242 (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: Love a la Mode

Performance Comment: Actors only: Macklin, Barrington, Dunstall, Creswick, Mrs Burden, Shuter. Sir Archy-Macklin; Squire Groom-Shuter; Sir Callaghan-Barrington; Mordecai-Cresswick; Sir Theodore-Dunstall; Charlotte-Miss Macklin (Genest, IV, 623); Parts-Creswick, Mrs Burden.

Dance: [Unspecified]

Event Comment: Boxes #25 17s. 6d. Paid Mr Payne for his playing to the practices of Dancing 12 days ending Dec. 29th, by order of Mr Beard #2. (Account Book). Receipts: #130 2s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: A Duke and no Duke

Event Comment: No persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Charges paid by, and receipts gained by Messrs Smith and Stanley. Galleries opened at half past Four. Pit and Boxes at Five. Prices 10s. 6d., 5s., 3s. 6d. Oratorio to begin at 6:30 p.m. Received (Account Book): @368 tickets at 10s. 6d. #193 4s.@410 tickets at 5s. #102 10s.@435 tickets at 3s. 6d. #76 2s. 6d.@1215 persons.@Receipts: #371 16s. 6d.@Charges: #35.

Performances

Mainpiece Title: Judas Maccabaeus

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Event Comment: Benefit for Mrs Abegg, Miss Fielding, Miss Lee. Tickets deliver'd out by Dumai, Dufour, Jarvis, Mrs Crawford, Hitchcock, Miss Brooks, and Miss Davis will be taken. [For tickets see below.] Paid Mr Day for fireworks used in the Rape from 1 March 1759 to 4 April 1761, 56 nights at 3s. per night #8 8s. (Account Book). @Name Box Pit Gallery Value 1!2 Value@Jarvis 11 72 54 #18 19s. #9 9s. 6d.@Dumay 7 40 16 #16 9s. 7d. #4 13s. 6d.@Dufour 14 37 17 #10 15s. #5 7s. 6d.@Mrs Abegg 51 206 77 #51 7s. #25 13s. 6d.@Miss Lee 6 59 67 #17 1s. #8 10s. 6d.@Miss Fielding 41 2 5 #11 1s. #5 10s. 6d.@Miss Brooks 4 34 16 #7 14s. #3 17s.@Mrs Crawford 14 17 28 #8 17s. #4 8s. 6d.@Miss Davis 32 30 33 #15 16s. #7 15s.@Mrs Hitchcock 40 71 18 #22 9s. Gratis@Total 220 568 331 #173 6s. #75 8s. 6d.@ Receipts: #30 18s. plus #75 8s. 6d. the half value of tickets (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Chaplet

Dance: HHornpipe-Mrs Crawford; The Waggoners, as17610228

Event Comment: Benefit for Stoppelaer. No charges. House received the ready money receipts of #35 1s. plus 1!2 of the #109 19s. which Stoppelaer deliver'd in tickets (Box 104; Pit 431; Gallery 193). Paid Mrs Marg. Lamb in full for a Bond due 8 March last #315. plus interest for 51 days from 8 March last #2 1s. 10d. (Account Book). Receipts: #35 1s. plus 1!2 value of tickets: #54 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Dance: TThe Waggoners, as17610228

Event Comment: In the Gazetteer 25 Feb. appeared a long editorial by "Rectus": "Though the performing oratorios in the time of Lent,is highly censured by many, yet I must own that I think the far greater part of them become enemies to those solemn performances, rather because their ears are more unfit for music than their minds are for the pretended immorality that attends such exhibitions." [The writer wishes not to cry down every entertainment he cannot relish himself and adds], "I have long endeavoured to find out the reason why plays should not be performed on Wednesdays and Fridays in Lent as well as on those days all through the rest of the season. I have never yet been able to find out that Lent makes the least difference in people's way of living." [He wonders, however, why the non-sacred oratorios such as Acis and Galatea and Alexander's Feast have been allowed performance. He then registers a mild complaint about the management of the Oratorios because they do not include sufficient solo instrumental entertainment between the parts.] "This custom was wholly dropped last year, and I complained greatly of it in a letter which you did me the favour to insert. I was greatly surprised to find Mr Pinto, who then led the band, was either not permitted or not paid to play a solo, as well as Mr Hay, who played one every night the preceding season. Mr Stanley's illness not permitting him then to play, that omission was overlooked, though it might have been supplied by a performer on some other instrument. This season the managers have thought proper to treat their audience with one solo or concerto every night, but why not have two?" [He liked Barthelemon's solos, but lamented that Stanley sat idle, and he offered final advice that the managers should alternate the solo instruments for "pleasing variety." The admission price demands it.

Performances

Mainpiece Title: Samson

Music: As17660214

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Cast
Role: Officer Actor: Ackman

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: Mainpiece: By Desire. Paid salary list 4 days at #73 8s. 2d. per diem, #293 12s. 8d.; Chorus Singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #127 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Cast
Role: Clod Actor: Ackman

Dance: II: The Vintage, as17661011

Event Comment: The Ninth Day. For the Author. Charges #71 17s., plus a super charge for the addition of a farce, omitted by mistake when the account was given in, #21; Total #92 17s. Balance to Mr Toms #38 10s. 6d. (Account Book). [This balance was paid Mr Toms on 3 Feb.] Receipts: #131 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplishd Maid

Afterpiece Title: The Apprentice

Dance: TThe Happy Villagers-; The Female Archer, as17670109

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Cunning Man

Event Comment: The Earl of Warwick deferred. Mrs Yates Ill. Paid Mr Wynn for leases #3 13s. 6d. (Treasurer's Book). [The lawyer who drew them.] This Day Publish'd The Rational Rosciad, on a more extensive plan than anything of the kind hitherto publish'd Price 1s. 6d. Receipts: #144 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Queen Mab

Cast
Role: Clod Actor: Ackman
Event Comment: The 24th Day. Paid Chorus singers 2 nights #5 1s. (Treasurer's Book). Receipts: #160 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: The Third Day. For the Author. [Designated in the Account Book at Mr Bickerstaff's Night.] Charges #67 3s., Balance to Bickerstaff #68 18s. An extra charge this night was paid for the use of the Organ, 2s. 6d. (Account Book). Receipts: #136 1s. (Account Book)

Performances

Mainpiece Title: Love In The City

Event Comment: Rec'd stopages 16s. 6d. Paid salary list 4 days at #73 10s. 8d. per diem, #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #174 6s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Deuce Is in Him

Cast
Role: Prattle Actor: King, 1st this season

Dance: II: The Lilliputian Camp, as17670227

Event Comment: Rec'd of Mr Banks 1 year's rent to Lady Day last #3; Paid Gastrill (mercer) 2 Bills #83 3s. (Treasurer's Book). Receipts: #153 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Dido

Afterpiece Title: The Devil to Pay

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Benefit for Gibson. Mainpiece: Not acted these 25 years. Written originally by Shakespeare, and reviv'd and adapted to the stage by Mr Theobald. Charges #66 5s. [Profit to Gibson #37 18s. 6d. plus #30 15s. from Tickets (Box 79; Pit 74).] Paid one year's Rector's Rate for the Theatre #8 6s. 8d., and for House in Bow Passage, due at Lady Day 8s. 4d. (Account Book). [Neville attended, noted the information contained in the playbill, but could not hear well from his 2s. seat in the Gallery.] Receipts: #104 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Double Falsehood Or The Distrest Lovers

Afterpiece Title: Midas

Dance: III: The Sicilian Peasants, as17670411

Event Comment: CCymon by Particular Desire. 28th and last time this season. Paid land tax to Lady Day last for St Martin's #34 6s. Easter offering 10s. 6d.; Printer's bill #9 6s. (Treasurer's Book). Receipts: #153 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Mainpiece: By Particular Desire. Benefit for Bowers (box-keeper) and Veal (1st gallery door-keeper). Play begins exactly at six o'clock. House charges #84. [Deficit to beneficiaries #61 5s. 6d.] Tickets deliver'd for The Busy Body will be taken. Paid Rector's rate and Watch 4 quarters #1 13s. Rec'd from Messrs Powell & Co for cloaths #11 11s.; Eight days from the Certainties #82 13s. 4d.; Stopages #1 18s. (Treasurer's Book). Receipts: #22 14s. 6d. (Treasurer's Book). Took a place in ye front Boxes at Drury Lane for Wednesday next, when ye Suspicious Husband is to be performed for ye Decayed Actors' Fund, scarcely a place remaining untaken. I wanted one in ye Pit (Neville MS Diary)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Ratcliff Actor: Ackman

Afterpiece Title: The Register Office

Cast
Role: Williams Actor: Ackman
Event Comment: Ninth Day. For the Author. Charges #67 15s. Balance to Goldsmith #98. Paid Dr Goldsmith the balances of his 1st and 2nd nights for The Good Natured Man #145 12s. 6d. #96 15s. (Account Book). Receipts: #165 15s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: Midas

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: The Third Day. For the Author. Charges #84. Balance to the author #121 14s. Paid Younger for writing parts #9 10s. 4d. Receipts: #205 14s. (Account Book)

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Musical Lady

Dance: End of Opera: The Merry Sailors, as17680920