SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3976 matches on Event Comments, 1323 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Sga Sestini [who was to sing in La Scuola de Gelosi, announced in Public Advertiser, 6 Mar.] being suddenly ill, Mme Mara, to prevent the disappointment of the Public, has kindly offered to perform this Evening

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860225

Event Comment: Benefit for Mrs Brereton. [As afterpiece the playbill announces The Sultan, but "The Public are most respectfully informed, that, in consequence of Mrs Jordan's sudden Indisposition, The Lyar will be performed this Evening instead of The Sultan" (printed slip attached to BM playbill: Burney 937. C.I.). Public Advertiser, 11 Apr.: Tickets to be had of Mrs Brereton, No. 15, Catherine-street, Strand. Receipts: #231 14s. 6d. (85.3.0; 19.9.0; 1.2.6; tickets: 126.0.0) (charge: #106 4s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Lyar

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Benefit for Lewis. Mrs Billington's severe Illness rendering it impossible to perform Fontainbleau [advertised on playbill of 13 Mar.], Lewis hopes the above Comedy will prove acceptable to those Ladies and Gentlemen who have Places, and to the Public in general. Public Advertiser, 11 Mar.: Tickets to be had of Lewis, Bow-street, Covent-garden. Receipts: #242 16s. 6d. (156.12.6; 5.10.0; tickets: 80.14.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Midnight Hour

Dance: End: The Irish Lilt-[see17880328

Event Comment: On Account of the Numerous Complaints which have been made by the Frequenters of the Theatre, of the Interruption given to the Performances by the Persons insisting on having the Doors of the Boxes or the Pit opened after the House is apparently filled, and also to prevent many other Inconveniences to the Audience, the Public are requested to observe that No Money received can be returned at any of the Offices. [Throughout the season the playbills carry the notice: "No money to be returned."] Hamlet [advertised in Public Advertiser, 15 Sept.] is obliged to be deferred on Account of the Indisposition of Kemble. Receipts: #109 18s. 6d. (71.17.0; 37.3.6; 0.18.0)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Lyar

Dance: End: The Conjugal Frolick-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Song: In I: Sheep@shearing Song-Mrs Forster

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Woud Be A Soldier

Afterpiece Title: Aladin

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time; C 4, author unknown, not in Larpent MS; not published. Epilogue by Robert Merry (World, 30 Apr.). On 11 May acted as The Female Pursuit]: Taken from Moor's Gil Blas. Public Advertiser, 27 Apr.: Mrs Wells trusts the Public will have the Candour to excuse her not appearing in the Play, as the principal Woman's Character has many changes in it, and the Fatigue of going through various and numerous Imitations would render her incapable of undertaking it. Gazetteer, 9 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #301 14s. (166.2; 10.1; tickets: 125.11)

Performances

Mainpiece Title: The Female Adventure Or Stop Her Who Can

Afterpiece Title: Cymon

Performance Comment: As17900322but Cymon (for that night only)-Mrs Wells; Shepherds-_; Dorcas-_; Shepherdesses-_.

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Event Comment: The Public is most respectfully informed that in consequence of the sudden Indisposition of Mrs Jordan the New Comedy is unavoidably deferred. [The original playbill and Public Advertiser both announce the 6th night of Better Late than Never (see 29 Dec.). The above is from a second playbill for this night in BM (Burney 937.c.7). "Mrs Jordan's Illness defers...Better Late than Never" (Kemble Mem., which lists the substitutes play).] Receipts: #123 5s. (83.19.0; 33.4.6; 6.1.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard or The Flight of Harlequin

Performance Comment: Principal Characters-Byrne, Follett, Farley, C. Powell, Rees, Milburne, Rowson, Simmons, Blurton, Letteney, Master Webb, Mrs Watts, Mrs Rock, Miss Leserve, Miss Francis, Miss Birt, Mrs Ratchford, Mlle St.Amand; Vocal Parts-Munden, Fawcett, Davies, Marshall, Gray, Powel, Cross, Miss Stuart, Mrs Arnold, Mrs Masters, Mrs Davenett, Miss Barnett. [Playbill of 22 Dec. lists a full cast, but has so many changes of all sorts that no assignment of parts for this present night is possible.]Playbill of 22 Dec. lists a full cast, but has so many changes of all sorts that no assignment of parts for this present night is possible.]

Dance: see17920111

Event Comment: The Public is most respectfully informed that in consequence of the sudden Indisposition of Mrs Jordan the New Comedy is unavoidably deferred. [The original playbill and Public Advertiser both announce the 6th night of Better Late than Never (see 29 Dec.). The above is from a second playbill for this night in BM (Burney 937.c.7). "Mrs Jordan's Illness defers...Better Late than Never" (Kemble Mem., which lists the substitutes play).] Receipts: #123 5s. (83.19.0; 33.4.6; 6.1.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Event Comment: A concert, etc. at the Great Tiled Booth, Bowling Green. Prices 2s. 6d., 1s. 6d., 1s., 6d. Positively, The last night of performing. Tickets to be had of Mr Phillips at His House in Snow Fields. [Beginning 25 Nov. the General Advertiser becomes the Public Advertiser.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Song:

Dance:

Event Comment: [Note in the Public Advertiser to the effect that Crawford never advertises in any Papers but this and the Daily Advertiser.

Performances

Mainpiece Title: La Calamita Di Cuori

Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17680125, but Nerissa-Mrs Vincent; Solanio-Gardner; Salarino-Davis. [Public Advertiser retains Mrs Lessingham as Nerissa.]Public Advertiser retains Mrs Lessingham as Nerissa.]

Afterpiece Title: Love a la Mode

Dance: III: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Absent Man

Performance Comment: As17680413 but Frank-J. Palmer; Robin-Fox (MacMillan); Prologue-_. [Public Advertiser retains Palmer by mistake. He died 23 May.]Public Advertiser retains Palmer by mistake. He died 23 May.]

Entertainment: IV: Bucks Have at Ye All-J.? Palmer

Event Comment: [The playbill lists Wilson as Justice Shallow in mainpiece, and as Father Luke in afterpiece. On the Kemble playbill his name is deleted, but the substitute name has been cut by the binder. "It is necessary to inform those who may have read a long criticism on Wilson's performance of Justice Shallow, on Tuesday evening [in Public Advertiser, 2 Nov.], that Wilson did not perform that or any other character, as he is laid up, or rather down, with a violent fit of the gout" (General Advertiser, 3 Nov.). For Fearon as Justice Shallow see 30 Apr. 1785, 29 Nov. 1786; for Booth as Father Luke see 25 Nov. 1785.] Receipts: #139 6s. (134/5; 5/1)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Tit For Tat

Performance Comment: As17890615 but Servant-Abbott [Public Advertiser: Lyons].Public Advertiser: Lyons].

Afterpiece Title: Peeping Tom

Entertainment: Monologue British Loyalty ; or, A Squeeze for St Paul's, as17890617 God save the King, as17890617 but Reeve

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Miller of Mansfield

Performance Comment: The King-Whitfield; Richard-R. Palmer; Joe (with a song)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson; Peggy-Miss Collins; Margery-Mrs Hopkins [Public Advertiser: Mrs Booth].Public Advertiser: Mrs Booth].
Event Comment: The Prologue is in Daily Advertiser and Daily Post, 31 Oct

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Fainwell-Huddy; Sir Philip-Bullock; Obadiah-Morgan; Periwinkle-Norris; Tradelove-Pearce; Freeman-Havard; Sackbut-Williams; Simon Pure-W. Giffard; Ann-Mrs Hamilton; Mrs Prim-Mrs Morgan; Betty-Mrs Christian; And a new Prologue-Giffard, on the Happy Occasion of the Anniversary of His Majesty's Birth Day.

Dance: I: Saraband-Sandham, Miss Wherrit; II: Sailor's Dance-Jones; IV: Scots Dance-Mrs Bullock; V: French Peasant-D'Valois, Mlle D'Valois

Event Comment: The Prologue is in Daily Advertiser, 2 March

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Mock Doctor

Performance Comment: As17330227, but With a new Prologue on Her Majesty's Birth Day-.
Cast
Role: 's Birth Day Actor: .

Dance: II: Pierrot and Pierrate-de Vallois, J. DeLagarde; III: Chacone-Mrs Bullock; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Grand Dance of Masqueraders-Thurmond

Event Comment: New Scenes, Dresses and Decorations for the dances. [No after money.] The New Grand Ballet, call'd the Turkish Pirate, and the Comic Entertainment of Dancing, the Laundress's Visiting Day were perform'd last Monday at Drury Lane, with uncommon applause. The Scenery was well contriv'd, the habits very elegant, and the dance in a taste particularly agreeable. The comic entertainment is a fine piece of low humour, the various characters were well represented and afforded a great deal of Mirth; Sig Salomon especially, in the character of the woman's taylor, show'd a great deal of a good comedian as well as an excellent dancer, and the whole was greatly approv'd of.--London Courant; or New Advertiser, 31 Dec

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Dance: New Grand Dance call'd The Turkish Pirate; or a descent on the Grecian Coast-Salomon, Mlle Violette, Sig Padouana, M. Mechel, Salomon's Son; Also a New Entertainment call'd the Laundress's Visiting Day-Sg Salomon, Mlle Violette, Sga Padouana, M. Mechel, Salomon's Son

Performance Comment: Mechel, Salomon's Son; Also a New Entertainment call'd the Laundress's Visiting Day-Sg Salomon, Mlle Violette, Sga Padouana, M. Mechel, Salomon's Son.
Event Comment: This play was wrote by Mr Shirly & was at Lisbon when Acted--it was receiv'd with great Applause--only a little groaning at some of the Love Scenes; the prologue greatly lik'd--he says the play attempted after ye Manner of Shakespear (Cross). Paid salary list at #51 7s. 7d. per diem, #308 5s. 6d.; Blakes per order #1 1s.; Maltair added to salary list at 10s. per day. Paid Lacy as per draft #105; Xmas box to Prince and Princess's footmen #2 2s.; Mr Maltair for 11 days #5 10s. (Treasurer's Book). [Maltair is presumably the dancer Maltare who had appeared at dl in 1740.] Receipts: #180 (Cross); #185 13s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince Or The Battle Of Poictiers

Performance Comment: Edward-Garrick; Lord Ribemont-Barry; Cardinal Perigort-Berry; King John-Sowdon; Arnold-Havard; Duke of Athens-King; Charney-Winstone; Audley-Palmer; Chandos-Blakes; Warwick-Usher; Salisbury-Bridges; Dauphin-Simpson; Tourain-Marr; Louisa-Miss Murgatroyd; Mariana-Mrs Ward [from 1st edition but listed in the order in which the actors' names appear in General Advertiser]; Archbisop of Sens-Burton; Prologue-Havard; Epilogue-Mrs Clive [1st edition].1st edition].
Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17441228, but Daniel-Blakes (General Advertiser).

Afterpiece Title: Tragedy of Tragedies

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: Benefit for Bencraft and Mrs Hale. Mainpiece: Not acted these 9 years. [See 4 Dec. 1740.] N.B.: A parcel of tickets having been lost, none sold at the doors of the theatre will be admitted. Tickets to be had and places taken of Page at the Stage Door of the Theatre. [Inserted in the General Advertiser this day is Buskin's Apology]: @Enur'd to ills of various kinds,@By ancestors undone;@The Author has severely paid@For failings not his own.@From Disappointments Buskin writes,@Confesses 'tis for gain@Yet scorns all profits which arise@From giving others pain.@No private character he sneers,@No venom taints his mind;@His sole ambition is to please,@Not satyrise Mankind.@ On Wednesday last the Tragedy of Othello was acted at Covent Garden towards the relief of the unhappy sufferers by the late Fire; and on Saturday the sum of #218 12s. 4d. was paid into the hands of Messrs Ironside and Belchier; the company of comedians and the band of musick having generously given their performances (General Advertiser)

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Apollo and Daphne