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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The 1st Act of I Due Fratelli Rivali"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1532 results for: Title - The 1st Act of I Due Fratelli Rivali

1
29 May 1800 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of Il Due Fratelli Rivali

Dance: End: a new Divertisement Bayadaire-Didelot, Deshayes, Laborie, Mme Hilligsberg, Mme Laborie, Mlle Parisot; End 2nd piece: a new ballet, Rinaldo e Leonora-; accompanied a part of the Dancing on the harp and piano forte-Mlle Parisot with a rondo composed by Latour (BUC, 602). For other perfomers see18000624

2
03 June 1800 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of I Due Fratelli Rivali

Dance: As18000530

3
10 June 1800 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of I Due Fratelli Rivali

Dance: End: Le Mariage Mexicain, as18000225; End 2nd piece: Rinaldo e Leonora, as18000530

4
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

5
10 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

6
22 July 1800 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The last Act of I Due Fratelli Rivali

Dance: As18000715

7
16 April 1768 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End I: Comic Dance-Arnauld, Miss Capon apprentice to Fishar; End Act II: By Particular Desire, The Dutch Milkmaid, as17671114; End Act III: A New Grand Ballet, that night only, call'd The Tartarians-Fishar, Sga Manesiere (with New Dresses); End Act IV: a New Pantomime Dance, call'd The Spanish Coal@Heaver-Mas. Blurton, Miss Besford, both apprentices of Fishar

Ballet: End: The Wapping Landlady. Jack in Distress-Fishar; Landlady-Miles; Milk@woman-Sga Manesiere; A Double Hornpipe-Fishar, Sga Manesiere

8
09 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Gentle Shepherd

Entertainment: End Act II: Imitations[, Vocal and Rhetorical-Bannister; [Act III: An Ode to Masonry-Vernon, Dodd, Bannister; [Act V: Judge Tycho's Sentence-Weston. [See17740505.

9
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

10
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

11
07 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

12
14 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

13
16 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Slingsby; End of Act III Le Triomphe del'Amour Conjugal, as17820110

14
26 February 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

15
28 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I pastoral Dance, as17811117, but added: with a Pas Seul by Mlle Simonet; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

16
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

17
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

18
23 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17811117; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

19
09 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Dragon of Wantley

Dance: End of mainpiece The Gala, as17820402, but omitted: Dumay, Miss Matthews

Song: End of Act I of mainpiece The Early Horn; End of Act I of afterpiece The Lamentation of Mary Queen of Scots; End of Act II Auld Robin Grey, all three sung by Mrs Kennedy

20
04 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Tom Thumb

Song: End of Act I of mainpiece The Huntsman's street Halloo and The Death of the Stag by Miss Catley and a Young Gentleman (1st time [unidentified)); End of Act II The Early Horn by the same Gentleman; In afterpiece The Soldier tired of War's Alarms by Miss Catley

21
14 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Apollon et les Muses, as17820509; End of Act III New Dance, as17820507

22
10 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Apelles and Campaspe, as17821102; End of Act II New Divertisement, as17821130, and added: a second Pas de Deux by Master Laborie and Miss Simonet (their 1st appearance)

23
11 January 1783 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

24
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

25
04 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti