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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Best Bidder"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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190 results for: Title - The Best Bidder

176
18 February 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: great Concert of Musick-the best Hands from both Operas

177
03 March 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands from both Operas

178
08 March 1737 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: Singing-Savage; First Violin-Clegg; Two Solos, a Concerto on the Violoncello-Caporali; The other Parts-the best Masters

179
02 May 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-some of the Best Performers in the Operas; particularly a Solo, Concerto on the Violoncello-Caporale; a Solo, Concerto on the Violin-Collet; several Songs-Savage; and at the End of each Part: will be perform'd one of Handel's Coronation Anthems- with Voices and Instruments

180
23 August 1737 @ Bartholomew Fair

Performances

Mainpiece Title: All Alive And Merry

Dance: Jano, Baudouin, Peters, Thompson, Mlle DeFrano, Mlle LeRoy, Mrs Dancey, Miss Dancey; The Italian Shadows-the best Masters from Italy; Le Badinage Champetre-

Music: A Band of Musick

181
07 September 1737 @ Southwark Fair

Performances

Mainpiece Title: All Alive And Merry

Dance: Jano, Baudouin, Peters, Thompson, Mlle DeFrano, Mlle LeRoy, Mrs Dancey; The Italian Shadows-the best Masters from Italy; A Humorous Ballet Dance between a Soldier a Sailor a Tinker a Tailor and Buxom Joan of Deptford-

Music: a B Band of Musick

182
15 December 1739 @ Haymarket Theatre

Performances

Mainpiece Title: Concerto

Music: Several Concertos for several Instruments-; Intermix'd with a Variety of Chosen Airs of the best Masters in Italy-; The Whole divided into Three Parts To which (by Desire) will be added, The Famous Salve Regina-Sig Hasse, Sig Carestini

183
29 January 1755 @ Haymarket Theatre

Performances

Mainpiece Title: La Serva Padrona

Music: First violin-Marella; The rest-the best hands in town

184
14 February 1760 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Charlottenburg Festegiante

Music: Instrumental parts: First Violin-Passerini;, with viols and the others by the best performers. Between the First and Second Part: a Concerto on the Organ-Sga Frederick

185
05 June 1760 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Instrumental parts-the best performers

Dance: A Minuetby Particular Desire,-Sga Asselin, Noverre; A new Terzetta-Miss Capitani, Miss Capitani's brother (six years old), Master Teriot

186
25 August 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Song: Several songs-Mrs Forbes; Musical Imitations-Bannister; An Odecomposed by Arnold will be sung in the manner of an Oratorio-Reinhold, Bannister, Mrs Forbes, Mrs Cartwright, Mrs Thompson, with a number of the best Chorus Singers

187
30 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

188
24 March 1781 @ Covent Garden

Performances

Mainpiece Title: Second Thoughts Are Best

Afterpiece Title: The Upholsterer

Dance: As17801107

189
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

190
02 June 1789 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Perseverance; or, The Third Time the Best

Entertainment: Monologue. End: As17890514