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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Funeral or Grief a la Mode"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2446 results for: Title - The Funeral, or, Grief a la Mode

76
03 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

77
10 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: Le Devin du Village, as17771104; End II: Masquerade Dance, as17780303but a Minuet-Simonet, Sga Jermoli in place of Minuet de la Cour and Gavot; Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Polonaise Favourite, as17780131, but Mlle _Baccelli

78
17 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: Le Devin du Village, as17780303End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande al la Strasbourgeiose, as17780303End Opera: La Serenade Interrompuee, as17780303

79
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

80
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

81
05 June 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303but _Simonet, Mme Simonet; +Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: La Surprize de Daphnis et Cephise. As17780331

82
23 October 1778 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: La Soiree a la Mode-Dagueville, Mast. Holland, Harris, Sga Tinte

83
10 November 1778 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Invasion

Dance: End: La Soiree a la Mode, as17781023, but Mast. Dagueville, Miss +Simonet, _Harris

84
11 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

85
02 July 1789 @ Covent Garden

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

86
25 October 1793 @ Covent Garden

Performances

Mainpiece Title: Grief A-la-mode [i

Afterpiece Title: THE WARD OF THE CASTLE

Song: As17931024

87
10 December 1794 @ Covent Garden

Performances

Mainpiece Title: Grief A-la-mode [i

Afterpiece Title: Hercules and Omphale

88
14 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Damaseiles A La Mode

89
15 September 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Ladies A La Mode

90
28 February 1672 @ Dorset Garden Theatre

Performances

Mainpiece Title: Wit A La Mode

91
April 1672 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Marriage A La Mode

92
23 April 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

93
19 June 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

94
18 June 1697 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

95
09 July 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: Courtship A La Mode

96
29 November 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

97
01 February 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fairy Queen (one Act)

Afterpiece Title: Marriage a la Mode (made into two acts)

Song: Singing in Italian and French-Signora Joanna Maria; accompanied-Gasperini, Saioni

Dance: As17030123

98
11 February 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Afterpiece Title: Mar`iage a la Mode

Music: The best Masters; several Songs in Italian and English-Mr Pate (having recover'd his Voice); Singing-Leveridge, Hughes; accompanied-Bannister; several of Corelli's Sonatas-Gasperini; accompanied-Dupar

Dance: As17030123

99
November 1703 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Different Widows; Or, Intrigue A La Mode

100
04 February 1707 @ Queen's Theatre

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers