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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Songs Chorusses"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1355 results for: Title - Songs, Chorusses

76
20 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

77
16 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Cato

Afterpiece Title: The Election

Afterpiece Title: High Life below Stairs

Song: 2nd piece: With all the original Songs, Chorusses-

Entertainment: Imitations, as17760930

78
18 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Acis And Galatea

Afterpiece Title: The Song of Moses; Acis and Galatea

Song: As there are very few songs in Alexander's Feast that can be adaptedBetween two Parts of Ode: song-Mrs Farrell

Music: As17780311

79
19 March 1778 @ King's Theatre

Performances

Mainpiece Title: Creso

Dance: As17780203

Song: II: new song, as17780305In II: a new song-Sga Danzi; accompanied on the hautboy-LeBrun

80
14 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: As17780512

Song: End I: He's Aye Kissing Me, as17780428; End II: the much-admir'd song in The Milesian being a description of a Naval Engagement Stand to your guns my hearts of oak-Bannister; In V: song, as17771203

81
26 February 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Judas Maccabaeus

Afterpiece Title: Songs, Chorusses selected from the Works of the late Henry Purcell; Judas Maccabaeus

Song: End Part I: a cantata-Mrs Kennedy

Music: End Part II: concerto on the violoncello-Cervetto

82
03 March 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Judas Maccabaeus

Afterpiece Title: Songs, Chorusses

Song: End Part II: a song-Mrs Kennedy

Music: End Part I: concerto on the organ, as17790219

83
11 March 1779 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of new song: Les Oiseleurs, as17790123; End II: Les Moissonneurs, as17781229; End Opera: New Ballet, as17790227

Song: End I: a new song-Pacchierotti; with violin obligato composed by Bertoni-Cramer; In III: an additional song composed by Handel-Pacchierotti

84
18 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Padlock

Dance: II: Masquerade scene with Dancing-Henry, Menage, Miss Armstrong; End III: Minuet-Henry, Miss Armstrong

Song: II: song-Miss Abrams; End afterpiece: song, Ellen a Roon, with the original Irish words-the Young Lady who performs Leonora

85
26 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Selima And Azor

Song: With the original Music composed by Matthew Locke, with full Chorusses and additional accompaniments,-Bannister, Gaudry, Chaplin, Fawcett, Holcroft, Philimore, Kenny, Miss Simson, Miss Abrams, Mrs Love, Mrs Davenett, Mrs Smith, Miss Kirby, Mrs Gaudry, Miss Collett; End I: song-Miss Wright

86
25 September 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

87
25 November 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

88
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

89
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

90
06 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

91
29 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The First Floor

Dance: As17870126

Song: In: the Cuckoo Song-Caelia; V: a song-Mrs Forster

92
02 April 1789 @ Covent Garden

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Rosina

Dance: 1st piece conclude with: Grand Dance, as17890219

Dance: End Opera: Les Jalousies du Serail-[See17890317 After which: Admete-[See17890331

Song: I: a new song-Sga Giuliani; II: a new song-Marchesi; [By particular desire the favourite duet in [The Deserter-[i.e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430]

93
20 May 1789 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Flitch of Bacon

Dance: As17881021

Song: Mainpiece: With an additional song by Shield-; the Bravura Song from Erifile, by Sacchini-; accompanied on the hautboy-W. Parke; Auld Robin Gray-Mrs Billington

94
16 March 1792 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0of Favourite Songs And Chorusses From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

95
01 May 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Richard Coeur de Lion

Song: for this Night only a new Song by Suett-Mrs Jordan In Character of Viola; accompaniments for the Oboe and Grand Piano Forte-; End: a favourite Song by Dibdin-Suett

96
04 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Old Maid

Afterpiece Title: The Poor Soldier

Song: In: will introduce the favourite song In the dead of the night-Mrs Jordan in The Wedding Day; End 2nd piece: a favourite song-Miss Leak; accompanied on the harp-Meyer? Jun

97
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

98
03 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: The Point at Herqui

Dance: III: Hornpipe-Byrn; 3rd piece: Dance, as17960415

Song: In: Old Towler-Incledon; 3rd piece: Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415; Admiral Benbow-Incledon; Rondo-Mrs Serres

99
18 May 1796 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

100
01 June 1796 @ Covent Garden

Performances

Mainpiece Title: The Point At Herqui

Afterpiece Title: The Dramatist

Afterpiece Title: Oscar and Malvina

Dance: In: a new incidental Dance, as17960415

Song: In: songs as17960503; End 2nd piece: The Sea Storm-Incledon; In 3rd piece: songs The Sea Storm, as17960516; I am a jolly gay Pedlar, as17960516; Come every jovial Fellow, as17960516; O ever in my bosom live, as17960516