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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Polite Conversation Morning or Tea chat"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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96 results for: Title - Polite Conversation: Morning, or Tea-chat

76
24 August 1770 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Taste or The Diversions of the Morning

Dance: End of Play: The Pedlar, as17700817

77
10 July 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Orators

Afterpiece Title: Taste or The Diversions of the Morning

Monologue: A Modern, Operatical, Sentimental, Crying, Tragedy call'd Purity [sic] in Pattens. Butler-Parsons; Squire-Fearon; Candy-Mrs W. Palmer; Polly-Mrs Jewell

Dance: The Haymakers-

78
27 December 1776 @ Covent Garden

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

79
06 February 1778 @ Covent Garden

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Author

Afterpiece Title: Tea or Tragedy a la Mode

Dance: As17780129

80
20 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Chit Chat or The Penance of Polygamy

Afterpiece Title: The Touchstone

Dance: End III 1st piece: The Shepherd's Wedding, as17801003; End IV: The Humours of Leixlip-Aldridge, Miss Besford

81
02 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Farmers Return From London

Afterpiece Title: Artaxerxes

Afterpiece Title: Chit Chat

Afterpiece Title: Three Weeks after Marriage

Dance: St. David's Day-Aldridge [for full cast see17810501]

82
09 May 1781 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Chit Chat

Afterpiece Title: Whod have Thought It

Dance: End 2nd piece: The Sports of the Green, as17810501

Song: As17810115

83
12 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: A Trip To Elysium Or Foote Weston And Shuter In The Shades as Performed For Wilsons Benefit Last Season At The Above Theatre on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings or Teas the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

84
25 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: tis Well Its No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe AEsop Old Man Mercury Drunken Man Charon Bowman Snip Fine Gentleman Frenchman Lord Chalkstone to be performed for that night only by a Society of Gentleman Mrs Riot Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

85
30 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: Taste or The Diversions of the Morning

Afterpiece Title: Catherine and Petruchio or The Taming of a Shrew

86
24 October 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Taste or Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

87
18 April 1792 @ Covent Garden

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Afterpiece Title: The Intrigues of a Morning or An Hour in Paris

Afterpiece Title: The Wives Revenged

88
21 April 1792 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London or The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

89
17 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Intrigues of a Morning

Dance: As17920420

Song: End I afterpiece: Wine cannot cure the Pain I endure, as17920412

90
16 May 1795 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: As17950430, but "By the indisposition of Mme DelCaro, the younger Hilligsberg played Virginie; and we had therefore the; Pas Russe- instead of the hornpipe" (Morning Chronicle, 18 May)

91
06 February 1796 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: As17960202 [One of these dances was a Hornpipe by Mlle DelCaro, now Mme Bossi (Morning Chronicle, 8 Feb.).

92
06 February 1798 @ King's Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: L'Offrande a Terpsichore-, as17971202; End Opera: [a new grand Ballet, composed by Gallet with music by Bossi], Constante et Alcidonis- [but review in Morning Chronicle, 7 Feb., refers to Didelot, Mme Rose, Laborie, Mme Laborie, Mme Hilligsberg

93
07 November 1798 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

94
29 January 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

95
12 February 1799 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

96
21 June 1800 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)