Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La Belle Esclave"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2296 results for: Title - La Belle Esclave

76
10 June 1777 @ King's Theatre

Performances

Mainpiece Title: I Capricci Del Sesso

Dance: End I: La Paysane Distraite, as17770524; End II: Serious Ballet, as17770225; End Opera: La Clochette, as17770531

77
17 June 1777 @ King's Theatre

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Paysane Distraite, as17770524, but Sga _Zuchelli; End II: Serious Ballet, as17770225, but Sga _Zuchelli; End Opera: La Clochette, as17770315but Sga _Zuchelli

78
24 June 1777 @ King's Theatre

Performances

Mainpiece Title: I Capricci Del Sesso

Dance: End I: La Paysane Distraite, as17770617 End II: Serious Ballet, as17770617 End Opera: La Clochette, as17770315but Sga _Zuchelli, Mlle DeCamp

79
28 June 1777 @ King's Theatre

Performances

Mainpiece Title: I Capricci Del Sesso

Dance: End I: La Paysane Distraite, as17770617 End II: La Clochette, as17770624 End Opera: Serious Ballet, as17770621

80
05 July 1777 @ King's Theatre

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Clochette, as17770617, but omitted: Sga Zuchelli; End II: Minuet de la Cour, as17770508; End Opera: Serious Ballet-Mons and Mme Simonet, Vallouy@le@cadet, Mlle Baccelli

Song: Preceding last ballet: Address of Thanks (composed for the occasion by Rauzzini)-Rauzzini, Miss Storace

81
18 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: End I: Le Devin du Village, as17771104; End II: La Polonaise Favourite, as17771104; End Opera: La Clochette, as17771115

82
28 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Divertisement, as17780207; End II: Les Bohemiens, as17771216; End Opera: Masquerade Dance, as17780303Minuet de la Cour=, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303

83
05 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: As17780331nd I: Masquerade Dance; End II: La Surprize de Daphnis et Cephise; End Opera: La Serenade Interrompuee.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

84
12 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End II: Les Bohemiens, as17771216; End Opera: Serious Ballet, as17780120

85
26 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780207; with a Minuet-Mons and Mme Simonet; End II: L'Amour dans la Vendange, as17780519; End Opera: La Serenade Interrompuee, as17780224

86
28 May 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: L'Amour dans la Vendange, as17780519; End II: The Masquerade Ballet-; in which a Minuet-Mme Simonet en homme, or in man's dress,, Mlle Baccelli; End Opera: La Serenade Interrompuee, as17780224; in which the Minuet Dauphin-Mme Simonet in man's dress, Mlle Banti

87
30 May 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: Les Amans unis par l'Hymen, as17780404

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

88
02 June 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780526; End II: L'Amour dans la Vendange, as17780519; End Opera: La Serenade Interrompuee, as17780224

89
09 June 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780207; End II: L'Amour dans la Vendange, as17780519; End Opera: La Clochette, as17771115

90
13 June 1778 @ King's Theatre

Performances

Mainpiece Title: Creso

Dance: End I: La Polonaise Favourite, as17771104; End Opera: La Serenade Interrompuee, as17780224

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

91
23 October 1778 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: La Soiree a la Mode-Dagueville, Mast. Holland, Harris, Sga Tinte

92
10 November 1778 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Invasion

Dance: End: La Soiree a la Mode, as17781023, but Mast. Dagueville, Miss +Simonet, _Harris

93
11 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

94
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

95
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

96
13 June 1786 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Fete Marine, as17860516; End of Opera Ninette d la Cour, as17860601

97
04 July 1786 @ King's Theatre

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I La Fete Marine, as17860427; End of Opera Ninette } la Cour, as17860701

98
11 July 1786 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: End of Act I L'Amour Jardinier, as17860701 End of Act II La Fete Marine, as17860427; End of Opera Ninette a la Cour, as17860701

99
08 March 1787 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: End I: a new Ballet composed by Hus, La Fete Provencale-Mme Gervais Perignon, Mlle Mozon; a new Pas de Deux-Mme Gervais Perignon, Mlle Mozon; End Opera: another new Ballet, composed by Hus, La Bergere Capricieuse-Goyon, Henry, two Miss Simonets; conclude with: favourite Pas de Deux Russe-Laborie, Mlle Mozon, the other parts of the Dance as above

100
21 May 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Ninette a la Cour, as17890514; but to conclude with the Pas de Six de la Rosieu-

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.