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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La Baguette de Vulcan"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2755 results for: Title - La Baguette de Vulcan

76
11 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

77
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

78
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

79
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

80
21 May 1784 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

81
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

82
06 June 1789 @ King's Theatre

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement-[See17890110]; in Pas de Deux Russe, as17890507; End Opera: La Nymphe et le Chasseur, as17890319[in Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428

83
14 April 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: a new Dance, La Fete des Matelots et des Provencaux-Vestris? Jun., Mlle Hilligsberg, all the principal dancers; in which a Provencale-; End II: Orpheus and Eurydice, as17910331

84
16 April 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Fete des Matelots et des Provencaux, as17910414; together with a terzetto-Davide, Albertarelli, Sga Sestini; End II: Orpheus and Eurydice, as17910331

85
03 May 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: a new Divertisement (composed by D'Auberval) Le Triomphe de la Folie-; End Opera: La Fille Mal Gardee-, as17910430

86
26 April 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

87
07 January 1790 @ Haymarket Theatre

Performances

Mainpiece Title: Ninetta; O, Chi Dell' Altrui Si Veste, Presto Si Spoglia

Dance: End I: Divertisement-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro; End Opera: La Bergere des Alpes (composed by Blake)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro, Mlle Dorival

88
13 February 1790 @ Haymarket Theatre

Performances

Mainpiece Title: I Due Castellani Burlati

Dance: End I: La Bergere des Alpes, as17900107; End Opera: an entire new ballet, Les Mariages Flamands(composed by Blake)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro

89
February 1674 @ Whitehall or St. James's

Performances

Mainpiece Title: Ballet Et Musique Pour Le Divertissement Du Roy De La Grande Bretagne

90
02 April 1707 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

91
07 November 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: La Foire De St

92
12 November 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: La Foire De St

Entertainment: All the Entertainments on Friday last-

93
01 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Le Parisien Dupe Dans Londres; Ou, La Fille A La Mode

Entertainment: Vaulting and Tumbling-

94
20 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Arlequin Jouet De La Fortune

Afterpiece Title: Arlequin The French Lawyer; ou, Crapignant

Entertainment: As17190106

95
22 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: L S Bains De La Porte St

Entertainment: Vaulting, Tumbling-; A Lesson on the Harp Organnisee to be perform'd-a Person lately arriv'd from Germany, who never appear'd on the Stage before

Dance: As17190113

96
27 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Afterpiece Title: Le Baron de La Crasse

Dance: As17181031

97
26 April 1720 @ King's Theatre

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Arlequin Galerien; ou, Le Port de Mer

Entertainment: Dancing-D'Angeville, Mlle Deschaliers, others; And several New Performances-the Tumblers; Particularly the Extraordinary Tumbling, call'd Le Saut de la Panche-Mr Debroc , who with Links in his Hands will run up to the Top of a Board 16 Foot high, and with a most surprising Activity will tumble from thence

98
21 June 1720 @ King's Theatre

Performances

Mainpiece Title: L S Bains De La Porte St

Afterpiece Title: Les Adieux D'Arlequin, Pierrot et Colombine

Dance: As17200531

99
27 January 1721 @ Haymarket Theatre

Performances

Mainpiece Title: L S Bains De La Porte St

Afterpiece Title: Le Carillon

Dance:

100
09 February 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Le Joueur

Afterpiece Title: L'Arlequin Nouvelliste; ou, Le Retour de la Bezons

Dance: