SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Grief A la mode i"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: Il Re Pastore

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303but _Simonet, Mme Simonet; +Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: La Surprize de Daphnis et Cephise. As17780331

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: La Soiree a la Mode-Dagueville, Mast. Holland, Harris, Sga Tinte

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Invasion

Dance: End: La Soiree a la Mode, as17781023, but Mast. Dagueville, Miss +Simonet, _Harris

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Funeral or Grief a la Mode

Afterpiece Title: The Farmers Return from London

Afterpiece Title: The Cobler of Castlebury

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: The Waterman

Dance: End: The Shepherd's Wedding, as17810213

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Funeral or Grief a la Mode

Afterpiece Title: Hob in the Well

Dance: End of mainpiece The Charms of a Camp (performers not listed, but see17840521)

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint Georges Day or Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

Performances

Mainpiece Title: Grief A la mode i

Afterpiece Title: THE WARD OF THE CASTLE

Song: As17931024

Performances

Mainpiece Title: Grief A la mode i

Afterpiece Title: Hercules and Omphale

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Damaseiles A La Mode

Performances

Mainpiece Title: The Ladies A La Mode

Performances

Mainpiece Title: Wit A La Mode

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: The Fairy Queen one Act

Afterpiece Title: Marriage a la Mode made into two acts

Song: Singing in Italian and French-Signora Joanna Maria; accompanied-Gasperini, Saioni

Dance: As17030123

Performances

Mainpiece Title: Concert

Afterpiece Title: Mariage a la Mode

Music: The best Masters; several Songs in Italian and English-Mr Pate (having recover'd his Voice); Singing-Leveridge, Hughes; accompanied-Bannister; several of Corelli's Sonatas-Gasperini; accompanied-Dupar

Dance: As17030123

Performances

Mainpiece Title: The Different Widows Or Intrigue A La Mode

Performances

Mainpiece Title: Marriage A La Mode Or The Comical Lovers