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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "no Performances To Sun"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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98 results for: Title - [no Performances To Sun

76
02 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Camp

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in both subsequent performances.] V: Grand Dance-Sg and Sga Zuchelli, Henry, Sga Crespi

77
23 November 1778 @ Covent Garden

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

78
29 March 1780 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Comus

Dance: In II: the original Crutch Dance-[This was danced in all subsequent performances]

Song: With additional songs, Ellen@a@Roon-Miss Catley, Miss Brown; Afterpiece: With Push about the Jorum, with an additional verse,-Miss Catley

79
15 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Apprentice

Dance: End I: Dance-Master and Miss Byrne

Music: Mainpiece: The Overture-; new Musick composed by Dr Arnold-

Song: with an additionalair-Wilson; [Public Advertiser, 26 June: In the golden barge we ride-[This was sung, as here assigned, in all subsequent performances]

80
26 September 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Whos the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

81
23 March 1781 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

82
31 October 1781 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

83
28 May 1782 @ King's Theatre

Performances

Mainpiece Title: No Performance

84
02 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies Frolick

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

85
16 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Music: End of Part I solo on the violin by Master Flack (1st performance in public)

86
21 June 1785 @ King's Theatre

Performances

Mainpiece Title: There Will Be No Opera This Evening on 20 June Orfeo Was Announced For Performance On Account Of Lepicqs Sudden And Dangerous Illness And Mlle Dorivals Remaining Still Indisposed

87
16 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: All the Worlds a Stage

Song: III: Song-Williames [This was sung, as here assigned,in all subsequent performances, except on 19 Jan. 1787, q.v.]

88
29 January 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

89
13 October 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Virgin Unmaskd

Song: III: song-Dignum [In all subsequent performances this was sung by Williames]

90
09 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Arthur and Emmeline

Song: In II: song in character-Mrs Crouch [who sang it in all subsequent performances]

91
26 December 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequins Frolicks or The Power of Witchcraft

Dance: In II: As17891209; Afterpiece conclude: Grand Ballet-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, as here assigned, in all subsequent performances]

Song: As17891209

92
06 June 1791 @ Covent Garden

Performances

Mainpiece Title: Double Falsehood Or The Distrest Lovers

Afterpiece Title: Tippoo Saib or British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

93
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Only Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

94
16 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Frolics of an Hour

Afterpiece Title: Harlequin and Faustus

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

95
12 October 1795 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Dance: In I: As17950921

Song: As17950921

Music: In afterpiece: the Harp-Weippert [This was played, as here assigned, in all subsequent performances.

96
18 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

97
20 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Afterpiece Title: The Doctor and the Apothecary

Song: End II: Ally Croaker-Miss Leak, Master Welsh; End IV: The Black Bird (composed by Hook)-Master Welsh

Music: End: A Lilliputian Performance, As17970518

98
16 September 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield