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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Opera Of The Fairies"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2500 results for: Title - The Opera Of The Fairies

51
28 November 1778 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

52
02 March 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet by Genii as17790223-Sg Zuchelli, Sga Zuchelli, young Miss Simonet; also Pedal Harp, as17790223; End II: Ballet by Fairies, as17790223, but _LeDet, _Henry, young Miss _Simonet, Slingsby; End Opera: +Le Couronnement de Zemire, as17790223

53
15 April 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet by Genii, as17790302 but Pedal Harp-_; End II: Ballet by Fairies, as17790302End Opera: a new grand Military Pantomime Ballet, La Bravoure des Femmes, in which-Mme Simonet,in the character of Leading Officer, will fight a Duel at Small Sword; The other Principal Parts Mlle Baccelli, Simonet, Sg and Sga Zuchelli, Slingsby; Minuet-Mme Simonet, Mlle Baccelli

54
13 May 1779 @ King's Theatre

Performances

Mainpiece Title: L'avaro Deluso

Dance: End I: Les Oiseleurs, as17790123; End II: Ballet by Fairies, as17790302End Opera: New Ballet, as17790227

55
15 May 1779 @ King's Theatre

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

56
29 June 1779 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Ballet by Fairies, as17790302End II: Les Moissonneurs, as17781229; End Opera: La Serenade Interrompuee, as17790515; Pas de Deux du Masque, as17790515

57
22 January 1780 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II:new Ballet, Demi-caractere, La Bergere Coquete; ou, Le Triomphe de L'Amour-Favre Guiardele, Mme Simonet, Sga Tantini, young Miss Simonet, Slingsby; End Opera: Serious Ballet connected with the Opera,-Favre Guiardele, Sg and Sga Zuchelli, Mlle Baccelli (1st appearance this season); in which a Grand Chaconne-

Song: III: song-Mme LeBrun; accompanied on the hautboy-LeBrun

58
27 May 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: End I: The Rural Sports, as17800512, but Miss _Simonet; End II: La Fete Pastorale, as17800520; End Opera: Serious Ballet-; connected with the Opera, in which a Grand Chaconne ([the music] composed by Floquet)-Favre Guiardele, Mme Simonet, Slingsby, Sga Tantini, Mlle Baccelli

59
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

60
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

61
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

62
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

63
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

64
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

65
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

66
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

67
15 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

68
26 January 1793 @ King's Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

69
10 March 1796 @ King's Theatre

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

70
23 July 1796 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azor

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

71
26 November 1796 @ King's Theatre

Performances

Mainpiece Title: Zemire Et Azor

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

72
21 June 1797 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

73
15 April 1800 @ King's Theatre

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

74
08 May 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: Between Acts: Divertisement-(1st time); End Opera: a Grand Fairy Ballet in 2 acts, Laura et Lenza; ou, Le Troubadour-all the principal Dancers see18000628

75
05 January 1674 @ no theater listed

Performances

Mainpiece Title: An Opera