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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Frenchified Lady"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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663 results for: Title - The Frenchified Lady

51
19 November 1697 @ Drury Lane Theatre

Performances

Mainpiece Title: The Scornful Lady

52
January 1701 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Ladies Visiting Day

53
June 1702 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

54
21 October 1702 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Song: Whimsical Song-Pack

55
23 October 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Song: A new song-Mrs Campion; Dialogue between two Beaus and two Coquet Ladies-

Dance: A new dance-Mrs Campion, Laferry; An Entry-Mrs Campion; the Dance- originally performed in The World in the Moon

Music: An Entertainment of New Instrumental Musick-Mr Bannister

56
10 December 1702 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Scornful Lady

57
May 1703 @ May Fair

Performances

Mainpiece Title: Entertainments

Dance: That Variety of Rope/danceing and Tumbling-; as far exceeds all that has ever yet been publickly seen; where the Lady Mary, who has given such great Satisfaction to the highest Nobility of the Kingdom, will outdo whatever she has perform'd before

58
11 February 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Scornful Lady

Dance: As17040205

Song: Cook, Davis

59
18 March 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Scornful Lady

60
28 May 1705 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Song: The dialogue, Thus at Height of Love We Live, set by Henry Purcell-

61
25 November 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Platonick Lady

62
26 November 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Platonick Lady

63
27 November 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Platonick Lady

64
28 November 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Platonick Lady

65
03 April 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Afterpiece Title: A Visiting Scene of 4 Aldermen's Ladies

Song: The Mad Dialogue, other songs-Leveridge, Mrs Lindsey

Dance: duRuel, Cherrier, duBargues, Miss Santlow; particularly the Union Dance, as twas perform'd before Her Majesty at St. James's-Mrs Santlow, duBargues

66
31 October 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reform'd Wife; Or, The Sickly Lady

Dance: A Mimick Entertainment in Imitation of Mademoiselle and her Dancing Dogs, viz. Miss, Serviteur, Beau, Peasant, Scaramouch, Harlequin.-Masters

67
27 March 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Scornful Lady

68
05 April 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Scornful Lady

69
03 January 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Scornful Lady

70
06 June 1709 @ Greenwich

Performances

Mainpiece Title: The Fine Ladies Airs

71
02 February 1710 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Entertainment: A surprizing Entertainment after the Turkish Manner, as it was perform'd in the Seraglio at Constantinople by the Kister Aga and a great number of his Eunuchs at the Command of the Grand Signior, for the Diversion of his Ladies at the last Bairam Feast-

72
11 February 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

73
15 February 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

74
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]

75
06 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Old Batchelor

Song: Interlude of Flora and Blesa (from Almahide)-Dogget, Mrs Lindsey; John E're You Leave Me-Dogget, Leveridge; Mad Man and Mad Lady-Leveridge, Mrs Lindsey