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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "It Should Have Come Sooner Being The Historick Tragic Comic Humours Of Exchange Alley"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2032 results for: Title - It Should Have Come Sooner: Being The Historick, Tragic Comic Humours Of Exchange Alley

51
29 April 1775 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Cross Purposes

Dance: I: New Comic Dance-Langrish (pupil to Aldridge), Miss Mathews; III: A New Pantomimical Dance call'd The Enchantress, as17750201; End: The Humours of Blackwall; or, The Indiaman Return'd-Aldridge, Mas. Jackson (his pupil), first appearance, Mrs Stephens, Miss Besford

52
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

53
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

54
21 May 1787 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winters Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

55
11 April 1788 @ Covent Garden

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winters Tale

Afterpiece Title: Tom Thumb

Song: End: The new Four@and@Twenty Fidlers-Edwin; In II 2nd piece: Come come my good Shepherds-Mrs Martyr

Entertainment: Monologue. End 2nd piece: A Description of the Curiosities in the Tower-Edwin

56
03 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winters Tale

Afterpiece Title: Love in a Camp

Song: Come come my good Shepherds, as17880411

57
05 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the Worlds a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

58
11 February 1790 @ Covent Garden

Performances

Mainpiece Title: The Sheep Shearing Or Florizel And Perdita

Afterpiece Title: Lovers Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

59
18 August 1790 @ Haymarket Theatre

Performances

Mainpiece Title: Gretna Green

Afterpiece Title: The Liar

Afterpiece Title: The Virgin Unmaskd

Entertainment: End I 2nd piece: Tragic Imitations-Mrs Wells; End II: Comic and Vocal Imitations-Mrs Wells; End play: Favourite Speech the "ring" speech in IV.ii from Isabella-Mrs Wells

60
10 May 1791 @ Covent Garden

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

61
28 April 1792 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

62
16 April 1799 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew or Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

63
18 September 1754 @ Southwark Fair

Performances

Mainpiece Title: The Distressd Merchant Or The Jew Of Venice

Afterpiece Title: The Escapes of Harlequin or Fribble Trickd

Dance: Comic Dance,%Humours of Cloth Fair-

64
March 1670 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

65
04 November 1672 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Mourning Ramble Or The Town humours

66
11 November 1672 @ Charing Cross

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna With The Humours Of The Valiant Welch man

67
26 November 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Triumphant Widow Or The Medley Of Humours

68
July 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man Out His Humour

69
February 1678 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rambling Justice Or The Jealous Husbands With The Humours Of Sir John Twiford

70
31 May 1680 @ Drury Lane Theatre

Performances

Mainpiece Title: The Female Prelate Being The History Of The Life And Death Of Pope Joan

71
24 August 1682 @ Bartholomew Fair

Performances

Mainpiece Title: The Irish Evidence The Humours Of Tiege Or The Mercenary Whore

72
May 1696 @ May Fair

Performances

Mainpiece Title: King Williams Happy Deliverance And Glorious Triumph Over His Enemies Or The Consultation Of The Pope Devil French King And The Grand Turk With The Whole Form Of The siege Of Namurv And The Humours Of A renegade French man And brandy Jean With The Conceits Of A scaramouch And harlequin

73
May 1697 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Intrigues At Versailles Or A Jilt In All Humours

74
23 August 1699 @ Bartholomew Fair

Performances

Mainpiece Title: Fryar Bacon Or The Country Justice With The Humours Of tolfree The Miller And His Son ralph

75
09 January 1700 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff