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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Il Trionfo D\'amore"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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686 results for: Title - Il Trionfo D'amore

51
04 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17821212 throughout

52
14 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830111 throughout

53
18 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830116 throughout

54
25 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

55
01 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830128 throughout

56
08 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830128 throughout

57
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

58
25 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830215 throughout

59
08 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830204 throughout

60
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

61
20 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830313End of Act II La Bigueule, as17830313but omitted: Mlle Theodore, Mme Simonet

62
25 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: As17830322hroughout

63
10 May 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II La Bigueule, as17830313but omitted: Slingsby, Mme Simonet

64
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

65
24 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: As17840117 throughout

66
31 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: As17840117 throughout

67
13 May 1800 @ King's Theatre

Performances

Mainpiece Title: il Drammatico Capricioso Recte Il Capriccio Drammatico

Afterpiece Title: I Due Svizzeri

Dance: End 1st piece: Divertisement, as18000508; End 2nd piece: Laura et Lenza (with alterations), as18000508

68
09 March 1773 @ King's Theatre

Performances

Mainpiece Title: Il Triomfo Damore

Afterpiece Title: Orfeo

Dance: New Dance adapted to the Opera (Orfeo) intermixed with Grand Choruses-; In pastoral piece: Grand Ballet with Pas de cinq-Slingsby, Mlle Grenier, Lepy, Sga Crispi, Mlle Lafond; End Opera: New Grand Ballet-Mlle Heinel, Fierville; with a new Allemand-; New Grand Chacone-Mlle Heinel, Fierville

69
13 March 1773 @ King's Theatre

Performances

Mainpiece Title: Il Triomfo Damore

Afterpiece Title: Orfeo

Dance: As17730309 but Allemand-_

70
02 April 1707 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

71
29 May 1714 @ Queen's Theatre

Performances

Mainpiece Title: Arminius

Music: The following songs will be sung in the room of others: Vieni o morte a Consolatmi-Mrs Robinson; Amor pui non Voglieo-Signora Galerati; Ti stringo o mio diletto-Valentini; Amore inflama or To Beauty Devoted-Signora Margarita; Ho un non so che nelcor-Mrs Barbier

72
23 June 1714 @ Queen's Theatre

Performances

Mainpiece Title: Ernelinda

Music: In which the following songs will be sung in the room of others: Rio che tumido ingrossa londa-Mrs Robinson; Lusinghe Vezzose-Signora Galerati; Amore inflame ; or, To Beauty Devoted-Signora Margarita; Ho un non so che nelcor-Mrs Barbier; Una speranza mi dice albore-Mrs Manina

73
01 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

74
04 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

75
08 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta